Disinformation

https://books.google.com/books?id=OcCEAAAAIAAJ&pg=PA36

For myself, I must say that I find [Edward] Lear funniest when he is least arbitrary and when a touch of burlesque or perverted logic makes its appearance. … While the Pobble was in the water some unidentified creatures came and ate his toes off, and when he got home his aunt remarked:

‘It’s a fact the whole world knows,
That Pobbles are happier without their toes,’

which once again is funny because it has a meaning, and one might even say a political significance. For the whole theory of authoritarian governments is summed up in the statement that Pobbles were happier without their toes.

— George Orwell, “Nonsense Poetry,” 1945

Tact

When I was young I had an elderly friend who used often to ask me to stay with him in the country. He was a religious man and he read prayers to the assembled household every morning. But he had crossed out in pencil all the passages in the Book of Common Prayer that praised God. He said that there was nothing so vulgar as to praise people to their faces and, himself a gentleman, he could not believe that God was so ungentlemanly as to like it.

— Somerset Maugham, The Summing Up, 1938

Dead Letter

Last year Grant Maierhofer published Ebb, a novel written entirely without the letter A:

Ben went to school, worked in the Co-op, tried to write some but liked to be close with his friends. His friends comprised this kind of collective, this unity of spirit. Ben studied history. His friends studied too, some music, some writing, some science. They didn’t hope to extend their lives beyond this though, which left them odd. People who study, who hope to write, who hope to sing, who hope to push something through of their spirit, they often wish to flee, to go to New York, somewhere more, somewhere living, somewhere electric. These friends though they’d decided to let this be enough, their little communion with themselves, their communion of the work, which Ben enjoyed endlessly.

To describe the project, he wrote a thousand-word essay, itself without the letter A:

Why write the book? Good question. Possibly to try something out. To see where something brings you, then the things beyond this something. People write things. Sure, of course they do. People write things frequently. I write things, hm, since I like to figure the writing out. I bring problems on myself, then figure some route out of the box. The box? Stupid. Out of the box, outside the box? So stupid. Then how would you put it? The problem could be this cell, this thing you built surrounding your work. The problem could be the cell, then your working through it could be the tunneling out. This is nice. This is the thing, sure.

The essay and a longer excerpt are here. See The Void, The Great Gadsby, and Dead Letters.

Sweet Dreams

https://archive.org/details/sim_strand-magazine_july-december-1894_8/page/306/mode/2up?view=theater

In an 1894 feature on peculiar furniture, the Strand describes a “suffocating bedstead” used to dispatch unwitting inn guests in the days of coach travel:

Nothing whatever of a suspicious character revealed itself to the eye of the wayfarer, yet when the scoundrel who meditated crime had satisfied himself that the man slept, he would quickly lower an interior portion of the canopy of the bedstead, firmly imprisoning him in an air-tight cavity until suffocation ensued. Struggling and shouting would be useless under such circumstances, as the weight of the box would be tremendous.

This recalls Wilkie Collins’ 1852 story “A Terribly Strange Bed,” in which a visitor at a Paris gambling house realizes the canopy over his bed is moving:

It descended — the whole canopy, with the fringe round it, came down — down — close down; so close that there was not room now to squeeze my finger between the bed-top and the bed. I felt at the sides, and discovered that what had appeared to me from beneath to be the ordinary light canopy of a four-post bed was in reality a thick, broad mattress, the substance of which was concealed by the valance and its fringe. I looked up and saw the four posts rising hideously bare. In the middle of the bed-top was a huge wooden screw that had evidently worked it down through a hole in the ceiling, just as ordinary presses are worked down on the substance selected for compression.

In his preface to the collection in which that story appears, Collins claims that it’s “entirely of my own imagining, constructing, and writing” but credits painter W.S. Herrick for “the curious and interesting facts” on which it’s based. The Strand article, published 40 years later, doesn’t mention Collins, but perhaps the idea had entered English folklore by that point. Or maybe it’s true!

A Hand for All Seasons

Signatures of Charles Dickens from 1825 to 1870, gathered by J. Holt Schooling for a feature in the Strand, January 1894:

https://archive.org/details/sim_strand-magazine_january-june-1894_7/page/80/mode/2up?view=theater

https://archive.org/details/sim_strand-magazine_january-june-1894_7/page/80/mode/2up?view=theater

https://archive.org/details/sim_strand-magazine_january-june-1894_7/page/80/mode/2up?view=theater

https://archive.org/details/sim_strand-magazine_january-june-1894_7/page/80/mode/2up?view=theater

https://archive.org/details/sim_strand-magazine_january-june-1894_7/page/80/mode/2up?view=theater

https://archive.org/details/sim_strand-magazine_january-june-1894_7/page/80/mode/2up?view=theater

https://archive.org/details/sim_strand-magazine_january-june-1894_7/page/80/mode/2up?view=theater

https://archive.org/details/sim_strand-magazine_january-june-1894_7/page/80/mode/2up?view=theater

At the height of his fame he seems to have been everything to everyone. In her 2011 biography, Claire Tomalin notes that contemporary observers described his eyes as dark brown, dark glittering black, clear blue, “not blue,” distinct clear hazel, “large effeminate eyes,” clear grey, green-grey, dark slaty blue, “and even, by a cautious observer, as ‘nondescript.'”

Slacker

https://commons.wikimedia.org/wiki/File:Through_the_year_with_Thoreau_(1917)_(14767400325).jpg

My Aunt Maria asked me to read the life of Dr. Chalmers, which, however, I did not promise to do. Yesterday, Sunday, she was heard through the partition shouting to my Aunt Jane, who is deaf, ‘Think of it! He stood half an hour today to hear the frogs croak, and he wouldn’t read the life of Chalmers.’

— Thoreau, journal, March 28, 1853

Niven’s Laws

By science fiction author Larry Niven:

1.a. Never throw shit at an armed man.
1.b. Never stand next to someone who is throwing shit at an armed man.
2. Never fire a laser at a mirror.
3. Mother Nature doesn’t care if you’re having fun.
4. F × S = k. The product of Freedom and Security is a constant. To gain more freedom of thought and/or action, you must give up some security, and vice versa.
5. Psi and/or magical powers, if real, are nearly useless.
6. It is easier to destroy than create.
7. Any damn fool can predict the past.
8. History never repeats itself.
9. Ethics change with technology.
10. There ain’t no justice.
11. Anarchy is the least stable of social structures. It falls apart at a touch.
12. There is a time and place for tact. And there are times when tact is entirely misplaced.
13. The ways of being human are bounded but infinite.
14. The world’s dullest subjects, in order:
a. Somebody else’s diet.
b. How to make money for a worthy cause.
c. Special Interest Liberation.
15. The only universal message in science fiction: There exist minds that think as well as you do, but differently. (Niven’s corollary: The gene-tampered turkey you’re talking to isn’t necessarily one of them.)
16. Never waste calories (i.e., don’t eat food just because it’s available, or cheap; only eat food you’ll enjoy, because you have to limit overall calorie intake).
17. There is no cause so right that one cannot find a fool following it.
18. No technique works if it isn’t used.
19. Not responsible for advice not taken.
20. Old age is not for sissies.

See Lessons Learned.

Practical Philosophy

https://commons.wikimedia.org/wiki/File:Portret_van_Immanuel_Kant_Emanuel_Kant_(titel_op_object),_RP-P-2015-26-1764.jpg

Immanuel Kant held up his stockings using suspenders of his own devising. From his friend Ehregott Wasianski:

On this occasion, whilst illustrating Kant’s notions of the animal economy, it may be as well to add one other particular, which is, that for fear of obstructing the circulation of the blood, he never would wear garters; yet, as he found it difficult to keep up his stockings without them, he had invented for himself a most elaborate substitute, which I shall describe. In a little pocket, somewhat smaller than a watch-pocket, but occupying pretty nearly the same situation as a watch-pocket on each thigh, there was placed a small box, something like a watch-case, but smaller; into this box was introduced a watch-spring in a wheel, round about which wheel was wound an elastic cord, for regulating the force of which there was a separate contrivance. To the two ends of this cord were attached hooks, which hooks were carried through a small aperture in the pockets, and so passing down the inner and the outer side of the thigh, caught hold of two loops which were fixed on the off side and the near side of each stocking.

“As might be expected, so complex an apparatus was liable, like the Ptolemaic system of the heavens, to occasional derangements; however, by good luck, I was able to apply an easy remedy to these disorders which sometimes threatened to disturb the comfort, and even the serenity, of the great man.”

(Ehregott Andreas Wasianski, Immanuel Kant in seinen letzten Lebensjahren, 1804, via Thomas De Quincey, “The Last Days of Immanuel Kant,” 1827.)

Also-Ran

Arthur Conan Doyle tells us little about James Moriarty, the criminal mastermind in the Sherlock Holmes stories. But he does mention one intriguing accomplishment in The Valley of Fear:

Is he not the celebrated author of The Dynamics of an Asteroid, a book which ascends to such rarefied heights of pure mathematics that it is said that there was no man in the scientific press capable of criticizing it?

Mathematicians Alain Goriely and Simon P. Norton have both pointed out that in 1887 King Oscar II of Sweden offered a bounty for the solution to the n-body problem in celestial mechanics. Doyle’s story was set in 1888, so it’s possible that Moriarty had intended his book as his entry in this contest.

If he did, he was disappointed — the prize went to Henri Poincaré.

Signifying Nothing

https://commons.wikimedia.org/wiki/File:Shakespeare_Droeshout_1623_From_the_First_Folio_Edition.jpg

If … we were asked to select one monument of human civilization that should survive to some future age … we should probably choose the works of Shakespeare. In them we recognize the truest portrait and best memorial of man. Yet the archæologists of that future age … would misconceive our life in one important respect. They would hardly understand that man had had a religion. …

Shakespeare could be idealistic when he dreamed, as he could be spiritual when he reflected. … It is all the more remarkable, therefore, that we should have to search through all the works of Shakespeare to find half a dozen passages that have so much as a religious sound, and that even these passages, upon examination, should prove not to be the expression of any deep religious conception. If Shakespeare had been without metaphysical capacity, or without moral maturity, we could have explained his strange insensibility to religion; but as it is, we must marvel at his indifference and ask ourselves what can be the causes of it.

— George Santayana, “The Absence of Religion in Shakespeare,” in Interpretations of Poetry and Religion, 1900