Modern Literature

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In the early 1970s, AI researcher James Meehan tried to teach a computer to retell Aesop’s fables. This was not always successful:

Once upon a time there was a dishonest fox and a vain crow. One day the crow was sitting in his tree, holding a piece of cheese in his mouth. He noticed that he was holding the piece of cheese. He became hungry, and swallowed the cheese. The fox walked over to the crow. The end.

Henry Ant was thirsty. He walked over to the river bank where his good friend Bill Bird was sitting. Henry slipped and fell in the river. He was unable to call for help. He drowned.

One day Henry Crow sat in his tree, holding a piece of cheese in his mouth, when up came Bill Fox. Bill saw the cheese and was hungry. He said, ‘Henry, I like your singing very much. Won’t you please sing for me?’ Henry, flattered by this compliment, began to sing. The cheese fell to the ground. Bill Fox saw the cheese on the ground and was very hungry. He became ill. Henry Crow saw the cheese on the ground, and he became hungry, but he knew that he owned the cheese. He felt pretty honest with himself, so he decided not to trick himself into giving up the cheese. He wasn’t trying to deceive himself, either, nor did he feel competitive with himself, but he remembered that he was also in a position of dominance over himself, so he refused to give himself the cheese. He couldn’t think of a good reason why he should give himself the cheese, so he offered to bring himself a worm if he’d give himself the cheese. That sounded okay, but he didn’t know where any worms were. So he said to himself, ‘Henry, do you know where any worms are?’ But of course, he didn’t, so he …

“The program eventually ran aground for other reasons,” Meehan writes. “I was surprised it got as far as it did.”

(From Meehan’s The Metanovel: Writing Stories by Computer, 1980.)

Three Unfortunate Names

John Train’s Most Remarkable Names reports that Chazy Lake, N.Y., has a resident named Constant Agony.

In Stories on Stone, Charles L. Wallis notes that a tombstone in Hood River, Ore., reads:

hood river tombstone

In The American Language, H.L. Mencken mentions an Indian chief in the northwestern U.S. named Unable-to-Fornicate. “And I once knew a Siletz who insisted with firm complacency that his name, no matter what anybody thought it, was Holy Catfish.”

Pen Time

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“I have only made this letter rather long because I have not had time to make it shorter.” — Pascal

“It usually takes more than three weeks to prepare a good impromptu speech.” — Mark Twain

“If you want me to talk for ten minutes, I’ll come next week. If you want me to talk for an hour I’ll come tonight.” — Woodrow Wilson

Also:

Harold Macmillan: “What are you doing, prime minister?”

Winston Churchill: “Rehearsing my impromptu witticisms.”

Small World

There is just one spot on earth from which, in an hour’s driving time or less, a motoring tourist can reach either Athens, Belfast, Belgrade, Bremen, China, Denmark, Dresden, Frankfort, Limerick, Lisbon, Madrid, Mexico, Naples, Norway, Oxford, Palermo, Paris, Peru, Poland or Vienna. The spot is situated at about 44° 9′ north latitude, 69° 51′ west longitude, in the county of Sagadahoc, state of Maine, U.S.A., and it is surrounded by towns bearing these names, no one of them more than fifty-five miles away.

— Gary Jennings, Personalities of Language, 1965

On a board in front of a stage-office in Buffalo, I once read, ‘Stages start from this house for China, Sardinia, Holland, Hamburg, Java, Sweden, Cuba, Havre, Italy, and Penn Yan.’

— James Freeman Clarke, On Giving Names to Towns and Streets, 1880

Well Suited

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Telemann’s Gulliver Suite has an alarming score — the note values in the chaconne appear “Lilliputian” and in the gigue “Brobdingnagian.”

That’s a joke: The chaconne is notated in “3/32” time and the gigue in “24/1.” If they’re played at the correct tempos they resolve into normal-sounding dances in 3/4 and 9/8.

Unconfirmed

When Mark Twain took his first job as a newspaper reporter, his editor told him never to report anything as fact unless he could verify it by personal knowledge.

That night Twain covered a social gala. He filed the following story: “A woman giving the name of Mrs. James Jones, who is reported to be one of the society leaders of the city, is said to have given what purported to be a party yesterday to a number of alleged ladies. The hostess claims to be the wife of a reputed attorney.”

Inksmanship

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In 1937, Max Eastman and Ernest Hemingway found themselves together in Max Perkins’ office at Scribner’s. On Perkins’ desk was Eastman’s Art and the Life of Action, which contained an essay critical of Hemingway. They began to argue. Hemingway bared his chest. Eastman bared his. Hemingway slapped him.

What happened next is unclear. “The trouble with these literary bouts,” opined the New York Times, “is that there is never an official referee on hand. Both sides can claim a decision and a foul at the same time, and usually do.”

But in 1947 the House of Books catalog offered for sale a damaged copy of Art and the Life of Action. On page 95, it said, was a spot caused by contact “with Mr. Eastman’s nose when Mr. Hemingway struck him with it in a gesture of disapproval.” The spot was witnessed by Maxwell Perkins.

Cut!

Director Curtis Bernhardt was midway through shooting My Reputation in 1944 when he encountered some trouble with one of the stars. Robert Archer insisted on wearing a jacket and shirt while mowing a lawn under the hot California sun.

Bernhardt pressed him, and to his surprise Archer said, “Okay, okay, I’m a girl.”

She was Tanis Chandler, a 20-year-old typist in a local brokerage office who’d gotten tired of waiting for acting jobs. Posing as Archer, she’d won a part in 1943’s The Desert Song, where robes and a burnoose had hid her shape. She’d done so well that the casting office had sent her out for Bernhardt’s film.

“The studios are always yelling about the lack of men,” she said. “I thought I’d have better luck in male roles. Oh, well.”