One Theodore Reinking, lamenting the diminished glory of his race, wrote a book entitled Dania ad exteros de perfidia Suecorum (1644). It was not a very excellent work, neither was its author a learned or accurate historian, but it aroused the anger of the Swedes, who cast Reinking into prison. There he remained many years, when at length he was offered his freedom on the condition that he should either lose his head or eat his book. Our author preferred the latter alternative, and with admirable cleverness devoured his book when he had converted it into a sauce. For his own sake we trust his work was not a ponderous or bulky volume.

— P.H. Ditchfield, Books Fatal to Their Authors, 1895

Some of us just aren’t cut out for the gentry. Shropshire squire John Mytton hunted naked, rode a horse through the Bedford Hotel, fed his dogs on steak and champagne, overturned gigs, pelted babies with oranges, inebriated his horse, and tried to cure hiccups by setting his shirt on fire. He died in debtor’s prison in 1834.

A biographer notes drily that Mytton once rode a bear into his drawing room in full hunting costume. “The bear carried him very quietly for a time; but on being pricked by the spur he bit his rider through the calf of his leg.”

Proof that age depends on perspective. By Rex Whistler (1905-1944).

Philadelphia physician Arthur Lintgen can recognize classical phonograph records without hearing them. By studying the spacing and patterns of the grooves, the structure of the vinyl, and the number and length of the movements, he can identify most orchestral music composed since Beethoven’s time.

He’s been tested several times, once in the presence of two musicians from major American orchestras. Lintgen studied each record for 15 to 30 seconds, then correctly named Bruckner’s Fourth Symphony, Orff’s Carmina Burana, Rachmaninoff’s The Bells and Second Symphony, and the Saint-Saëns “Organ” Symphony.

Walk on Kazakhstan’s Dune of Altynemel and it will sing. The sound is described as a cross between a roar and a boom; a strong wind can produce the same effect.

Singing sand is found at about 35 sites around the world, including the Eureka Dunes in California, Sand Mountain in Nevada, and the Booming Dunes in the Namib Desert of Africa.

No one’s quite sure how it works. Scientists think it’s a reverberating resonance produced by the sliding of similarly sized grains of sand.