Literally

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As Arthur Conan Doyle’s 1893 story “The Adventure of the Reigate Squire” begins, Sherlock Holmes is recuperating after the unspecified-but-apparently-quite-taxing case of the “Netherlands-Sumatra company,” which left him lying exhausted in the Hotel Dulong in Lyons. Watson writes:

The triumphant issue of his labours could not save him from reaction after so terrible an exertion, and at a time when Europe was ringing with his name, and when his room was literally ankle-deep with congratulatory telegrams, I found him prey to the blackest depression.

Leslie S. Klinger’s New Annotated Sherlock Holmes includes this droll footnote:

Carol P. Woods calculates that to fill the average French hotel room to ‘ankle-deep’ would require 10,741 crumpled telegrams; and she muses that Holmes’s illness was caused not entirely by the exertions put forth in the Netherlands-Sumatra case but also by the telegram-crumpling itself, which would have required slightly over 179 hours of opening, reading, crumpling, and tossing.

Out, Out!

In 1990, University of Houston English professor Earl Dachslager wrote to the New York Times “to settle once and for all the debate over the first references in print to the game of baseball.” He had found 11 in Shakespeare:

  • “And so I shall catch the fly” (Henry V, Act V, Scene ii).
  • “I’ll catch it ere it come to ground” (Macbeth, III, v).
  • “A hit, a very palpable hit” (Hamlet, V, ii).
  • “You may go walk” (The Taming of the Shrew, II, i).
  • “Strike!” (Richard III, I, iv).
  • “For this relief much thanks” (Hamlet, I, i).
  • “You have scarce time to steal” (Henry VIII, III, ii).
  • “O hateful error” (Julius Caesar, V, i).
  • “Run, run, O run!” (King Lear, V, iii).
  • “My arm is sore” (Antony and Cleopatra, II, v).
  • “I have no joy in this contract” (Romeo and Juliet, II, ii).

“I trust that the question of who first wrote about baseball is now finally settled.”

The Débutante

https://timesmachine.nytimes.com/timesmachine/1916/01/02/issue.html

A surprising item from the New York Times, Jan. 2, 1916:

SCOTT FITZGERALD

Considered the Most Beautiful “Show Girl” in the Princeton Triangle Club’s New Musical Play, “The Evil Eye,” Coming to the Waldorf on Next Tuesday. He Is Also the Author of the Lyrics of the Play.

It was his third year at Princeton. Hemingway would later write (in A Moveable Feast), “He had very fair wavy hair, a high forehead, excited and friendly eyes and a delicate long-lipped Irish mouth that, on a girl, would have been the mouth of a beauty. His chin was well built and he had good ears and a handsome, almost beautiful, unmarked nose. This should not have added up to a pretty face, but that came from the coloring, the very fair hair and the mouth.”

Of the photo, Fitzgerald later wrote, “I look like a femme fatale.”

Nocturne

http://www.gutenberg.org/files/11483/11483-h/11483-h.htm

Here’s an oddity: In 1882 Lewis Carroll collaborated on a song with the dreaming imagination of his friend the Rev. C.E. Hutchinson of Chichester. Hutchinson had told Carroll of a strange dream he’d had:

I found myself seated, with many others, in darkness, in a large amphitheatre. Deep stillness prevailed. A kind of hushed expectancy was upon us. We sat awaiting I know not what. Before us hung a vast and dark curtain, and between it and us was a kind of stage. Suddenly an intense wish seized me to look upon the forms of some of the heroes of past days. I cannot say whom in particular I longed to behold, but, even as I wished, a faint light flickered over the stage, and I was aware of a silent procession of figures moving from right to left across the platform in front of me. As each figure approached the left-hand corner it turned and gazed at me, and I knew (by what means I cannot say) its name. One only I recall — Saint George; the light shone with a peculiar blueish lustre on his shield and helmet as he turned and slowly faced me. The figures were shadowy, and floated like mist before me; as each one disappeared an invisible choir behind the curtain sang the ‘Dream music.’ I awoke with the melody ringing in my ears, and the words of the last line complete — ‘I see the shadows falling, and slowly pass away.’ The rest I could not recall.

He played the melody for Carroll, who wrote a suitable lyric of five verses. Hutchinson disclaimed writing the music, but if he didn’t … who did?

(From Stuart Dodgson Collingwood, Life and Letters of Lewis Carroll, 1898.)

11/24/2021 UPDATE: Reader Paul Sophocleous provided this MIDI file of the published music. (Thanks, Paul.)

A Box Code

https://www.gutenberg.org/files/13180/13180-h/13180-h.htm

In Robert Chambers’ 1906 novel The Tracer of Lost Persons, Mr. Keen copies the figure above from a mysterious photograph. He is trying to help Captain Harren find a young woman with whom he has become obsessed.

“It’s the strangest cipher I ever encountered,” he says at length. “The strangest I ever heard of. I have seen hundreds of ciphers — hundreds — secret codes of the State Department, secret military codes, elaborate Oriental ciphers, symbols used in commercial transactions, symbols used by criminals and every species of malefactor. And every one of them can be solved with time and patience and a little knowledge of the subject. But this … this is too simple.”

The message reveals the name of the young woman whom Captain Harren has been seeking. What is it?

Click for Answer

Landscape Portrait

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In Johannes Kepler’s 1608 novel Somnium, a demon describes how the shapes of the terrestrial continents appear to an observer on the moon:

On the eastern side [toward the Atlantic Ocean] it looks like the front of the human head cut off at the shoulders [Africa] and leaning forward to kiss a young girl [Europe] in a long dress [Thrace and the Black Sea regions], who stretches her hand back [Britain] to attract a leaping cat [Scandinavia]. The bigger and broader part of the spot [Asia], however, extends westward without any apparent configuration. In the other half of Volva [Earth] the brightness is more widely diffused [the two oceans] than the spot [the American continent]. You might call it the outline of a bell [South America] hanging from a rope [Nicaragua, Yucatán, Popayán] and swinging westward. What lies above [Brazil] and below [North America] cannot be likened to anything.

The two “halves” are the Old World and the New. East and west, upper and lower are reversed in the lunar perspective. Kepler mistakenly believed that continents would appear as dark “spots” against lighter oceans; he later credited Galileo with correcting this error.

The President’s Mystery

Franklin Roosevelt was a voracious reader of crime novels. “Hundreds are published every year, but even in the good ones, there is a sameness,” he complained over lunch to Liberty Magazine editor Fulton Oursler one day in 1935. “Someone finds the corpse, and then the detective tracks down the murderer.”

Oursler asked him whether he had any better ideas. He did: “How can a man disappear with five million dollars of his own money in negotiable form and not be traced?” Roosevelt said he had carried that question in his mind for years but had not solved it himself.

The editor knew a marketable idea when he heard one, and he recruited six of the period’s top mystery writers to work on a chain novel that appeared serially in the magazine beginning that November. (The writers were Rupert Hughes, Samuel Hopkins Adams, Anthony Abbott, Rita Weiman, S.S. Van Dine, and John Erskine.)

A year later the story was made into a film, above, with the memorable credit “Story Conceived by Franklin D. Roosevelt.” FDR remains the only president to earn a film-writing credit while in office.

Part Two

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Image: Wikimedia Commons

In 1907, two years after Jules Verne’s death, sculptor Albert Roze added a striking monument to Verne’s grave in the cemetery of La Madeleine in Amiens: a sculpture of the author smashing his tombstone, shedding his shroud, and hoisting himself toward the sky.

The work is called Toward Immortality and Eternal Youth, and the face is Verne’s own — Roze used the author’s death mask.

Forgotten Pearls

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Lesser-known maxims from Poor Richard’s Almanac:

  • You may be too cunning for One, but not for All.
  • Who is rich? He that rejoices in his Portion.
  • By diligence and patience, the Mouse bit in two the Cable.
  • To be intimate with a foolish Friend, is like going to Bed to a Razor.
  • A false Friend and a Shadow attend only while the Sun shines.
  • He that goes far to marry, will either deceive or be deceived.
  • ‘Tis easy to see, hard to foresee.
  • Many Foxes grow grey, but few grow good.
  • Paintings and Fightings are best seen at a distance.
  • Fly pleasures, and they’ll follow you.
  • Gifts burst rocks.
  • Historians relate, not so much what is done, as what they would have believed.
  • Let thy vices die before thee.
  • Men differ daily, about things which are subject to sense, is it likely then they should agree about things invisible?
  • What signifies your Patience, if you can’t find it when you want it?

And “Let all Men know thee, but no man know thee thoroughly: Men freely ford that see the shallows.”

Two for One

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Mountains on Saturn’s moon Titan are named after mountains in Middle-earth, the fictional setting of J.R.R. Tolkien’s fantasy novels.

The highest peak on Titan is Mount Doom (“Doom Mons”), which rises more than a mile above the surrounding plain. Tolkien’s Mount Doom made its first appearance in The Lord of the Rings in 1954.

By coincidence, science fiction writer Stanley G. Weinbaum had already placed a fictional Mount Doom on Titan in his 1935 story Flight on Titan.

So, in honoring Tolkien, the International Astronomical Union also fulfilled Weinbaum’s vision.