Sculptor Anna Coleman Ladd found an unusual application for her artistry during World War I, creating prostheses for the dramatic injuries produced by machine guns and heavy artillery. After reading about artist Francis Derwent Wood’s “Tin Noses Shop” in London, she moved to London and opened a “Studio for Portrait-Masks.”
Her copper and silver masks, 1/32″ thick and weighing 4-9 ounces, were founded on facial casts and painted to match the precise skin tone of each patient. Held in place by eyeglasses, many included realistic mustaches, eyebrows, and eyelashes. By the end of 1919 Ladd had created 185 of them, charging $18 for each and donating her own services. The Red Cross called them “miracles,” and in 1932 France made her a Chevalier of the Legion of Honour.
New Zealand woodworker Henk Verhoeff makes whimsically broken furniture.
“It’s hard to say how long each piece takes me,” he says. “It’s unset times during the week, and it could easily be 80 to 100 hours.”
“I started creating them for the pure love of it, without the intention of selling them. But when I run out of space, there will be an eBay auction or two. Everything is for sale … except for my wife.”
The world’s largest anamorphic illusion is this startling display in Seoul’s Gangnam District. Measuring 80 meters by 20, it runs for 18 hours a day, the creation of design firm d’strict.
Below is another project by the same creators: the “infinity wall” in the lobby of Nexen Tire’s Central Research Institute, also in Seoul.
To promote a wood-shelled cell phone, Japanese mobile service provider NTT Docomo spent four days building a giant xylophone on a forest hillside on Kyushu and dispatched a wooden ball on a lonely (and somehow harrowing) mission to play “Jesu, Joy of Man’s Desiring.”
British artist Alex Chinneck designed this unzipped building facade for Milan Design Week in 2019. The theme is continued inside, where giant zippers create openings in walls and the floor. More at Dezeen.
Founded in 1957, catalog showroom Best Products distinguished itself with highly unorthodox facades, designed by architect James Wines for nine retail facilities across the United States. This one, the “Indeterminate Facade” in Houston, Texas, was said to have appeared in more books on 20th-century architecture than photographs of any other modern structure. The company eventually went bankrupt, and most of the buildings have been redesigned or demolished, but one in Richmond, Va., with a forest in its entryway, is now home to a Presbyterian church.