In Hitler Moves East, former SS officer Paul Carell records a bizarre scene from the bitterly cold winter of 1941 on the eastern front. At Ozarovo a rearguard of the German 3rd Rifle Regiment came across a group of Russian troops standing motionless in waist-deep snow. On investigating, they found that the Soviets, horses and men, had frozen to death where they stood:

Over on one side was a soldier, leaning against the flank of his horse. Next to him a wounded man in the saddle, one leg in a splint, his eyes wide open under iced-up eyebrows, his right hand still gripping the dishevelled mane of his mount. The second lieutenant and the sergeant slumped forward in their saddles, their clenched fists still gripping their reins. Wedged in between two horses were three soldiers: evidently they had tried to keep warm against the animals’ bodies. The horses themselves were like the horses on the plinths of equestrian statues — heads held high, eyes closed, their skin covered with ice, their tails whipped by the wind, but frozen into immobility.

Lance Corporal Tietz couldn’t take photos because “the view-finder froze over with his tears” and the shutter refused to work. “The god of war was holding his hand over the infernal picture,” Carell writes. “It was not to become a memento for others.”