The Reminiscence Bump

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If you seem to recall your adolescence and early adulthood years more clearly than your later life, that’s normal. Most of us can recall a disproportionate number of autobiographical memories made between ages 10 and 30, perhaps because of the important changes in identity, goals, attitudes, and beliefs that most of us went through in those years. (Also, that’s the span in which many of us have novel experiences such as graduation, marriage, and the birth of a child.)

Interestingly, this phenomenon extends to favorite books, movies, and records. In a 2007 study, psychologist Steve M.J. Janssen and his colleagues at the University of Amsterdam found that subjects best recorded memories of these things between 11 and 25. This is particularly true of music: Items that aren’t revisited frequently, such as books, are more likely to be forgotten, but records have a strong “reminiscence bump.”

“Books are read two or three times, movies are watched more frequently, whereas records are listened to numerous times. The results suggest that differential encoding initially causes the reminiscence bump and that re-sampling increases the bump further.” See the appendices for lists of favorite books, movies, and records and the average ages at which subjects first encountered them.

(Steve M.J. Janssen, Antonio G. Chessa, and Jaap M.J. Murre, “Temporal Distribution of Favourite Books, Movies, and Records: Differential Encoding and Re-Sampling,” Memory 15:7 [2007], 755-767.)

“The Artist”

One evening there came into his soul the desire to fashion an image of ‘The Pleasure That Abideth For A Moment.’ And he went forth into the world to look for bronze. For he could only think in bronze.

But all the bronze in the whole world had disappeared; nor anywhere in the whole world was there any bronze to be found, save only the bronze of the image of ‘The Sorrow That Endureth For Ever.’

Now this image he had himself, and with his own hands, fashioned and had set it on the tomb of the one thing he had loved in life. On the tomb of the dead thing he had most loved had he set this image of his own fashioning, that it might serve as a sign of the love of man that dieth not, and a symbol of the sorrow of man that endureth for ever. And in the whole world there was no other bronze save the bronze of this image.

And he took the image he had fashioned, and set it in a great furnace, and gave it to the fire.

And out of the bronze of the image of ‘The Sorrow That Endureth For Ever’ he fashioned an image of ‘The Pleasure That Abideth For A Moment.’

— Oscar Wilde, Poems in Prose, 1894

The Dining Cryptographers Problem

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Image: Wikimedia Commons

Three cryptographers are having dinner at their favorite restaurant. The waiter informs them that arrangements have been made for their bill to be paid anonymously. It may be that the National Security Agency has picked up the tab, or it may be that one of the cryptographers himself has done so. The cryptographers respect each other’s right to pay the bill anonymously, but they want to know whether the NSA is paying. Happily, there is a way to determine this without forcing a generous cryptographer to reveal himself.

Each cryptographer flips a fair coin behind a menu between himself and his right-hand neighbor, so that only the two of them can see the outcome. Then each cryptographer announces aloud whether the two coins he can see — one to his right and one to his left — had the same outcome or different outcomes. If one of the cryptographers is the payer, he states the opposite of what he sees. If an even number of cryptographers say that they saw different outcomes, then the NSA paid; if an odd number say so, then one of the cryptographers paid the bill, but his anonymity is protected.

Computer scientist David Chaum offered this example in 1988 as the basis for an anonymous communication network; these networks are often referred to as DC-nets (for “dining cryptographers”).

(David Chaum, “The Dining Cryptographers Problem: Unconditional Sender and Recipient Untraceability,” Journal of Cryptology 1:1 [1988], 65-75.)

Claque o’ Lanterns

Michigan art teacher Ray Villafane found enough success as a clay and wax sculptor to quit his job in 2006, but his career really took off when he changed media — the Wall Street Journal now calls him “the Picasso of pumpkin carving.”

More at his website.

(Thanks, Bill.)

“Summer”

Future poet laureate John Betjeman wrote this at age 13 as a “prep” exercise:

Whatever will rhyme with Summer?
There only is “plumber” and “drummer”:
Why! the cleverest bard
Would find it quite hard
To connect with the Summer — a plumber!

My Mind’s getting glummer and glummer
Hooray! there’s a word besides drummer;
Oh, I will think of some
Ere the prep’s end has come
But the rhymes will get rummer and rummer.

Ah! If the bee hums, it’s a hummer;
And the bee showeth signs of the Summer;
Also holiday babels
Make th’porter gum labels,
And whenever he gums, he’s a gummer!

The cuckoo’s a goer and comer
He goes in the hot days of Summer;
But he cucks ev’ry day
Till you plead and you pray
That his voice will get dumber and dumber!

The Sincerest Form

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The Soviet Tupolev Tu-4 strategic bomber of the 1950s was a reverse-engineered copy of the American Boeing B-29 Superfortress. Stalin wanted a strategic bomber, so when three B-29s were forced to land in Soviet territory in 1944, he ordered clones made, and 20 were ready by 1947, despite the engineering challenges caused by non-metric American specifications.

The Soviets revealed their coup during a Moscow parade in August 1947. When three aircraft flew overhead, Western analysts assumed they were the three captured B-29s. Then a fourth appeared.

(Thanks, Kevin.)

Podcast Episode 219: The Greenbrier Ghost

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In 1897, shortly after Zona Shue was found dead in her West Virginia home, her mother went to the county prosecutor with a bizarre story. She said that her daughter had been murdered — and that her ghost had revealed the killer’s identity. In this week’s episode of the Futility Closet podcast we’ll tell the story of the Greenbrier Ghost, one of the strangest courtroom dramas of the 19th century.

We’ll also consider whether cats are controlling us and puzzle over a delightful oblivion.

See full show notes …

The Mother of Invention

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Image: Wikimedia Commons

The presence of an inconvenient roadway prevented architect Donato Bramante from making Milan’s Santa Maria presso San Satiro as grand as he’d hoped — so he painted a fictional apse in a shallow niche that’s only a few feet deep.

Created in 1477, it’s one of the earliest examples of trompe l’oeil in the history of art.

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Image: Wikimedia Commons

Bases Into Gold

You have 12 coins that appear identical. Eleven have the same weight, but one is either heavier or lighter than the others. How can you identify it, and determine whether it’s heavy or light, in just three weighings in a balance scale?

This is a classic puzzle, but in 1992 Washington State University mathematician Calvin T. Long found a solution “that appears little short of magic.” Number the coins 1 to 12 and make three weighings:

First weighing: 1 3 5 7 vs. 2 4 6 8
Second weighing: 1 6 8 11 vs. 2 7 9 10
Third weighing: 2 3 8 12 vs. 5 6 9 11

To solve the problem, note the result of each weighing and assemble a three-digit numeral in base 3 as follows:

Left pan sinks: 2
Right pan sinks: 0
Balance: 1

For example, if coin 7 is light, that produces the number 021 in base 3. Now converting that to base 10 gives 7, the number of the odd coin, and an examination of the weighings shows that it must be light. Another example: If coin 2 is heavy, then we get 002 in base 3, which is 2 in base 10. Note that it’s possible to get an answer that’s higher than 12, e.g. when coin 7 is heavy — in that case subtract the base-10 answer you get from 26.

Another curious method to solve the classic puzzle, this one involving verbal mnemonics, appeared in Eureka in 1950.

(Calvin T. Long, “Magic in Base 3,” Mathematical Gazette 76:477 [November 1992], 371-376.)

09/30/2018 UPDATE: Due to an error in the original paper, the weighings I originally specified don’t work in every case — in the third weighing, the left pan should contain 2 3 8 12, not 1 2 8 12. I’ve amended this in the post above; everything should work now. Sorry for the error; thanks to everyone who wrote in.

“Life’s Gifts”

I saw a woman sleeping. In her sleep she dreamt Life stood before her, and held in each hand a gift — in the one Love, in the other Freedom. And she said to the woman, ‘Choose!’

And the woman waited long: and she said: ‘Freedom!’

And Life said, ‘Thou hast well chosen. If thou hadst said, ‘Love,’ I would have given thee that thou didst ask for; and I would have gone from thee, and returned to thee no more. Now, the day will come when I shall return. In that day I shall bear both gifts in one hand.’

I heard the woman laugh in her sleep.

— Olive Schreiner, Dreams, 1891