Skyline

1931 architects' ball

At a 1931 costume ball, seven New York architects appeared as their own buildings. Left to right: A. Stewart Walker as the Fuller Building; Leonard Schultze as the Waldorf-Astoria; Ely Jacques Kahn as the Squibb Building; William Van Alen as the Chrysler Building; Ralph Walker as One Wall Street; D.E. Ward as the Metropolitan Tower; and Joseph H. Freedlander as the Museum of the City of New York.

That’s from Rem Koolhaas’ Delirious New York, 1994. Some compromises: Freedlander had never designed a skyscraper, so he put the museum on his head. Schultze had to represent the twin-towered Waldorf Astoria with a single headdress. And “The elegant top of A. Stewart Walker’s Fuller Building has so few openings that faithfulness to its design now condemns its designer to temporary blindness.”

William Van Alen, in the center, went bananas with the Chrysler Building: The headpiece is an exact facsimile of the top of the building; the cape, puttees, and cuffs are made of flexible wood selected from trees in India, Australia, the Philippines, South America, Africa, Honduras, and North America; the cape matches the design of the first floor elevator doors, using the correct woods; the front is a replica of the elevator doors on the upper floors of the building; and the shoulder ornaments are the eagles’ heads that appear at the building’s 61st-floor setback.

One marvel I couldn’t find a photo of: Thomas Gillespie “dressed as a void to represent an unnamed subway station.”

| Oddities

Above It All

https://www.google.com/patents/US915171

Here’s a lost art: “Ceiling walking” was a popular form of American entertainment as early as 1806, when “Sanches, the Wonderful Antipodean” wore iron shoes that were “fitted in grooves in a board fastened to the top of the stage.”

Spectacles such as this were drawing crowds right through the 19th century. In New Orleans in the 1880s a young “human fly” named Mademoiselle Aimee was carried by her teeth to a trapeze 50 feet in the air, from which she affixed her feet to the ceiling by some indistinct means. “Many such exclamations as ‘My God!’ ‘Oh My!’ and so on follow, and as she puts one foot before the other, walking in a forward direction, the situation is most thrilling,” marveled the Daily Picayune. “Often ladies have fainted at the sight of the almost child’s peril, and men have trembled while looking up at her. Many refuse to look up at all and those who do continue to look are in constant apprehension of a terrible accident. There is no question in the world but that the feat is without parallel in the matter of tempting fate.”

How was this done? There seem to be a range of answers. V. Waid’s “Theatrical Device” of 1905 used vacuum cups attached to the fly’s feet, but both E.I. George’s “Electric Aerial Ambulating System” of 1909 (above) and C.H. Newman and W. Berrigan’s “Electrical Device to Enable Showmen to Walk on the Ceiling” of 1885 used electromagnets.

How would this have evolved if it had remained popular? What would we be using today?

(From Jacob Smith, The Thrill Makers, 2012.)

| Entertainment · Technology

In a Word

accinge
v. to prepare or apply oneself

facetely
adv. elegantly; cleverly; ingeniously

plusquamperfection
n. utter perfection

magnality
n. a great or wonderful thing

A villainous Nazi named Roehm
Was searching for rhymes matching “poem.”
Then, chortling with glee,
Stated that he
Had found one at last. “That’ll show ’em!”

— J.M. Crais

| Language · Poems

Motor City

corbett traffic plan

In 1923 Columbia University architect Harvey Wiley Corbett proposed a novel solution to Manhattan’s traffic problem: surrender. His Proposals for Relieving Traffic Congestion in New York had four phases:

  1. The present situation.
  2. Pedestrians are transferred from street level to bridges that are cantilevered from the buildings, and patronize shops at this level.
  3. “Cut-ins” in the buildings permit six cars to move abreast, with parking space for two cars on each side.
  4. In the end the city’s entire ground level would be an ocean of cars, increasing traffic potential 700 percent, while pedestrians crossed streets on overhead bridges.

Corbett took a strangely romantic view of this: “The whole aspect becomes that of a very modernized Venice, a city of arcades, plazas and bridges, with canals for streets, only the canals will not be filled with real water but with freely flowing motor traffic, the sun glistening on the black tops of the cars and the buildings reflecting in this waving flood of rapidly rolling vehicles.”

By 1975, Corbett wrote, Manhattan could be a network of 20-lane streets in which pedestrians walk from “island” to “island” in a “system of 2,028 solitudes.” That doesn’t feel so different from what we have today.

Related: The city of Guanajuato, Mexico, is built on extremely irregular terrain, and many of the streets are impassable to cars. To compensate, the residents have converted underground drainage ditches and tunnels into roadways (below). These had been dug for flood control during colonial times, but modern dams have left them dry. (Thanks, David.)

| Society · Technology

Another Perspective

https://commons.wikimedia.org/wiki/File:Benjamin_Eug%C3%A8ne_Fichel_The_Connoisseurs_1871.jpg

All [J. Smith] ever paints are pastoral landscapes. But years after Smith’s Lake Placid is bought and exhibited by a very conservative museum, an art critic discovers that by tilting the painting 90 degrees, it can be seen as a painting of a devil embracing two nudes. The critic calls this aspect Ménage. The enraged artist protests that he had never intended to paint the lewd picture, that his painting is a realistic representation of Lake Placid and nothing more, and that the critic’s interpretation is illegitimate.

Is Ménage a work of art? If so, is it a work by Smith? Can Ménage be a better painting than Lake Placid (or vice versa)? Or is this painting neither Lake Placid nor Ménage? Would you, as the conservative curator, remove the painting?

— Eddy Zemach of Hebrew University, Jerusalem, posed in Margaret P. Battin et al., Puzzles About Art, 1989

| Art

Podcast Episode 175: The Lone Woman of San Nicolas Island

https://commons.wikimedia.org/wiki/File:Juana_Maria_(Hayward_%26_Muzzall).jpg

In 1835, a Native American woman was somehow left behind when her dwindling island tribe was transferred to the California mainland. She would spend the next 18 years living alone in a world of 22 square miles. In this week’s episode of the Futility Closet podcast we’ll tell the poignant story of the lone woman of San Nicolas Island.

We’ll also learn about an inebriated elephant and puzzle over an unattainable test score.

See full show notes …

| History · Podcast

Early Adopters

https://commons.wikimedia.org/wiki/File:Mark_Twain_young.JPG

Mark Twain was an early proponent of the typewriter — in 1905 he claimed that “I was the first person in the world to apply the type-machine to literature. That book must have been The Adventures of Tom Sawyer.”

Actually the evidence shows that Life on the Mississippi was the first book submitted to a publisher as a typewritten manuscript, which means that Twain had a surprising competitor in Friedrich Nietzsche, who tried out a Hansen Schreibkugel, or “writing ball,” for a few weeks in 1882, hoping to reduce demands on his failing eyesight.

“Hurrah! The machine has arrived at my house,” Nietzsche wrote to his sister on February 11. He typed poetically:

THE WRITING BALL IS A THING LIKE ME:
MADE OF IRON YET EASILY TWISTED ON JOURNEYS.
PATIENCE AND TACT ARE REQUIRED IN ABUNDANCE
AS WELL AS FINE FINGERS TO USE US.

Unfortunately he found his fingers weren’t fine enough, and he gave it up in March. Twain submitted his manuscript a few months later.

| Literature · Technology

A Vertical Forest

Milan skyscrapers Bosco Verticale were named Best Tall Building Worldwide in 2015 by the Council on Tall Buildings and Urban Habitat, beating out 120 other contenders.

The two towers, 111 and 76 meters tall, are covered top to bottom with more than 900 trees, which attenuate noise, produce oxygen, and regulate temperature: During the summer, the leaves shade the apartments, and during the winter the leaves drop, allowing sunlight in. The building’s irrigation system directs water onto the porches to sustain the plants.

Each tree had to be pruned to fit within its balcony, a process that took two years. If all of them were transplated to the ground they’d make a forest of nearly two acres.

And “The Vertical Forest increases biodiversity,” architect Boeri Studio told Arch Daily. “It promotes the formation of an urban ecosystem where various plant types create a separate vertical environment, but which works within the existing network, able to be inhabited by birds and insects (with an initial estimate of 1,600 specimens of birds and butterflies). In this way, it constitutes a spontaneous factor for repopulating the city’s flora and fauna.”

| Oddities · Technology

Priorities

https://pixabay.com/en/sunset-monkey-ape-bali-ocean-sea-653431/

“Once I saw a chimpanzee gaze at a particularly beautiful sunset for a full 15 minutes, watching the changing colors until it became so dark that he had to retire to the forest without stopping to pick a pawpaw for supper.” — Adriaan Kortlandt

| Art · Quotations · Science & Math

Daddy!

https://commons.wikimedia.org/wiki/File:Wolfe-Too-Many-Cooks-Train.jpg

In Rex Stout’s mystery novels, detective Nero Wolfe maintains that he was born in Montenegro, but the stories give conflicting evidence, and after careful study historian Bernard DeVoto concluded that he was really born in the United States sometime between 1892 and 1896, having been conceived in Montenegro between March 1891 and March 1895.

Now, Sherlock Holmes had his climactic battle with Professor Moriarty at the Reichenbach Fall at the beginning of May 1891, after which he disappeared into shadowy wanderings until 1894. Writer John D. Clark notes that Holmes could easily have visited Cetinje and remained there for several months, long enough to meet Irene Adler, whose fragile marriage would by then have broken up, sending her back to an itinerant life as an opera singer. The two would naturally have fallen in together, especially as English speakers were relatively rare in Montenegro, and an eventual affair was inevitable.

When Adler became pregnant she would have returned to her parents in New Jersey and given birth there. Nero Wolfe was born in New Jersey in late 1892 or early 1893, six months after Adler would had left Montenegro. She would then have returned to Central Europe, where her son grew up, just as he states. Clark concludes, “Whether Wolfe ever condescends to admit it, or whether he remains forever silent, his parentage can no longer be a matter of conjecture, nor can there be any doubt as to the source from which he inherited his remarkable talents.”

In 1955 Clark put this case to Stout, who responded with this note:

I am obliged to you for sending me the ms. for perusal, and I admire the finesse of your suggestion that ‘censorship’ by me might be desirable and acceptable. As the literary agent of [Wolfe’s assistant] Archie Goodwin I am of course privy to many details of Nero Wolfe’s past which to the general public, and even to scholars of Clark’s standing, must remain moot for some time. If and when it becomes permissible for me to disclose any of those details, your distinguished journal would be a most appropriate medium for the disclosure. The constraint of my loyalty to my client makes it impossible for me to say more now.

He never fully denied the theory. He died in 1975.

(John D. Clark, “Some Notes Relating to a Preliminary Investigation Into the Paternity of Nero Wolfe,” Baker Street Journal, January 1956.)

| Literature