The crypt next to Marilyn Monroe’s belongs to Hugh Hefner.
He paid $85,000 for it.
The crypt next to Marilyn Monroe’s belongs to Hugh Hefner.
He paid $85,000 for it.
A dyer born, a dyer bred,
Lies numbered here among the dead;
Dyers, like mortals doomed to die,
Alike fit food for worms supply.
Josephus Dyer was his name;
By dyeing he acquired fame;
‘Twas in his forty-second year
His neighbours kind did him inter.
Josephus Dyer, his first son,
Doth also lie beneath this stone;
So likewise doth his second boy,
Who was his parents’ hope and joy.
His handywork all did admire,
For never was a better dyer.
Both youths were in their fairest prime,
Ripe fruitage of a healthful clime;
But nought can check Death’s lawless aim,
Whosoever’ life he choose to claim:
It was God’s edict from his throne,
“My will shall upon earth be done.”
Then did the active mother’s skill
The vacancy with credit fill
Till she grew old, and weak, and blind,
And this last wish dwelt on her mind–
That she, when dead, should buried be
With her loved spouse and family.
At last Death’s arm her strength defied;
Thus all the dyeing Dyers died!
— Epitaph, Truro, Cornwall, England
Nurse: Is anything bothering you?
Buddy Rich: Yes … country music!
Those were his last words.
Epitaphs, proposed by their owners:
Mel Blanc: “That’s all, folks!”
Jack Lemmon: “In”
Jackie Gleason: “And away we go!”
Spike Milligan: “I told you I was ill.”
Peter Ustinov: “Do not walk on the grass.”
Account of an execution by guillotine, recorded in The Mirror of Literature, Amusement, and Instruction, July 7, 1827:
Arrived near the fatal machine, the unhappy man stepped out of the vehicle, knelt at the feet of his confessor, received the priestly benediction, kissed some individuals who accompanied him, and was hurried by the officers of justice up the steps of the cube-form structure of wood, painted of a blood-red, on which stood the dreadful apparatus of death.
To reach the top of the platform, to be fast bound to a board, to be placed horizontally under the axe, and deprived of life by its unerring blow, was, in the case of this miserable offender, the work literally of a moment. It was indeed an awfully sudden transit from time to eternity. He could only cry out, ‘Adieu, mes amis,’ and he was gone. The severed head, passing through a red-coloured bag fixed under, fell to the ground-the blood spouted forth from the neck like water from a fountain-the body, lifted up without delay, was flung down through a trap-door in the platform.
Never did capital punishment more quickly take effect on a human being; and whilst the executioner was coolly taking out the axe from the groove of the machine, and placing it, covered as it was with gore, in a box, the remains of the culprit, deposited in a shell, were hoisted into a wagon, and conveyed to the prison. In twenty minutes all was over, and the Grande Place nearly cleared of its thousands, on whom the dreadful scene seemed to have made, as usual, the slightest possible impression.
Unfortunate epitaphs:
Sacred to the Memory of
Captain Anthony Wedgwood
Accidentally Shot by His Gamekeeper
Whilst Out Shooting
“Well Done Thou Good and Faithful Servant”
Erected to the Memory
of
John McFarlane
Drown’d in the Water of Leith
By a Few Affectionate Friends
In bloom of life
She’s snatched from hence
She had not room
To make defence;
For Tiger fierce
Took life away,
And here she lies
In a bed of clay
Until the Resurrection Day.
— Epitaph of Hannah Twynnoy, killed by a tiger escaped from a traveling circus, Malmesbury, England, 1703
Shall we all die?
We shall die all;
All die shall we —
Die all we shall.
— Epitaph, St. Winwalloe’s churchyard, Gunwalloe, Cornwall
In 1803, Australian Joseph Samuel was sentenced to hang for murder. The first attempt failed when the rope broke. A replacement rope stretched, letting Samuel’s feet touched the ground. And the third rope broke.
So they let him go.
In 1911, three murderers were hanged on Greenberry Hill, London.
Their names were Green, Berry, and Hill.