Steven Novak uses a laser to transfer a scene to the interior of a hemisphere. The completed painting then presents an “accurate” perspective to a viewer looking about from the center.
Dick Termes creates the same impression (via a perceptual illusion) by painting on the convex exterior of a full sphere.
In 1991, artist Michael Dennis installed his sculpture Reclining Figure in Vancouver’s Guelph Park.
In 2012, prankster Viktor Briestensky erected the sign below at the park’s southwest corner.
Park staff initially removed the sign, but when a petition gathered 1,800 signatures they replaced it in 2014. The city now recognizes it as an official public art installation.
Two sets of reversible faces by Rex Whistler, from 1930 — above, Mayor & Judge; below, Scotsman & Englishman.
In 1590 Emperor Rudolf II commissioned Flemish painter Joris Hoefnagel to illuminate the Mira calligraphiae monumenta, an illustration of various scripts that had been begun 15 years earlier by court calligrapher Georg Bocskay.
The book contains a tiny demonstration of Hoefnagel’s skill in trompe-l’œil. On one page he painted a Maltese cross, a type of flower, depicting it as though the plant’s stem passes through a slit in the paper. On the overleaf he continues the idea — the foregoing text and images can be discerned through the page, and Hoefnagel has faithfully painted in the flower’s “stem” as if the insertion were real. It’s the only painted element on this side of the page.
British artist Martin Creed introduced a controversial installation in 1995: an empty room in which the lights turn on and off at 5-second intervals.
Critic David Lee said, “Last year, the Tate was scraping the barrel. This year they are scraping the scrapings … A light being switched on and off is not a good work of art.” But when Creed submitted the work for the Turner Prize, the jury praised its “strength, rigour, wit and sensitivity to the site.”
Work No. 227: The lights going on and off was followed in 2000 by Work No. 254: The lights in a building going on and off — in which a building’s lights go on or off each second.
Proposed cabinet of Dizzy Gillespie, who ran for president in 1964:
He said his running mate would be Phyllis Diller. When asked why he was running for president, he said, “Because we need one.”
Ferdinand Georg Waldmüller’s painting The Expected is sometimes claimed as evidence of time travel — how else could a woman get an iPhone in 1860?
It’s a prayer book.
I had not then acquired the technique that I flatter myself now enables me to deal competently with the works of modern artists. If this were the place I could write a very neat little guide to enable the amateur of pictures to deal to the satisfaction of their painters with the most diverse manifestations of the creative instinct. There is the intense ‘By God!’ that acknowledges the power of the ruthless realist, the ‘It’s so awfully sincere’ that covers your embarrassment when you are shown the coloured photograph of an alderman’s widow, the low whistle that exhibits your admiration for the post-impressionist, the ‘Terribly amusing’ that expresses what you feel about the cubist, the ‘Oh!’ of one who is overcome, the ‘Ah!’ of him whose breath is taken away.
— Somerset Maugham, Cakes and Ale, 1930
Imprisoned at Theresienstadt during World War II, Czech composer Rudolf Karel wrote a five-act opera, Three Hairs of the Wise Old Man, on toilet paper using the medicinal charcoal he’d been prescribed for his dysentery.
The illness eventually claimed his life, but a sketch of the opera was preserved by a friendly warden, and the orchestrations were finished by Karel’s pupil Zbynek Vostrák.
“A portrait is a painting with something wrong with the mouth.” — John Singer Sargent
