“Rhyming Words Wanted”

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A whimsical letter written by W. S. Gilbert notes ‘a great want’ among poets. ‘I should like to suggest,’ he says, ‘that any inventor who is in need of a name for his invention, would confer a boon on the rhymsters, and at the same time insure himself many gratuitous advertisements, if he would select a word that rhymes to one of the many words in common use, which have but few rhymes or none at all. A few more words rhyming with ‘love’ are greatly wanted; ‘revenge’ and ‘avenge’ have no rhyming word, except ‘Penge’ and ‘Stonehenge’; ‘coif’ has no rhyme at all; ‘starve’ has no rhyme except (oh, irony!) ‘carve’; ‘scarf’ has no rhyme, though I fully expect to be told that ‘laugh,’ ‘calf,’ and ‘half’ are admissible, which they certainly are not.’

Miscellaneous Notes and Queries, March 1894

High-Flown

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“Twinkle, Twinkle, Little Star” “revised by a committee of eminent preceptors and scholars”:

Shine with irregular, intermitted light, sparkle at intervals, diminutive, luminous, heavenly body.
How I conjecture, with surprise, not unmixed with uncertainty, what you are,
Located, apparently, at such a remote distance from, and at a height so vastly superior to this earth, the planet we inhabit,
Similar in general appearance and refractory powers to the precious primitive octahedron crystal of pure carbon, set in the aerial region surrounding the earth.

— William T. Dobson, Poetical Ingenuities and Eccentricities, 1882

Double Talk

Here is the longest correct sentence of ‘thats’ which we have yet seen:

‘I assert that that, that that “that,” that that that that person told me contained, implied, has been misunderstood.’

It is a string of nine ‘thats’ which may be easily ‘parsed’ by a bright pupil.

Boston Journal of Education, cited in Bizarre Notes & Queries, November 1887

Good Question

George Selwyn once declared in company that a lady could not write a letter without adding a postscript. A lady present replied, ‘The next letter that you receive from me, Mr. Selwyn, will prove that you are wrong.’ Accordingly he received one from her the next day, in which, after her signature was the following:–

‘P.S. Who is right, now, you or I?’

— Charles Carroll Bombaugh, Gleanings for the Curious from the Harvest-Fields of Literature, 1890

“Spelling Reform”

With tragic air the love-lorn heir
Once chased the chaste Louise;
She quickly guessed her guest was there
To please her with his pleas.

Now at her side he kneeling sighed,
His sighs of woeful size;
‘Oh, hear me here, for lo, most low
I rise before your eyes.

This soul is sole thine own, Louise —
‘Twill never wean, I ween,
The love that I for aye shall feel,
Though mean may be its mien!’

‘You know I cannot tell you no,’
The maid made answer true;
I love you aught, as sure I ought —
To you ’tis due I do!’

‘Since you are won, Oh fairest one,
The marriage rite is right —
The chapel aisle I’ll lead you up
This night,’ exclaimed the knight.

Yonkers Gazette, cited in William T. Dobson, Poetical Ingenuities and Eccentricities, 1882

Shouldn’t This Rhyme?

“Husband,” says Joan, “’tis plain enough
That Roger loves our daughter;
And Betty loves him too, although
She treats his suit with laughter.”

For Roger always hems and coughs,
While on the field he’s ploughing;
Then strives to see between the boughs,
If Betty heeds his coughing.

— Charles Carroll Bombaugh, Gleanings for the Curious from the Harvest-Fields of Literature, 1890