Observations

Excerpts from the notebooks of English belletrist Geoffrey Madan (1895-1947):

Sun sets on 5 May exactly behind the Arc de Triomphe.

There is a social level at which intellect is superfluous; and an intellectual level at which rank is invisible.

The odd fact that one sees Paddington as two such different places when arriving and when departing. [Elsewhere he says this is “perhaps the difference between life seen in youth and old age.”]

“Why is no food blue?” — Jane Asquith (aged 7)

“Society of Contradictory Overseers.” — Attempt by the Chinese Ambassador in 1881 to convey the sense of “Protestant Episcopal Church”

Influenza symptoms seem only a slight intensification of one’s ordinary attitudes to life: disinclination to get up, etc.

“Omlet, Omlet, dies is dein Feyder’s spooke.” — Dutch Hamlet

“My dear, you’re the only woman in the world who’d have known the right hat to wear on an occasion like this.” — Oscar Wilde, to Mrs. Leverson, on his coming out of prison

“De Sancta Cruce”

https://archive.org/details/monumen01gese

The English scholar Alcuin devised this remarkable acrostic poem in the ninth century. The text can be read in conventional lines of Latin, and additional phrases are embedded in a symmetrical arrangement of lines that represent the cross inscribed upon the world:

Horizontal, top and bottom:

Crux decus es mundi Iessu de sanguine sancta (“Cross, you are the glory of the world, in Jesus’ blood sanctified”)

Suscipe sic talem rubicumdam celsa coronam (“Accept, exalted cross, from me this scarlet crown”)

Vertical, left and right:

Crux pia vera salus partes in quatuor orbis (“Pious cross, true salvation in the four corners of the world”)

Alma teneto tuam Christo dominane coronam (“Beneficent, take your crown, Christ being the Lord”)

The cross:

Rector in orbe tuis sanavit saecla sigillis (“The ruler of the world saved generations by your sign”)

Surge lavanda tuae sunt saecula fonte fidei (“Rise, the world is cleansed in the font of faith”)

The diamond, representing the world (whose four corners are referenced in the vertical line on the left):

Salve sancta rubens, fregisti vincula mundi (“Hail holy scarlet, you have shattered the world’s shackles”)

Signa valete novis reserata salutibus orbi (“Wonders are manifest, revealed anew to the world in saving works”)

A translation of the full text:

Cross, you are the glory of the world, in Jesus’ blood sanctified.
God the king from the cross conveyed heaven’s judgment.
A victor he reigns, destroying evil and conquering the enemy,
Christ the great sacrifice nailed on the cross for us.
The shepherd by dying redeemed his sheep with his healing right hand.
Glorious, holy salvation from the venerable tree,
he seized the prize, shrugging off the ties of flesh.
Though in bonds the highest king freed us, and he himself
giving his life to the cross triumphed over death,
The kingdom of heaven gaped when the world’s enemy was destroyed.
The sign will be more manifest and all good people will wear it,
praising it with all strength; let all discern more profoundly
so that they may see how many his holy passion frees
from eternal sorrow, and see one thrown down by time
to heal those oppressed by the enemy’s torments; there
may the highest and true Joseph now be our salvation,
who suffered high upon the cross such that error can’t seduce
and poison men and drag them from the light of faith.
The ruler of the world saved generations by your sign.
You, my life, my salvation! For you alone my voice composes hymns,
and shall always sing the highest songs, clear and plain
with the plectrum; for David famous for his song
proves that it is proper for us to testify holiness continually
in elaborate style — accept that which I have just begun, O Christ supernal,
true salvation, great sufferer, you sacred and holy light. Now
the secular nations sing the beneficent sign of the cross,
all the earth trembles and in one accord proclaims
the fame of the cross. In prayer it reveals its inmost heart.
Now hear, vain men, confounded in evil:
The almighty shines forth. May blessed faith fill your hearts
and the serpent not drive them back to their old ways.
The highest and most faithful redeemer has restored us
to his kingdom, and has conquered by this sign the obdurate one,
toppling warlike Satan from the place he hazarded to rule.
Glorious cross, the world should loose its prayers to you.
Accept, exalted cross, from me this scarlet crown.

(From Monumenta Germaniae Historica, part one, 1880, and Jay Hopler and Kimberly Johnson, eds., Before the Door of God: An Anthology of Devotional Poetry, 2013. Thanks, Brandon.)

Podcast Episode 29: The Mystery of Kaspar Hauser

C:\Users\Greg\Dropbox\Podcast\029-The Mystery of Kaspar Hauser

In 1828, a 16-year-old boy appeared in Nuremberg, claiming that he’d spent his whole life alone in a dark cell. In this week’s episode of the Futility Closet podcast we’ll follow the short, sad life of Kaspar Hauser and ponder who he might have been.

We’ll also revisit the Pacific Northwest Tree Octopus, encounter some self-landing planes, and puzzle over why a man would bury 15 luxury cars in the desert.

09/21/2024 UPDATE: New DNA analysis appears to rule out the possibility that Hauser had ties to royal family of Baden. Thanks to listeners Tucker Drake and Charles Hargrove for writing in about this.

See full show notes …

In a Word

http://www.sxc.hu/photo/831303

tonitruation
n. thundering

Finnegans Wake is punctuated by ten thunderclaps, which occur at moments of crisis in the text. “A situation is presented, developed, and subjected to increasing stress until, with the thunder, a collapse, and suddenly a complementary situation that was latent in the first is seen to be in place,” writes scholar Eric McLuhan.

First thunderclap:

bababadalgharaghtakamminaronnonnbronntonnerronnuonnthunn-
trobarrhounawnskawntoohoohoordenenthurknuk

Second:

Perkodhuskurunbarggruauyagokgorlayorgromgremmitghundhurthru-
mathunaradidillifaititillibumullunukkunun

Third:

klikkaklakkaklaskaklopatzklatschabattacreppycrottygraddaghsemmih-
sammihnouithappluddyappladdypkonpkot

Fourth:

Bladyughfoulmoecklenburgwhurawhorascortastrumpapornanennykock-
sapastippatappatupperstrippuckputtanach

Fifth:

Thingcrooklyexineverypasturesixdixlikencehimaroundhersthemagger-
bykinkinkankanwithdownmindlookingated

Sixth:

Lukkedoerendunandurraskewdylooshoofermoyportertooryzooysphalna-
bortansporthaokansakroidverjkapakkapuk

Seventh:

Bothallchoractorschumminaroundgansumuminarumdrumstrumtrumina-
humptadumpwaultopoofoolooderamaunsturnup

Eighth:

Pappappapparrassannuaragheallachnatullaghmonganmacmacmacwhack-
falltherdebblenonthedubblandaddydoodled

Ninth:

husstenhasstencaffincoffintussemtossemdamandamnacosaghcusaghhobix-
hatouxpeswchbechoscashlcarcarcaract

Tenth:

Ullhodturdenweirmudgaardgringnirurdrmolnirfenrirlukkilokkibaugiman-
dodrrerinsurtkrinmgernrackinarockar

Like everything in Joyce, the claps’ meaning is open to question, but they’re not arbitrary: Each of the first nine words contains exactly 100 letters, and the tenth has 101. Joyce, who called thunder “perfect language,” had apparently adjusted the spelling of the thunderclaps as the book took shape: McLuhan found tick marks in Joyce’s galley proofs, “the only evidence of actual letter-counting I have found in any of the manuscripts, typescripts, proofs, and galleys.”

(Eric McLuhan, The Role of Thunder in Finnegans Wake, 1997.)

Catch as Catch Can

Claude Shannon, the father of information theory, took an active interest in juggling. He used to juggle balls while riding a unicycle through the halls of Bell Laboratories, and he built the first juggling robot from an Erector set in the 1970s. (The machine above mimics W.C. Fields, who himself juggled in vaudeville before turning to comedy.)

Noting that juggling seems to appeal to mathematics-minded people, Shannon offered the following theorem:

claude shannon juggling theorem

F is flight time, the time the ball spends in the air
D is “dwell time,” the time it spends in the hand
V is vacancy, the time a hand spends empty
B is the number of balls
H is the number of hands

“Theorem 1 allows one to calculate the range of possible periods (time between hand throws) for a given type of uniform juggle and a given time of flight,” he wrote. “A juggler can change this period, while keeping the height of his throws fixed, by increasing dwell time (to increase the period) or reducing dwell time to reduce the period. The total mathematical range available for a given flight time can be obtained by setting D = 0 for minimum range and V = 0 for maximum range in Theorem 1. The ratio of these two extremes is independent of the flight time and dependent only on the number of balls and hands.”

To measure dwell times, Shannon actually created a “jugglometer” in which a juggler wore copper mesh over his fingers and juggled foil-covered lacrosse balls; catching the ball closed a connection between the fingers and started a clock. “Preliminary results from testing a few jugglers indicate that, with ball juggling, vacant time is normally less than dwell time, V ranging in our measurements from fifty to seventy per cent of D.”

Shannon noted that juggling gets dramatically harder as the number of balls increases. He worked out a foolproof solution, at least in theory. A light ray that starts at one focus of an ellipse will be reflected to the other focus. If the ellipse is rotated around its major axis, it will create an egglike shell with two foci. Now if a juggler stands with a hand at each focus, then a ball thrown from either hand, in any direction, will bounce off the shell and arrive at the other hand!

(“Scientific Aspects of Juggling,” in Claude Elwood Shannon: Collected Papers, 1993.)

Good Boy

http://www.freeimages.com/photo/1207763

In November 1869 Missouri farmer Charles Burden sued his neighbor, Leonidas Hornsby, for shooting his dog Drum. Hornsby denied it, but neighbors had heard the shot and the dog’s cries of pain on the night in question, and Drum had been found dead of a gunshot the following morning. Furious, Burden sued Hornsby for $50, the maximum amount allowed by law. The two battled back and forth in the courts for a year. Finally, at end of the fourth trial, Burden’s attorney George Graham Vest rose to make this closing argument:

Gentlemen of the jury. The best friend a man has in the world may turn against him and become his enemy. His son or daughter whom he has reared with loving care may prove ungrateful. Those who are nearest and dearest to us, those whom we trust with our happiness and our good name, may become traitors to their faith. The money that a man has he may lose. It flies away from him perhaps when he needs it most. A man’s reputation may be sacrificed in a moment of ill-considered action. The people who are prone to fall on their knees to do us honor when success is with us may be the first to throw the stone of malice when failure settles its cloud upon our heads. The one absolutely unselfish friend that a man can have in this selfish world, the one that never deserts him, the one that never proves ungrateful or treacherous, is the dog.

Gentlemen of the jury, a man’s dog stands by him in prosperity and in poverty, in health and in sickness. He will sleep on the cold ground when the wintry winds blow and the snow drives fiercely, if only he can be near his master’s side. He will kiss the hand that has no food to offer, he will lick the wounds and sores that come in encounters with the roughness of the world. He guards the sleep of his pauper master as if he were a prince.

When all other friends desert, he remains. When riches take wings and reputation falls to pieces, he is as constant in his love as the sun in its journey through the heavens. If fortune drives the master forth an outcast in the world, friendless and homeless, the faithful dog asks no higher privilege than that of accompanying him, to guard him against danger, to fight against his enemies. And when the last scene of all comes, and death takes the master in its embrace and his body is laid in the cold ground, no matter if all other friends pursue their way, there by his graveside will the noble dog be found, his head between his paws and his eyes sad but open, in alert watchfulness, faithful and true, even to death.

Burden won, getting $50 and justice for his dog. Hornsby appealed to the state supreme court but lost.

Vest, the attorney, had said he would “win the case or apologize to every dog in Missouri.”

New Lamps

https://commons.wikimedia.org/wiki/File:The_Arabian_Nights_Entertainments_illustrartion_5.jpg

Aladdin, the best-known of the tales in the Arabian Nights, is not an authentic folk tale — it was written and inserted into the book by its French translator, Antoine Galland, in 1709.

Galland said that he’d heard the story from a Syrian monk, but there’s no precedent for it in the Arabic tradition — the story was unknown until Galland published it.

(Thanks, Joseph.)

Mountain-Climbing Traditions

https://commons.wikimedia.org/wiki/File:Kangchenjunga_view_from_Darjeeling.jpg

All climbers stop short of the peak of Kangchenjunga, the world’s third highest mountain. Joe Brown and George Band, who in 1955 became the first to climb the 28,169-foot Himalayan peak, stopped short of the summit to honor a promise given to the Maharaja of Sikkim that the top would remain inviolate. Every subsequent expedition has followed this tradition.

At 7,247 feet, Mount Townsend, below, is the second-highest peak in Australia, 63 feet shorter than nearby Mount Kosciuszko. By tradition each person who climbs it carries a rock to leave at the top, so that eventually it might surpass its neighbor.

In 2006 workers discovered a piano near the summit of Britain’s highest mountain, 4,409-foot Ben Nevis in the Scottish Highlands. “Our guys couldn’t believe their eyes,” conservation trust director Nigel Hawkins told The Guardian. “At first they thought it was just the wooden casing but then they saw the whole cast iron frame complete with strings.” Scots woodcutter Kenny Campbell came forward to acknowledge that he’d carried it up the mountain 35 years ago to support a charity. “When I got there,” he said, “I played ‘Scotland the Brave.'”

https://commons.wikimedia.org/wiki/File:Mount_Townsend_from_Watson_Crags.jpg
Image: Wikimedia Commons

Person to Person

http://www.mymodernmet.com/profiles/blogs/fascinating-phone-book

Artist Alex Queral found himself spending a fortune in paint to create the thickly textured portraits he favored. He switched media and began carving them instead, at first out of Styrofoam, then “on another day noticed a stack of old phone books outside waiting to be recycled. It occurred to me that they were not unlike blocks of very soft wood, and there it all began.”

“Taking an ordinary phone book, Alex Queral carves a face into this object of so many faceless names,” writes Laura Heyenga in Art Made From Books (2013). “With a very sharp X-Acto knife, a little pot of acrylic medium to set detail areas, and a great deal of craft, Queral literally peels away the pages of the book as if they were the layers of an onion to reveal the portrait within. Once the carving is complete, he will often apply a black wash to enhance the features and then seal the entire book with acrylic to preserve the work. However, he never loses the line registration, and the book remains quite pliable.”

More here.