Sylvia Plath committed suicide in Yeats’ house.
She had taken a flat at 23 Fitzroy Road in London, where Yeats had lived from 1867 to 1874. She told her mother that she felt “Yeats’ spirit blessing me.”
See Noisy Neighbors.
Sylvia Plath committed suicide in Yeats’ house.
She had taken a flat at 23 Fitzroy Road in London, where Yeats had lived from 1867 to 1874. She told her mother that she felt “Yeats’ spirit blessing me.”
See Noisy Neighbors.
The diary of Elizabethan lawyer John Manningham reveals a Bugs-Bunny-like episode from the life of William Shakespeare. When Richard Burbidge was playing Richard III, a female audience member “greue soe farr in liking wth him” that she asked him to visit her that evening using the name Richard III. Shakespeare overheard this, beat Burbidge to the lady’s house and “was intertained.” When word came that Richard III was at the door, Manningham says, Shakespeare sent the reply that “William the Conqueror came before Richard III.”
Is it true? Who cares?
“I always find it more difficult to say the things I mean than the things I don’t.” — Somerset Maugham
After cataloging her disappointment with Europe, Asia, and Australia, xenophobic travel writer Favell Lee Mortimer finished her world survey with Far Off, Part II: Africa and America Described (1854). What did she discover about the intriguing people and exotic customs of these remote continents?
“Washington is one of the most desolate cities in the world: not because she is in ruins, but for the opposite reason — because she is unfinished. There are places marked out where houses ought to be, but where no houses seem ever likely to be.”
Author Octavus Roy Cohen was visiting a friend in Colorado when the surprising word came that Cohen himself would be speaking at a men’s luncheon club in Denver. Bewildered, the two attended the luncheon and watched an impostor give a “splendid literary talk.”
After this, the program director announced a surprise guest — Edna Ferber. Cohen had always wanted to meet Ferber, but to avoid embarrassing the club he held his peace and watched his impostor trade compliments with the guest author.
On his next visit to New York, he called Ferber. “I’m Octavus Roy Cohen,” he said, “the man you thought you met recently in Denver –”
“What are you talking about?” she said. “I haven’t been in Denver in years.”

In 1959, John Dos Passos took a break from writing to invent a bubble gun, presumably for his 9-year-old daughter, Lucy:
The primary object of this invention is to provide a bubble toy in the nature of a pistol … upon squeezing the hand grip air is forced … toward the ring, causing bubbles to be formed from a film held by the ring, and the bubbles projected forwardly as bullets from a gun.
After this he went back to the typewriter — Prospects of a Golden Age was published in the same year.
One dollar and eighty-seven cents. That was all. And sixty cents of it was in pennies. Pennies saved one and two at a time by bulldozing the grocer and the vegetable man and the butcher until one’s cheeks burned with the silent imputation of parsimony that such close dealing implied. Three times Della counted it. One dollar and eighty-seven cents. And the next day would be Christmas.
That’s the first paragraph of “The Gift of the Magi.” Does it contain a blunder? If Della has $1.87, and pennies make up 60 cents of it, what constitutes the remaining $1.27?
There are two possibilities. The story doesn’t say that only 60 cents of the total was in pennies; possibly 62 cents was, though this makes Della’s observation seem pointless. The second possibility is that the story is set in the late 19th century, when the United States was still minting two- and three-cent pieces — though there’s no other indication that this is the case.
So is it a blunder? Only O. Henry knows for sure.

Shakespeare said everything. Brain to belly; every mood and minute of a man’s season. His language is starlight and fireflies and the sun and moon. He wrote it with tears and blood and beer, and his words march like heartbeats. He speaks to everyone and we all claim him but it’s wise to remember, if we would really appreciate him, that he doesn’t properly belong to us but to another world; a florid and entirely remarkable world that smelled assertively of columbine and gun powder and printer’s ink, and was vigorously dominated by Elisabeth.
— Orson Welles, Everybody’s Shakespeare, 1934
Thornton Wilder called this “the greatest thumbnail summation of Shakespeare’s genius ever written.”
During the Depression, magazines and newspapers regularly carried advertisements for “talent bureaus” promising to assess the writing of undiscovered authors. Sensing a scam, Author & Journalist editor Willard Hawkins asked his daughter to compose “the most impossible, inane and childish semblance of a story that it was possible to conceive.” She obliged with “Her Terrible Mistake,” the story of 17-year-old Mary Jane Smith, who “fell devinely in love with a very nice fellow who was a machinic by the name of Jack Berry.” When a stranger seduces Mary Jane, her “fionce” exposes him as “a villian in sheeps clothing.”
Universal Scenario Co. of Hollywood declared this “admirably suited to talking picture presentation” and for $10 offered to submit it “personally to those producers whose current production demands call for this particular type of story.”
Encouraged, Hawkins now had Lottie Perkins write a 30,000-word novel, The Missing Twin:
‘Mr. Jones I think something has happened at home. I think we ought to have left someone to take care of our children. What will I do if someone has kidnapped them out from under my nose. How can you sit there and let them be stolen from me. O my babies. How could anyone be so crule as to steel you.’
Economy Publishers of Tacoma, Wash., read this “with ever increasing pleasure and admiration for the author. My! how your characters live and breathe and walk out into the room before one … !” They agreed to publish the book for $375, returning 40 percent of all royalties to Perkins.
In the end, Author & Publisher found that in most such cases, the publisher printed only about 100 copies — and profited $200.