A Reversible Honor

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The neatest and prettiest [palindrome] that has yet appeared comes from a highly cultivated lady who was attached to the court of Queen Elizabeth. Having been banished from the court on suspicion of too great familiarity with a nobleman in high favor, the lady adopted this device — a moon covered by a cloud — and the following palindrome for a motto —

ABLATA AT ALBA. (Secluded but Pure.)

The merit of this kind of composition was never in any example so heightened by appropriateness and delicacy of sentiment.

— Frank H. Stauffer, The Queer, the Quaint and the Quizzical, 1882

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“Idling I Sit in This Mild Twilight Dim”

A univocalic is a poem that uses only one vowel. This example was composed by Charles Bombaugh in 1875:

Incontrovertible Facts

No monk too good to rob, or cog or plot.
No fool so gross to bolt Scotch collops hot.
From Donjon tops no Oronooko rolls.
Logwood, not lotos, floods Oporto’s bowls.
Troops of old tosspots oft to sot consort.
Box tops odd schoolboys oft do flog for sport.
No cool monsoons blow soft on Oxford dons,
Orthodox, jog-trot, book-worm Solomons!
Bold Ostrogoths of ghosts no horror show.
On London shop-fronts no hop-blossoms grow.
To crocks of gold no dodo looks for food.
On soft cloth footstools no old fox doth brood.
Long storm-tost sloops forlorn work on to port.
Rooks do not roost on spoons, nor woodcocks snort,
Nor dog on snowdrop or on coltsfoot rolls,
Nor common frog concocts long protocols.

| Language · Poems

“An Alphabetical Wooing”

Let others talk of L N’s eyes,
And K T’s figure light and free,
Say L R, too, is beautiful —
I heed them not while U I C.
U need not N V them, for U
X L them all, my M L E.
I have no words when I would tell
How much in love with U I B.
So sweet U R, my D R E,
I love your very F E G;
And when you speak or sign, your voice
Is like a winsome L O D.
When U R I C, hope D K’s,
I am a mere non- N T T.
Such F E K C has your smile,
It shields from N E N M E.
For love so deep as mine, I fear,
There is no other M E D.
But that you love me back again —
O, thought of heavenly X T C;
So, lest my M T heart and I
Should sing for love an L E G,
T’s me no more — B Y’s, B kind,
O, M L E, U R, I C!

— Anonymous, cited in Carolyn Wells, A Whimsey Anthology, 1906

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Recursive Gratitude

Mathematician J.E. Littlewood once wrote a paper for the French journal Comptes Rendus. A Prof. M. Riesz did the translation, and at the end Littlewood found three footnotes:

I am greatly indebted to Prof. Riesz for translating the present paper.

I am indebted to Prof. Riesz for translating the preceding footnote.

I am indebted to Prof. Riesz for translating the preceding footnote.

Littlewood notes that this could have gone on indefinitely but “I stop legitimately at number 3: however little French I know I am capable of copying a French sentence.”

| Language · Science & Math

Back and Forth

Most people think of palindromes as being symmetrical arrangements of letters:

SIT ON A POTATO PAN, OTIS.

But they can also work at the level of individual words:

FALL LEAVES AFTER LEAVES FALL.

YOU CAN CAGE A SWALLOW, CAN’T YOU, BUT YOU CAN’T SWALLOW A CAGE, CAN YOU?

And even phonetically: The Hungarian phrase a bátya gatyába (“the brother in underpants”) and the Japanese ta-ke-ya-bu ya-ke-ta (“a bamboo grove has been burned”) (both transliterated here) sound the same when reversed.

Bonus palindrome, by Stephen Fry:

RETTEBS IFLAHD NOCES, EH? TTU, BUT THE SECOND HALF IS BETTER.

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Finding Religion

Here are the first three verses of Genesis:

1 In the beginning God created the heaven and the earth.

2 And the earth was without form, and void; and darkness was upon the face of the deep. And the Spirit of God moved upon the face of the waters.

3 And God said, Let there be light: and there was light.

Pick any word in the first verse, count its letters, and move ahead by the corresponding number of words. For example, if you start at beginning, you’d count 9 letters and move ahead 9 words, landing on the in the second verse. Count that word’s letters and continue in this manner until you’ve entered the third verse.

You’ll always arrive at God.

(Discovered by Martin Gardner.)

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