Dancing the Slaves

After the morning meal came a joyless ceremony called ‘dancing the slaves.’ ‘Those men who were in irons,’ says Dr. Thomas Trotter, surgeon of the Brookes in 1783, ‘were ordered to stand up and make what motions they could, leaving a passage for such as were out of irons to dance around the deck.’ Dancing was prescribed as a therapeutic measure, a specific against suicidal melancholy, and also against scurvy — although in the latter case it was a useless torture for men with swollen limbs. While sailors paraded the deck, each with a cat-o’-nine-tails in his right hand, the men slaves ‘jumped in their irons’ until their ankles were bleeding flesh. One sailor told Parliament, ‘I was employed to dance the men, while another person danced the women.’ Music was provided by a slave thumping on a broken drum or an upturned kettle, or by an African banjo, if there was one aboard, or perhaps by a sailor with a bagpipe or a fiddle. Slaving captains sometimes advertised for ‘a person that can play on the Bagpipes, for a Guinea ship.’ The slaves were also told to sing. Said Dr. Claxton after his voyage in the Young Hero, ‘They sing, but not for their amusement. The captain ordered them to sing, and they sang songs of sorrow. Their sickness, fear of being beaten, their hunger, and the memory of their country, &c., are the usual subjects.’

— Daniel P. Mannix and Malcolm Cowley, Black Cargoes: A History of the Atlantic Slave Trade, 1518-1865, 1962

| History

Roll Call

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More than 500 of the commanders in the American Civil War were West Point graduates, and all but a handful of these studied under the same military theorist, Dennis Hart Mahan, whose course “Engineering and the Science of War” applied the lesson of Napoleon’s campaigns — that the key to success was rapid maneuver to concentrate one’s forces at a critical point of weakness in the enemy position. (Of Grant’s encirclement of Vicksburg, Mahan said, “European warfare can produce nothing equal to it since the 1st Napoleon.”)

In addition to Grant, Mahan’s pupils included William Tecumseh Sherman, George Meade, George B. McClellan, Henry Halleck, George Henry Thomas, John Sedgwick, Ambrose Burnside, Joseph Hooker, and Philip Sheridan among the Union forces and Robert E. Lee, Jefferson Davis, Stonewall Jackson, James Longstreet, Albert Sidney Johnston, P.G.T. Beauregard, John Bell Hood, Richard S. Ewell, J.E.B. Stewart, and William J. Hardee in the Confederacy. Historian James Robertson called him “the guru of the generals.”

(James Robertson, The Untold Civil War, 2011.)

| History

Play On

Local rules adopted at British golf courses during World War II:

  • “In competitions, during gunfire or while bombs are falling, players may take cover without penalty for ceasing play.”
  • “The positions of known delayed-action bombs are marked by red flags placed at a reasonably, but not guaranteed, safe distance therefrom.”
  • “A ball moved by enemy action may be replaced, or if lost or destroyed, ball may be dropped not nearer the hole without penalty.”
  • “A player whose stroke is affected by the simultaneous explosion of a bomb may play another ball from the same place. Penalty one stroke.”

In Curiosities of Golf (1994), Jonathan Rice writes, “At Folkestone GC, the wartime rules included the rather grudging allowance that ‘a ball may be lifted and dropped if in a bomb hole in the rough, but not if the bomb hole is in or part of a recognized hazard.’ So if you sliced your drive and just caught a bunker by the side of the fairway, which then turned out to be fifty feet deep thanks to an overnight bombing raid, you just had to play out of the hazard, however unrecognizable it might have been compared with the day before. They breed tough golfers in Folkestone.”

In July 1941, some American clubs reportedly adopted similar rules in a show of solidarity.

UPDATE: Here are the rules adopted by Richmond GC, southwest of London. (Thanks, Brieuc.)

| Entertainment · History · Oddities

Missed Connections

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Nineteenth-century personal ads from the New York Herald:

WILL THE YOUNG LADY WHO ACCIDENTALLY fell while dancing at Barnum’s Museum, on Monday evening, address a note to Interested, Herald office, as a gentleman would like to make her acquaintance, if perfectly agreeable to her? (Jan. 22, 1862)

NIBLO’S, MONDAY EVENING — OCCUPIED adjoining seats in parquet; repeated pressure of arm and foot and hands met when separating. If agreeable, address Bruno, box 211 Herald office. (July 17, 1867)

“WON’T YOU LOOK IN THE HERALD TO-MORROW?” — Will the young lady to whom the above was addressed appoint an interview with the gentleman wearing eyeglasses? Address A.B., Station D. (Dec. 17, 1867)

WILL THE YOUNG LADY, WITH CURLS, WEARING a straw bonnet, and I think plaid shawl, and who carried a Herald in her hand, and who came down Park row to Broadway, and down Broadway to Dey street, turning into Dey street about 11 o’clock yesterday, and who in Dey street met and spoke to a gentleman and then went into a fur store in Dey street, near Greenwich, oblige the gentleman who stood on the opposite side of Dey street, as he very much desires an acquaintance? Address T., Herald office. (Feb. 18, 1862)

AN INTRODUCTION IS EARNESTLY SOLICITED OF the young lady or her friends or family, by the gentleman and his mother who stopped their carriage Friday morning to assist a young lady who had jumped from a stage she had just entered, corner 5th av. and 39th st., to rescue the old gentleman who had fallen in the roadway. The young lady is about 20 years of age and very beautiful; wears her hair in large brown waves; has rosy complexion and soft blue eyes; wore Persian gilt walking coat and muff. We desire her acquaintance and to present her in our family. Address MOTHER AND SON, Herald Uptown office. (Feb. 8, 1880)

(From Sara Bader, Strange Red Cow: And Other Curious Classified Ads From the Past, 2005.)

| History · Society

Dark Days

On June 17, 1794, Charles-Henri Sanson, high executioner of the First French Republic, guillotined more than 50 “conspirators” in 28 minutes, including an 18-year-old girl who seemed so fragile that “a tiger would have pitied her.” That night he wrote in his diary:

Terrible day. The guillotine devoured 54. My strength went, my heart failed me. That evening, sitting down to dinner, I told my wife that I could see spots of blood on my napkin. … I don’t lay claim to any sensibility I don’t possess: I have seen too often and too close up the sufferings and death of my fellow human beings to be easily affected. If what I feel is not pity it must be caused by an attack of nerves; perhaps it is the hand of God punishing my cowardly pliancy to what so little resembles that justice which I was born to serve.

(Quoted in Frances Larson, Severed, 2014.)

| Death · History

A Late Solution

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When the 15th-century Benedictine abbot Johannes Trithemius died in 1516, he left behind a three-volume work that was ostensibly about magic — specifically, how to use spirits to send secret messages over distances. Only when the Steganographia and its key were published in 1606 did it become clear that it was really a book of ciphers — the “incantations” were encrypted instructions for concealing secret messages in letters sent between correspondents.

Books I and II were now plain enough, but Book III remained mysterious — it was shorter than the first two books, and its workings were not mentioned in the key that explained the ciphers in those volumes. Scholars began to conclude that it was simply what it appeared to be, a book on the occult, with no hidden content. Amazingly, nearly 400 years would go by before Book III gave up its secrets — Jim Reeds of AT&T Labs finally deciphered the mysterious codes in the third volume in 1998.

It turned out to be still more material on cryptography. But it’s still not clear why Trithemius had couched this third book in magical language. Did he think that his subject was inherently magical, or was he simply trying to enliven a tedious subject? We’ll probably never know. “Trithemius’s use of angel language might … be a rhetorical strategy to engage the reader’s interest,” Reeds writes. “If so, he was vastly successful, even if he completely miscalculated how his book would be received.”

(Jim Reeds, “Solved: The Ciphers in Book III of Trithemius’s Steganographia,” Cryptologia 22:4 (October 1998), 291-317.)

| History · Literature · Science & Math

Propriety

In 1913, as festivities were planned for the wedding of Kaiser Wilhelm II’s daughter, Berlin’s Hotel Adlon had to move the Kaiser’s brother-in-law from the fourth floor to the second because the tsar could not ride the elevator:

Russian court protocol governed every step the tsar took and nowhere did it mention an elevator. Thus there were no instructions for how the tsar and his retinue were to behave in such a situation. Should he enter the cab first? Was he permitted to keep his hat on? Who should operate the elevator’s crank? and God knows what else.

The protocol had survived unchanged from the days of Catherine the Great. Catherine, of course, had never ridden an elevator for the simple reason that there weren’t any back then, and that’s why the protocol contained not one word about this means of vertical transportation. … At any rate, an apartment on the second floor was prepared for Duke Ernst Gunther zu Schleswig-Holstein.

From Andreas Bernard, Lifted: A Cultural History of the Elevator, 2014.

| History · Society · Technology

Inventory

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Items that fell forward during the last moments of the Titanic, listed in Walter Lord’s A Night to Remember, 1955:

  • 29 boilers
  • 800 cases of shelled walnuts
  • 15,000 bottles of ale and stout
  • 30 cases of golf clubs and tennis rackets
  • 30,000 fresh eggs
  • 5 grand pianos
  • a 50-phone switchboard
  • 8 dozen tennis balls
  • a jeweled copy of the Rubáiyát of Omar Khayyám
  • 2 reciprocating engines
  • a 1912 Renault Type CB Coupe de Ville

Also tons of coal, a cask of china intended for Tiffany’s, dozens of potted palms, innumerable shuffleboard sticks, “tumbling trellises, ivy pots and wicker chairs in the Café Parisien,” and the ship’s enormous anchor chains, each link of which weighed 175 pounds. “Seen and unseen, the great and the unknown tumbled together in a writhing heap as the bow plunged deeper and the stern rose higher. The strains of ‘Autumn’ were buried in a jumble of falling musicians and instruments. The lights went out, flashed on again, went out for good.”

| History

Living Memory

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Image: Flickr

Part of New York is standing still. In 1978, artist Alan Sonfist reclaimed a rubble-strewn lot on the corner of West Houston Street and La Guardia Place in Greenwich Village and re-established the vegetation, soil and rock formations that had existed there before the Western settlers arrived.

“As in war monuments that record the life and death of soldiers, the life and death of natural phenomena such as rivers, springs and natural outcroppings need to be remembered,” he wrote in a 1968 manifesto proposing the project. Interestingly, he’d hoped to do even more than this: “On Canal Street I propose to create a marshland and a stream; on Spring Street I propose to restore the natural spring; in front of City Hall I propose to restore the historical lake. There are a series of fifty proposals I have made for the City of New York.”

Only this one, called Time Landscape, has been realized. But it’s still growing after 44 years, a tiny piece of history that Sonfist says helps the city remember its heritage.

| Art · History

The Little People

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In medieval chess, each of the eight pawns was associated with a commoner’s occupation. From king rook pawn to queen rook pawn:

  • Laborer (farmer)
  • Smith
  • Notary
  • Merchant
  • Physician
  • Innkeeper
  • City watchman or guard
  • Ribald or town courier

The merchant stood before the king, the doctor before the queen.

Jacopo de Cessolis used the game as the basis for a series of sermons on morality — he says that a philosopher invented the game to show his cruel king “the maners and conditicions of a kynge of the nobles and of the comun people and of theyr offices and how they shold be touchid and drawen. And how he shold amende hymself & become vertuous.”

(From Christopher Kleinhenz’s Medieval Italy: An Encyclopedia, 2004.)

| Entertainment · History · Society