Reading Music

Philadelphia physician Arthur Lintgen can recognize classical phonograph records without hearing them. By studying the spacing and patterns of the grooves, the structure of the vinyl, and the number and length of the movements, he can identify most orchestral music composed since Beethoven’s time.

He’s been tested several times, once in the presence of two musicians from major American orchestras. Lintgen studied each record for 15 to 30 seconds, then correctly named Bruckner’s Fourth Symphony, Orff’s Carmina Burana, Rachmaninoff’s The Bells and Second Symphony, and the Saint-Saëns “Organ” Symphony.

Singing Sand Dunes

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Walk on Kazakhstan’s Dune of Altynemel and it will sing. The sound is described as a cross between a roar and a boom; a strong wind can produce the same effect.

Singing sand is found at about 35 sites around the world, including the Eureka Dunes in California, Sand Mountain in Nevada, and the Booming Dunes in the Namib Desert of Africa.

No one’s quite sure how it works. Scientists think it’s a reverberating resonance produced by the sliding of similarly sized grains of sand.

Stumper

Plutarch wrote that Homer died of exasperation because he couldn’t solve a fisherman’s riddle:

“What we have caught we threw away; what we could not catch we kept.”

The answer is “fleas.”

Fair Enough

[Felix Malleolus] relates at large the proceedings instituted against some mosquitoes in the thirteenth century in the Electorate of Mayence, when the judge before whom they were cited granted them, on account of the minuteness of their bodies and their extreme youth, a curator and counsel, who pleaded their cause and obtained for them a piece of land to which they were banished.

— Sabine Baring-Gould, Curiosities of Olden Times, 1896

Lipogram

What’s unusual about this nursery rhyme?

Old Mother Hubbard
Went to the cupboard
To get her poor dog a bone,
But when she got there
The cupboard was bare
And so her poor dog had none.

It’s 30 words long but does not contain the letter I.

See also Nevermore.

Poetic License

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Sam Loyd tells the story of a feud between two Cincinnati newspapers. One of them, the Star in the West, published the following poem by an anonymous contributor, praising its originality and beauty:

Spring

The genial spring once more with chaplets crowned
Has showered her choicest blessings all around.
Each silent valley and each verdant lawn
Enriched with flowers, looks smiling as the dawn
Demure and modest hued the violet grows;
In yonder garden blooms the blushing rose;
To these the lilac adds her fragrant dower
Of perfume cherished by the sun and shower.
Reviving Flora walks the world a queen
Of kingdoms peerless as a fairy scene.
Far o’er the hills, in many a graceful line,
The rainbow blossoms of the orchard shine.
How softly mingled all their tints unite,
Embalm the air and bless the grateful sight!
Sweet voices now are heard on every tree,
The breeze, the bird, the murmur of the bee.
And down the cliff, where rocks oppose in vain,
Runs the clear stream in music of the plain.
In noisy groups, far from their southern home,
Now round the lofty spire the swallows roam;
The fearless robin builds with glossy leaves
Her fragile nest beneath the farmer’s eaves;
Embowered in woods the partridge makes her bed
With silken moss o’er tender osiers spread;
Each happy bird expands his dappled wings,
Soars with his gentle mate and sweetly sings.
The sounds of early husbandry arise
In pleasing murmurs to the pale blue skies;
Shrill floats the ploughman’s whistle while he speeds
Along the yielding earth his patient steeds.
Joyous the life which tills the pregnant soil,
And sweet the profits of the farmer’s toil.
Content, as smiling as an angel face
Keeps peaceful vigil round his dwelling place,
And gentle Hope and Love, forever bright,
Smiling like seraphs in their bowers of light,
Salute his mornings and embalm each night.

His rival sweetly suggested he read the first letter of each line.

Penetrating

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The lectures of 19th-century seer Andrew Jackson Davis weren’t well attended, but perhaps they should have been. His 1856 book Penetralia predicted both the automobile and the typewriter:

Look out about these days for carriages and travelling-saloons on country-roads–sans horses, sans steam, sans any visible motive-power–moving with greater speed and far more safety than at present. Carriages will be moved by a strange, and beautiful, and simple admixture of aqueous and atmospheric gases–so easily condensed, so simply ignited, and so imparted by a machine somewhat resembling our engines, as to be entirely concealed and manageable between the forward wheels. …

I am almost moved to invent an automatic psychographer; that is, an artificial soul-writer. It may be constructed something like a piano; one brace or scale of keys to represent the elementary sounds; another and lower tier, to represent a combination; and still another, for a rapid recombination; so that a person, instead of playing a piece of music, may touch off a sermon or a poem!

“Old Joke Versified”

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Says Tom to Bill, pray tell me, sir,
Why is it that the devil,
In spite of all his naughty ways,
Can never be uncivil?

Says Bill to Tom, the answer’s plain
To any mind that’s bright:
Because the imp of darkness, sir,
Can ne’er be imp o’ light.

— Charles Carroll Bombaugh, Gleanings for the Curious From the Harvest-Fields of Literature, 1890