In May 1797, William Maddison, of Sunderland, very much intoxicated, being warned by the bye-standers not to leap off the Quay into a Keel, which he was meditating; he replied with a volley of oaths, that he would go to hell in a flying leap: he instantly jumped off, and his breast having struck against the gunnel, caused his instant death.

— Kirby’s Wonderful and Scientific Museum, 1803

The Gateway Arch in St. Louis is an optical illusion.

It’s as wide as it is tall.

On the 7th of November, 1492, a little before noon, a dreadful thunder-clap was heard at Ensisheim, in Alsace, instantly after which a child saw a huge stone fall on a field newly sown with wheat. On searching, it was found to have penetrated the earth about three feet, and weighed 260 lbs. making its size equal to a cube of thirteen inches the side. All the contemporary writers agree in the reality of this phenomenon, observing that, if such a stone had before existed in a ploughed land, it must have been known to the proprietor.

— Cabinet of Curiosities, Natural, Artificial, and Historical, 1822

Account of Samuel Bisset, “famous for teaching quadrupeds to perform very remarkable actions,” given in John Platts, Encyclopedia of Natural and Artificial Wonders and Curiosities, 1876:

Being a man of unwearied patience, three young cats were the next objects of his tuition. He taught those domestic tigers, to strike their paws in such directions on the dulcimer, as to produce several tunes, having music-books before them, and squalling at the same time in different keys or tones, first, second, and third, by way of concert. … He procured a leveret, and reared it to beat several marches on the drum with its hind-legs, until it became a good stout hare. … He taught canary-birds, linnets, and sparrows, to spell the name of any person in company, to distinguish the hour and minute of time, and play many other surprising tricks; he trained six turkey cocks to go through a regular country dance.

“In the course of six months’ teaching, he made a turtle fetch and carry like a dog; and having chalked the floor, and blackened his claws, could direct it to trace out any given name in the company.”

Sit with a blank white wall to your right. Have a friend sit facing you. Hold up a hand mirror between you, positioned so that your left eye sees your friend’s face and your right eye sees a reflection of the wall. Now sweep your hand in a circular motion across the wall. Your friend’s face will disappear except for his eyes and mouth, like the Cheshire Cat in Alice in Wonderland.

This is worth the trouble to try, as the effect is startling. Your friend’s disembodied eyes may float before you for five seconds if he doesn’t blink or smile.

William Lyon, a strolling player, who performed at the theatre in Edinburgh, and who was excellent in the part of Gibby, the Highlander, gave a surprising instance of memory. One evening over his bottle, he wagered a crown bowl of punch, a liquor of which he was very fond, that next morning, at the rehearsal, he would repeat a Daily Advertiser from beginning to end. At the rehearsal, his opponent reminded him of his wager, imagining, as he was drunk the night before, that he must certainly have forgot it, and rallied him on his ridiculous bragging of his memory. Lyon pulled out the paper, desired him to look at it and be judge himself whether he did or did not win his wager. Notwithstanding the want of connection between the paragraphs, the variety of advertisements, and the general chaos which goes to the composition of any newspaper, he repeated it from beginning to end, without the least hesitation or mistake.

— Cabinet of Curiosities, Natural, Artificial, and Historical, 1822

In 1673, French missionary Jacques Marquette was exploring the Mississippi valley when he came upon a strange mural painted on a limestone bluff near what is now Alton, Ill.:

While Skirting some rocks, which by Their height and length inspired awe, We saw upon one of them two painted monsters which at first made Us afraid, and upon Which the boldest savages dare not Long rest their eyes. They are as large As a calf; they have Horns on their heads Like those of a deer, a horrible look, red eyes, a beard Like a tiger’s, a face somewhat like a man’s, a body Covered with scales, and so Long A tail that it winds all around the Body, passing above the head and going back between the legs, ending in a Fish’s tail. Green, red, and black are the three Colors composing the Picture. Moreover, these 2 monsters are so well painted that we cannot believe that any savage is their author; for good painters in France would find it difficult to reach that place Conveniently to paint them. Here is approximately The shape of these monsters, As we have faithfully Copied It.

In 1836 local settler John Russell told of a flying monster that lived in the cliffs and attacked nearby Indian villages, and the notion of wings is carried through in the reproduction above. Because the original is lost, we can’t be sure how faithful it is.

Thomas Jolley Death has a brother named Sudden Death, as the former told when he was on a professional visit to Nottingham, Eng., as a private detective. The father of the two men may yet be alive, and if so, has probably had time to reflect upon the hideous names with which he labelled his two baby boys to go through the world. The real name of the family is D’Ath.

— Bizarre Notes & Queries, April 1886