Creative Taxidermy

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To demonstrate “the discovery which I had made of preparing specimens upon scientific principles,” eccentric naturalist Charles Waterton (1782-1865) created “The Nondescript,” a red howler monkey whose face he had manipulated into a semi-human cast.

“I have no wish whatever that the nondescript should pass for any other thing than that which the reader himself should wish it to pass for,” he wrote, rather elliptically. “Not considering myself pledged to tell its story, I leave it to the reader to say what it is, or what it is not.”

The specimen is preserved at the Wakefield Museum in West Yorkshire. Lost is a similar Waterton creation, “The English Reformation Zoologically Demonstrated,” a series of “portraits” of famous Protestants fashioned from preserved lizards and toads.

Such experiments could make Waterton seem unfeeling, but he was fundamentally more sympathetic with the wildlife of South America than the Georgian society to which he’d been born. He made this address to a sloth he surprised on the banks of the Essequibo in Guyana:

“Come, poor fellow. If thou hast got into a hobble to-day, thou shalt not suffer for it: I’ll take no advantage of thee in misfortune; the forest is large enough for both thee and me to rove in: go thy ways up above, and enjoy thyself in these endless wilds; it is more than probable thou wilt never have another interview with man. So fare thee well.”

(“I followed him with my eye till the intervening branches closed in betwixt us; and then I lost sight for ever of the two-toed Sloth. I was going to add, that I never saw a Sloth take to his heels in such earnest: but the expression will not do, for the Sloth has no heels.”)

“Three Sundays in a Week”

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In 1841 Edgar Allan Poe pointed out the confusion that can result when a ship reckons time while circling the world. Captain Smitherton and Captain Pratt have just returned from circumnavigating the globe, one traveling eastward and the other westward, while Kate and her father Mr. Rumgudgeon have remained in London. On reuniting, they discover some confusion: Captain Pratt thinks that tomorrow will be Sunday, Smitherton thinks that yesterday was Sunday, and Kate and Rumgudgeon think that today is Sunday. Finally Smitherton says:

What fools we two are ! — Mr. Rumgudgeon, the matter stands thus: The earth, you know, is, in round numbers, twenty-four thousand miles in circumference. Now the earth turns on its own axis, spins round, these twenty-four thousand miles, going from west to east, in precisely twenty-four hours. Well, sir, that is at the rate of one thousand miles an hour.

Now suppose that I sail from this position a thousand miles east. Of course, I anticipate the rising of the sun here at London by just one hour. I see the sun rise one hour before you do. Proceeding in the same direction yet another thousand miles, I anticipate the rising by two hours; another thousand, and I anticipate it by three hours: and so on, until I go entirely round the globe, and back to this spot, when having gone twenty-four thousand miles east, I anticipate the rising of the London sun by no less than twenty-four hours; that is to say, I am a day in advance of your time. Understand?

But Captain Pratt, when he had sailed a thousand miles west of this position, was an hour, and when he had sailed twenty-four thousand miles was twenty-four hours, or one day, behind the time at London. Thus, with me, yesterday was Sunday; thus, with you, to-day is Sunday; and thus, with Captain Pratt, to-morrow will be Sunday. And what is more, Mr. Rumgudgeon, it is positively clear that we are all right.

Mr. Rumgudgeon, who had forbidden Kate to marry until there were “three Sundays in a week,” now relents. Too bad for him — the international date line would shortly obviate the problem.

A-Roving

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“The Spirit of Byron,” a popular English print, circa 1830.

A footnote in Byron’s Don Juan mentions a rhyming contest between John Sylvester and Ben Jonson:

“I, John Sylvester, lay with your sister.”

“I, Ben Jonson, lay with your wife.”

“That is not rhyme.”

“No, but it is true.”

House Cat

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Tippi Hedren had a lion. The star of The Birds kept a full-grown African lion as a house pet in the 1970s.

“My mother and stepfather went to Africa in 1972 and found themselves stricken by the plight of animals there,” remembered Melanie Griffith, her daughter, in When I Was a Girl. “There was a prediction that by the year 2000 there would be no more wild animals. My stepfather made a movie about it, and my mother decided that we should get a real lion — that way, we could experience what living with wildlife was like.

“So we made friends with this guy Neil. He had a full-grown lion on his ranch, and we’d go out and visit him. Eventually we got a lion cub of our own. His name was Casey, and he was our first cat. Eventually we started to get more and more. The police would come to our door, and I’d take the lions, jump over the fence into this vacant lot, and hide there with the cats while the police searched the house. It was a wild thing to do.”

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Hedren went on to found a California wild animal preserve that, among other things, is now home to Michael Jackson’s two Bengal tigers.

(Thanks, Dan.)

Haste, Waste

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On Sept. 21, 1956, Navy pilot Tom Attridge put his supersonic F11F Tiger into a shallow dive and test-fired two bursts from its 20mm cannon. Unfortunately, the jet was traveling so fast that it overtook its own rounds. One struck the engine, which failed on the way back to the airfield. Attridge crash-landed, losing a wing and a stabilizer but getting away safely. His Tiger had become the first jet aircraft to shoot itself down.

A puzzle sent to me by a Caltech grad student: A man is walking his dog on the beach. Each time he blows a whistle, the dog doubles its speed. If the dog starts at 2 meters per second, how many whistles does it hear? Answer: Fifteen — when the dog exceeds the speed of sound, it catches up with the earlier whistles.

(Thanks, John and Srivatsan.)

Lost and Found

dalmatian photo

What is this? Most people see a mass of black blobs and then gradually recognize a photograph of a Dalmatian.

“What is interesting is that the outline shape on the picture surface that is experienced as resembling that of a dog is not seen as an outline shape at all unless the dog is seen in the figure,” writes University of British Columbia philosopher Dominic McIver Lopes. There’s no dog-shaped outline to notice; the contour of the dog’s body is invisible. To see the contour we must first see the dog … but how do we see the dog without the contour?

Ghost Writer

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[Theodore] Dreiser said that when he was living in New York, on West Fifty-seventh Street, John Cowper Powys came occasionally to dinner. At that time Powys was living in this country, in a little town about thirty miles up the Hudson, and he usually left Dreiser’s place fairly early to catch a train to take him home. One evening, after a rather long after-dinner conversation, Powys looked at his watch and said hurriedly that he had no idea it was so late, and he would have to go at once or miss his train. Dreiser helped him on with his overcoat, and Powys, on his way to the door, said, ‘ I’ll appear before you, right here, later this evening. You’ll see me.’

‘Are you going to turn yourself into a ghost, or have you a key to the door?’ Dreiser laughed when he asked that question, for he did not believe for an instant that Powys meant to be taken seriously.

‘I don’t know,’ said Powys. ‘ I may return as a spirit or in some other astral form.’

Dreiser said that there had been no discussion whatever during the evening, of spirits, ghosts or visions. The talk had been mainly about American publishers and their methods. He said that he gave no further thought to Powys’s promise to reappear, but he sat up reading for about two hours, all alone. Then he looked up from his book and saw Powys standing in the doorway between the entrance hall and the living room. The apparation had Powys’s features, his tall stature, loose tweed garments and general appearance, but a pale white glow shone from the figure. Dreiser rose at once, and strode towards the ghost, or whatever it was, saying, ‘Well, you’ve kept your word, John. You’re here. Come on in and tell me how you did it.’ The apparation did not reply, and it vanished when Dreiser was within three feet of it.

As soon as he had recovered somewhat from his astonishment Dreiser picked up the telephone and called John Cowper Powy’s house in the country. Powys came to the phone, and Dreiser recognized his voice. After he had heard the story of the apparation, Powys said, ‘I told you I’d be there, and you oughtn’t to be surprised.’ Dreiser told me that he was never able to get any explanation from Powys, who refused to discuss the matter from any standpoint.

— W.E. Woodward, The Gift of Life, 1947

Close to Home

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On Sept. 9, 1942, a lookout on Mount Emily in Oregon’s Siskiyou National Forest reported a plume of smoke near the town of Brookings. The Forest Service contained the fire easily, but investigators turned up something odd at the site: fragments of an incendiary bomb of Japanese origin.

It turned out that a Japanese submarine had surfaced off the Oregon/California border and 31-year-old navy officer Nobuo Fujita had piloted a seaplane into the forest, hoping to start a fire that would divert U.S. military resources from the Pacific. Recent rains had wet the forest, so the plan failed, but it marked the first time the continental United States had been bombed by enemy aircraft.

Fujita returned safely to Japan, where he opened a hardware store after the war, and he became an agent of amity with the United States. In 1962 he accepted an invitation to return to Oregon, where he donated his family’s samurai sword to Brookings, and he invited three local students to visit Japan in 1985. The city made him an honorary citizen shortly before his death in 1997, and his daughter spread his ashes at the site of the bombing.

Red Letters

‘All the world loves a lover.’ But in Venezuela, they do something about it. T.R. Lahey, in the Catholic periodical, Ave Maria, is responsible for the statement that the postal authorities there allow love letters to go through the mails at half price! But there is a condition. The letters must be mailed in bright-colored envelopes (pansy-blue for loving thoughts, and pink cloud effects; there would be a place for yellow and green to express the feelings of envious suitors and jealous lovers). These bright tints are intended to help the postal clerks and postmen to recognize the nature of the missives; but what a temptation to the carriers to open the letters and cull precious thoughts and phrases!

The Lutheran, Nov. 6, 1940