In 1590 Emperor Rudolf II commissioned Flemish painter Joris Hoefnagel to illuminate the Mira calligraphiae monumenta, an illustration of various scripts that had been begun 15 years earlier by court calligrapher Georg Bocskay.

The book contains a tiny demonstration of Hoefnagel’s skill in trompe-l’œil. On one page he painted a Maltese cross, a type of flower, depicting it as though the plant’s stem passes through a slit in the paper. On the overleaf he continues the idea — the foregoing text and images can be discerned through the page, and Hoefnagel has faithfully painted in the flower’s “stem” as if the insertion were real. It’s the only painted element on this side of the page.