This is charming — an inventory of “all the properties for my Lord Admiral’s men,” taken by theatrical impresario Philip Henslowe on March 10, 1598:

Item: 1 rock, 1 cage, 1 Hell-mouth
Item: 1 tomb of Guido, 1 tomb of Dido, 1 bedstead
Item: 8 lances, 1 pair of stairs for Phaeton
Item: 2 steeples, and 1 chime of bells, and 1 beacon
Item: 1 globe, and 1 golden sceptre; 3 clubs
Item: 2 marchpanes, and the city of Rome
Item: 1 golden fleece; 2 rackets; 1 bay-tree
Item: 1 wooden canopy; old Mahomet’s head
Item: 1 lion skin; 1 bear’s skin; and Phaeton’s limbs, and Phaeton chariot; and Argus’ head
Item: Neptune fork and garland
Item: 8 vizards; Tamburlaine bridle; 1 wooden mattock
Item: Cupid’s bow and quiver; the cloth of the sun and moon
Item: 1 boar’s head and Cerberus’ three heads
Item: 1 caduceus; 2 moss banks, and 1 snake
Item: 2 fans of feathers; Belin Dun’s stable; 1 tree of golden apples; Tantalus’ tree; 9 iron targets
Item: 1 Mercury’s wings; Tasso picture; 1 helmet with dragon; 1 shield with 3 lions; 1 elm bowl
Item: 1 lion; 2 lion heads; 1 great horse with his legs; 1 sackbut
Item: 1 black dog
Item: 1 cauldron for the Jew

Much of what we know about the business of Elizabethan theater comes from a book of accounts that Henslowe kept around the turn of the 17th century. He never mentions Shakespeare directly, but his theaters competed with the Globe.