It’s said that Samuel Johnson resorted to unconventional methods to win a debate with a Billingsgate fishwife:
He called her a noun, a pronoun, an adverb, and she hesitated. He vigorously charged her with being conjunction and preposition. She wavered. And when at length with stentorian voice he accused her to her face of being a parallelopipedon, she broke in disorder and fled in the utmost confusion.
(Frederic Coudert, “Lying as a Fine Art,” 1873.)

