What killed Edgar Allan Poe?

On Oct. 3, 1849, Poe was found on the streets of Baltimore, delirious and wearing clothes that were not his own. The man who found him said he was “in great distress, and … in need of immediate assistance.” He remained incoherent and died four days later. He was only 40.

An acquaintance said it was drunkenness, but he turned out to be a supporter of the temperance movement who distorted the facts. The attending physician wrote that “Edgar Allan Poe did not die under the effect of any intoxicant, nor was the smell of liquor upon his breath or person.”

Well, what, then? Other theories include a rare brain disease, diabetes, enzyme deficiency, syphilis, even rabies. Some people think Poe was accosted, drugged, and used as a pawn in a plot to stuff ballot boxes that day.

There’s no surviving death certificate, so we’ll never really know. Today Poe lies in the churchyard at Westminster Presbyterian Church in Baltimore, where mystery follows him even in death: Every year since 1949, the grave has been visited by a mystery man in the early hours of the poet’s birthday, Jan. 19. Dressed in black and carrying a silver-tipped cane, the “Poe Toaster” kneels at the grave and makes a toast with Martel cognac. He leaves behind the half-empty bottle and three red roses.

Harry Stephen Keeler (1890-1967) wrote mystery novels so bad they’ve been called “coincidence porn.” In The Ace of Spades Murder he introduces the guilty character on the third-to-last page; in X. Jones of Scotland Yard he explains on the last page that Napoleon Bonaparte is the culprit.

And his gifts extend beyond plotting. His characters are called Criorcan Mulqueeny and Screamo the Clown and Scientifico Greenlimb and Wolf Gladish and State Attorney Foxhart Cubycheck, and he writes titles like Finger, Finger!, The Yellow Zuri, The Amazing Web, Find the Clock, and The Face of the Man From Saturn.

Even at the level of simple prose, he’s entirely helpless. Here’s a typical passage from The Case of the 16 Beans:

The door now opened, revealing, as it did so, a strange figure — a half-man, no less, seated on a “rollerskate” cart! — framed against the bit of outer hallway. But no ordinary half-man this, for he was a Chinaman; quite legless, indeed, so far as the presence of even upper leg stumps went; but amply provided with locomotion, of the gliding kind, anyway, in the matter of the unusually generous rubber-tired wheels under the platform cart.

There’s even an appreciation society now, which is fortunate, because most of Keeler’s numerous works are now out of print. In 1942, the New York Times wrote, “We are drawn to the unescapable conclusion that Mr. Keeler writes his peculiar novels merely to satisfy his own undisciplined urge for creative joy.” Amen.

The First Blast of the Trumpet Against the Monstrous Regiment of Women (1558) may be the most misogynistic screed ever written:

For who can denie but it is repugneth to nature, that the blind shall be appointed to leade and conduct such as do see? That the weake, the sicke and impotent persons shall norishe and kepe the hole and strong? And finallie, that the foolishe, madde and phrenetike shal governe the discrete and give counsel to such as be sober of mind. And such be al women, compared unto man in bearing of authoritie. For their sight in civile regiment is but blindness; their strength, weaknes; their counsel, foolishnes; and judgment, phrensie, if it be rightlie considered.

That’s ironic, because the author’s real beef was religious: John Knox opposed female sovereigns like Mary, Queen of Scots, and Mary Tudor because of their Catholicism. When Elizabeth Tudor succeeded Mary, his plan backfired — she was sympathetic to his cause, but offended at his words. Hell hath no fury.