Art and Commerce

In 1896 the U.S. Treasury introduced some beautifully high-minded currency — instead of American presidents, the “educational series” of silver certificates bear neoclassical allegories:

http://commons.wikimedia.org/wiki/File:1896$1obv.jpg

On the $1 note, the Goddess of History instructs a youth, pointing to the U.S. Constitution, a panorama of Washington D.C., and a roster of famous Americans, including Franklin, Longfellow, Hawthorne, and Emerson.

http://commons.wikimedia.org/wiki/File:1896$2obv.jpg

On the $2 note, Science presents Steam and Electricity (as children) to Commerce and Manufacture. The back bears portraits of Robert Fulton and Samuel Morse.

http://commons.wikimedia.org/wiki/File:1896$5obv.jpg

The almost impossibly glorious $5 note depicts Electricity Presenting Light to the World. She is flanked by Strength, Fame, and Peace. The New York Times wrote, “The arrangement of this composition, the grace of pose in each figure, and the idea connected with the designs of this artist entitle it to a place beside the finest allegorical designs in the world.”

Unfortunately, the Treasury got a new secretary the following year, one who favored simple, clear designs, and he canceled more than $54 million in certificates as they came into the Treasury. “It can be said authoritatively … that no more of the so-called ‘new certificates’ will be printed,” the Times reported sadly in May 1897. “Neither will fresco painters be called in to make designs for the substitutes.”

(Thanks, Stephenson.)

Unfinished Business

http://commons.wikimedia.org/wiki/File:Treaty_of_Paris_by_Benjamin_West_1783.jpg

Benjamin West undertook this painting of the Treaty of Paris at the end of the American Revolution. The British delegation refused to pose, so he had to abandon it.

As its colonies and dominions won independence, Britain faced a curious legal problem: How can a sovereign release a subject from subjection? If it passes a law, then implicitly the law might someday be repealed, “revoking” the new state’s freedom. And if Parliament promises never to do this, then it’s denying the power of the British people to change their own laws. The 1931 Statute of Westminster solemnized Britain’s intent never again to legislate for the colonies, but in 1935 Parliament ruled that the statute could in principle be repealed. “This was a world-class cartoon of the child with flypaper on its fingers trying to shake it off,” writes Peter Suber in The Paradox of Self-Amendment. “England was learning that it is paradoxical to command another to be free or even to offer another their freedom as a gift.”

In the Philippine Independence Act of 1934, the United States promised that, when a suitable Philippine constitution was ratified, “the United States shall by proclamation withdraw and surrender all right of possession, supervision, jurisdiction, control, or sovereignty then existing and exercised by the United States in and over the territory and people of the Philippine Islands …” But, like Westminster, this is only a statute, and unless Congress can bind itself irrevocably, it might be repealed at any time. Suber writes, “If after a certain time repeal would have no effect on the independence of the former dependent, which is almost certainly the case, then legal formalism cannot explain the source of the independence.”

Speak Softly …

http://commons.wikimedia.org/wiki/File:Quaker_Gun2.jpg

That’s not a gun, it’s a log painted black. Both sides in the Civil War used “Quaker guns” to frighten the enemy in order to buy time. “We were confronted by a mammoth gun that threatened to blow the Union clear over the north pole,” remembered one Indiana volunteer in 1894. “The mammoth gun proved afterward to be a log that had been mounted and painted to resemble a columbiad.”

Two further Civil War oddities:

http://commons.wikimedia.org/wiki/File:Henry_Hastings_Sibley.jpg

Each side, improbably, had a general named Henry H. Sibley. Henry Hastings Sibley (left) spent most of the war protecting settlements from the Sioux on the western frontier. He went on to become the first governor of Minnesota. His counterpart, Henry Hopkins Sibley, also served in the west, leading the Confederate States Army in the New Mexico Territory. The two never faced one another.

In July 1863 Union general Edward H. Hobson captured most of Confederate general John Hunt Morgan’s forces at the Battle of Buffington Island in Ohio. Undaunted, Morgan tunneled out of prison and returned the favor, capturing Hobson and about 750 men one year later near Cynthiana, Ky.

Leaving

http://commons.wikimedia.org/wiki/File:Alexej_Kondratjewitsch_Sawrassow_002.jpg

Helen Thomas’ husband departs for war, 1917:

After breakfast, while he showed me where his account books were and what each was for, I listened calmly, and unbelievingly he kissed me when I said I, too, would keep accounts. ‘And here are my poems. I’ve copied them all out in this book for you, and the last of all is for you. I wrote it last night, but don’t read it now … It’s still freezing. The ground is like iron, and more snow has fallen. The children will come to the station with me; and now I must be off.’

We were alone in my room. He took me in his arms, holding me tightly to him, his face white, his eyes full of a fear I had never seen before. My arms were round his neck. ‘Beloved, I love you,’ was all I could say. ‘Jenny, Jenny, Jenny,’ he said, ‘remember that, whatever happens, all is well between us for ever and ever.’ And hand in hand we went downstairs and out to the children, who were playing in the snow.

A thick mist hung everywhere, and there was no sound except, far away in the valley, a train shunting. I stood at the gate watching him go; he turned back to wave until the mist and the hill hid him. I heard his old call coming up to me: ‘Coo-ee!’ he called. ‘Coo-ee!’ I answered, keeping my voice strong to call again. Again through the muffled air came his ‘Coo-ee’. And again went my answer like an echo. ‘Coo-ee’ came fainter next time with the hill between us, but my ‘Coo-ee’ went out of my lungs strong to pierce to him as he strode away from me. ‘Coo-ee!’ So faint now, it might be only my own call flung back from the thick air and muffling snow. I put my hands up to my mouth to make a trumpet, but no sound came. Panic seized me, and I ran through the mist and the snow to the top of the hill, and stood there a moment dumbly, with straining eyes and ears. There was nothing but the mist and the snow and the silence of death.

Then with leaden feet which stumbled in a sudden darkness that overwhelmed me I groped my way back to the empty house.

He was killed shortly after arriving in France. From her memoir World Without End, 1931.

Bad Friday

http://commons.wikimedia.org/wiki/File:Jenniewadeportrait.jpg

On July 3, 1863, 20-year-old Pennsylvania seamstress Ginnie Wade was kneading dough in her sister’s kitchen when a bullet pierced the door behind her and passed through her heart, killing her instantly.

She was the only civilian casualty of the Battle of Gettysburg.

Gettysburg’s Unknown Soldier

http://en.wikipedia.org/wiki/File:Humistons.jpg

This item appeared in the Philadelphia Inquirer on Oct. 19, 1863:

Whose Father Was He?

After the battle of Gettysburg, a Union soldier was found in a secluded spot on the field, where, wounded, he had laid himself down to die. In his hands, tightly clasped, was an ambrotype containing the portraits of three small children, and upon this picture his eyes, set in death, rested. The last object upon which the dying father looked was the image of his children, and as he silently gazed upon them his soul passed away. How touching! how solemn! What pen can describe the emotions of this patriot-father as he gazed upon these children, so soon to be made orphans! Wounded and alone, the din of battle still sounding in his ears, he lies down to die. His last thoughts and prayers are for his family. He has finished his work on earth; his last battle has been fought; he has freely given his life to his country; and now, while his life’s blood is ebbing, he clasps in his hands the image of his children, and, commending them to the God of the fatherless, rests his last lingering look upon them.

When, after the battle, the dead were being buried, this soldier was thus found. The ambrotype was taken from his embrace, and since been sent to this city for recognition. Nothing else was found upon his person by which he might be identified. His grave has been marked, however, so that if by any means this ambrotype will lead to his recognition he can be disinterred. This picture is now in the possession of Dr. Bourns, No. 1104 Spring Garden [Street], of this city, who can be called upon or addressed in reference to it. The children, two boys and a girl, are, apparently, nine, seven and five years of age, the boys being respectively the oldest and youngest of the three. The youngest boy is sitting in a high chair, and on each side of him are his brother and sister. The eldest boy’s jacket is made from the same material as his sister’s dress. These are the most prominent features of the group. It is earnestly desired that all the papers in the country will draw attention to the discovery of this picture and its attendant circumstances, so that, if possible, the family of the dead hero may come into possession of it. Of what inestimable value it will be to these children, proving, as it does, that the last thoughts of their dying father was for them, and them only.

The description was reprinted in the American Presbyterian on Oct. 29, where it was read by Philinda Humiston of Portville, N.Y., who had not heard from her husband since Gettysburg. She identified the unknown soldier as Sgt. Amos Humiston of Company C, 154th New York Volunteers. His body was removed to the Gettysburg National Cemetery, and the outpouring of sympathy for his children led to the establishment of a Soldier’s Orphan’s Home in Gettysburg in 1866.

The Duluth Speech

http://commons.wikimedia.org/wiki/File:View_in_the_city_of_Duluth,_Minn.--Superior_St,_from_Robert_N._Dennis_collection_of_stereoscopic_views.jpg

In 1871 the House of Representatives was considering subsidizing railroads to serve the Midwest, including tiny Duluth, Minn. Kentucky representative J. Proctor Knott rose, produced a bucket of sarcasm, and began ladling:

Duluth! The word fell upon my ear with peculiar and indescribable charm, like the gentle murmur of a low fountain stealing forth in the midst of roses, or the soft, sweet accents of an angel’s whisper, in the bright joyous dream of sleeping innocence. Duluth: ‘Twas the name for which my soul had panted for years, as the hart panteth for water-brooks. But where was Duluth? Never, in all my limited reading, had my vision been gladdened by seeing the celestial word in print. And I felt a profounder humiliation in my ignorance, that its dulcet syllables had never before ravished my delighted ear. …

Nevertheless, I was confident it existed somewhere, and that its discovery would constitute the crowning glory of the present century, if not of all modern times. I knew it was bound to exist in the very nature of things; that the symmetry and perfection of our planetary system would be incomplete without it, that the elements of material nature would long since have resolved themselves back into original chaos if there had been such a hiatus in creation as would have resulted from leaving out Duluth.

In fact, sir, I was overwhelmed with the conviction that Duluth not only existed somewhere, but that wherever it was, it was a great and a glorious place. I was convinced that the greatest calamity that ever befell the benighted nations of the ancient world was in their having passed away without a knowledge of the actual existence of Duluth; that their fabled Atlantis, never seen save by the hallowed vision of inspired poesy, was in fact but another name for Duluth; that the golden orchard of the Hesperides was but a poetical synonym for the beer gardens in the vicinity of Duluth.

I was certain that Herodotus had died a miserable death because in all his travels and with all his geographical research he had never heard of Duluth. I knew that if the immortal spirit of Homer could look down from another heaven than that created by his own celestial genius upon the long lines of pilgrims from every nation of the earth to the gushing fountain of poesy opened by the touch of his magic wand, if he could be permitted to behold the vast assemblage of grand and glorious productions of the lyric art called into being by his own inspired strains, he would weep tears of bitter anguish that instead of lavishing all the stories of his mighty genius upon the fall of Troy it had not been his more blessed lot to crystallize in deathless song the rising glories of Duluth.

Yet, sir, had it not been for this map, kindly furnished me by the Legislature of Minnesota, I might have gone down to my obscure and humble grave in an agony of despair, because I could nowhere find Duluth. Had such been my melancholy fate, I have no doubt that with the last feeble pulsation of my breaking heart, with the last faint exhalation of my fleeting breath I should have whispered, ‘Where is Duluth?’

The bill was defeated. See American Notes.

In a Word

http://commons.wikimedia.org/wiki/File:Slave-ship.jpg

noyade
n. a mass execution by drowning

conclamant
adj. crying out together

commorient
adj. dying together or at the same time

J.M.W. Turner’s 1840 painting The Slave Ship recalls a brutal convention in the Atlantic slave trade — an insurance company would reimburse a captain for a slave who was lost at sea, but not for one who died of illness aboard ship. In 1781 Luke Collingwood, captain of the Zong, threw 133 sick and malnourished Africans overboard so that he could claim their value from his insurers. Turner displayed the painting next to lines from his own poem:

Aloft all hands, strike the top-masts and belay;
Yon angry setting sun and fierce-edged clouds
Declare the Typhon’s coming.
Before it sweeps your decks, throw overboard
The dead and dying — ne’er heed their chains
Hope, Hope, fallacious Hope!
Where is thy market now?

Britain had already outlawed its own slave trade when the painting appeared, but its impact encouraged the empire to oppose the institution everywhere.

“The Female Soldier”

http://books.google.com/books?id=E3gAAAAAYAAJ&printsec=frontcover&source=gbs_ge_summary_r&cad=0#v=onepage&q&f=false

When George Washington called for volunteers for the Continental Army in 1782, 23-year-old Deborah Sampson dressed as a man and enlisted in the 4th Massachusetts Regiment, giving the name Robert Shurtleff.

She served for 17 months, eating and sleeping with the troops and fighting in several battles in New York — she received a sword wound to the head and a bullet in the thigh, which she removed herself with a penknife.

A doctor discovered her identity when she was hospitalized with fever in summer 1783, but he kept her secret and she was discharged honorably shortly after the Treaty of Paris was signed in September. The government awarded her a pension for her service and extended one to her husband as well, declaring that the Revolutionary War “furnishes no other similar example of female heroism, fidelity, and courage.”

It was quickly forgotten. In 1861 Confederate general Richard Ewell remarked, “Women would make a grand brigade — if it was not for snakes and spiders! They don’t mind bullets — women are not afraid of bullets; but one big black-snake would put a whole army to flight.”