“L E G on the Death of L X and R N S, Squire of the Coun T of S X”

In S X once there lived M N,
Who was Xceeding Y Y;
But with so much O B C T
It almost closed his I I.

When from his chair E would R I I,
U would have laughed to C
The awkwardness his fat did cause
To this old O D T.

But barring that E was so fat,
E was a right good fell O,
And had such horror of X S
U never saw him mell O.

N O O so red E did not like,
As that which wine will give,
So did S A to keep from drink
As long as E did live.

Two daughters fair this old man had,
Called Miss M A and L N,
Who, when the old chap took his E E,
Would try to T T the men.

Over the C C, these maids to please,
There came two gallants gay;
M A and L N ceased to T T,
And with them ran away.

These gallants did them so M U U,
And used such an M N C T
Of flattery, U must X Q Q
Their fugitive propensity.

The poor old man heaved many S I I
For frail M A and L N;
E called each gallant gay a rogue,
A rascal, and a villain.

And all with half an I might C
His gradual D K,
Till M T was his old arm-chair,
And E had passed away.

— William T. Dobson, Literary Frivolities, Fancies, Follies and Frolics, 1880

Poet/farmer Thomas Tusser composed his Five Hundred Points of Good Husbandry (1573) for the most part in rhyming couplets. But in Chapter 49 he gets ambitious, casting his conclusion in 94 consecutive words that begin with the letter T:

The thrifty that teacheth the thriving to thrive,
Teach timely to traverse, the thing that thou ‘trive,
Transferring thy toiling, to timeliness taught,
This teacheth thee temp’rance to temper thy thought.
Take Trusty (to trust to) that thinkest to thee,
That trustily thriftiness trowleth to thee.
Then temper thy travell, to tarry the tide,
This teacheth thee thriftiness, twenty times try’d.
Take thankfull thy talent, thank thankfully those,
That thriftily teacheth thy time to transpose.
Troth twice to be teached, teach twenty times ten,
This trade thou that takest, take thrift to thee then.

“Perhaps this was the most difficult chapter, according to its length, that our author had to compose,” writes editor William Mavor, “yet he has strained alliteration to the most extravagant pitch; for when he writes trive for contrive, and for the sake of the rhyme uses thee for thrive, we cannot help pitying the miserable expedients to which he was reduced, in order to accomplish his design.”

“In other respects the advice is good.”