They laughed at William Beebe when the naturalist described a 6-foot glowing monster he’d encountered on a mile-deep dive in 1930. One colleague said he’d probably seen two fish swimming together.
Beebe got the last laugh four years later, when a fishing vessel pulled up one of these, a spiny, glowing creature that weighed more than 250 pounds. It’s known as “Beebe’s monster.”
Exploring Oak Island, Nova Scotia, in 1795, three boys discovered an old tackle block hung from a tree directly over a circular depression. Excited by thoughts of buried treasure, the three dug down 30 feet, discovering a layer of flagstones followed by layers of logs about every 10 feet, according to news accounts in 1856. That attracted serious treasure hunters, and subsequent digs got as deep as 80 feet, where reportedly they turned up a large inscribed stone (“Forty feet below lies two million pounds”) just before the pit flooded.
That stopped the digging for a while, but it attracted still more attention. In 1849 a drill passed through the following layers, starting at the 98-foot mark:
Reportedly the operators found three small links of a gold chain in the mud stuck to the drill. There have been at least 11 digs since then, ultimately producing nothing. Possibly “the money pit” still holds loot belonging to Blackbeard or Captain Kidd … but no one’s been able to find it.
A singular and highly remarkable case of diffused marine phosphorescence was observed by Nordenskiöld during his voyage to Greenland in 1883. One dark night, when the weather was calm and the sea smooth, his vessel was steaming across a narrow inlet called the Igaliko Fjord, when the sea was suddenly observed to be illumined in the rear of the vessel by a broad but sharply-defined band of light, which had a uniform, somewhat golden sheen, quite unlike the ordinary bluish-green phosphorescence of the sea. The latter kind of light was distinctly visible at the same time in the wake of the vessel. Though the steamer was going at the rate of from five to six miles an hour, the remarkable sheet of light got nearer and nearer. When quite close, it appeared as if the vessel were sailing in a sea of fire or molten metal. In the course of an hour the light passed on ahead, and ultimately it disappeared in the remote horizon. The nature of this phenomenon Nordenskiöld is unable to explain; and unfortunately he had not the opportunity of examining it with the spectroscope.
— W.S. Dallas in Wonders of Earth, Sea And Sky, 1902
Born to normal parents in 1846, Anna Haining Swan had reached nearly her mother’s height by age 6. She topped out at 7 feet 5 inches, 350 pounds, shortly after signing up with P.T. Barnum, who paid her handsomely.
Like other “freaks,” Anna was cultured and educated. She studied literature, music and acting, even playing Lady Macbeth. Still, her size presented problems. She was nearly trapped by a fire at Barnum’s museum in 1865 because she couldn’t fit through a third-floor window. Eventually she was lowered by block and tackle, with 18 men holding the end of the rope.
Anna was fortunate in love, though. She met Martin Van Buren Bates when the two were paired for a tour, and they were married in 1871, towering over the priest, who was 6 foot 3. They retired to a custom house with 8-foot doors, where she bore two children, one of which weighed 22 pounds at birth (neither survived). She was buried in an oversize coffin in 1888.
At her full height, Anna was nearly five times as tall as Caroline Crachami (1815-1824), the smallest person in recorded history. Born with primordial dwarfism, Caroline was only 19.5 inches tall. Her skeleton is on display at Scotland’s Hunterian Museum, and her story is recorded in Gaby Wood’s wonderfully titled Smallest of All Persons Mentioned in the Records of Littleness.
When Edward Leedskalnin’s fiancée left him at the altar, the Latvian eccentric moved to Florida and started building a castle to win her back. A very, very heavy castle: The structure is made of megalithic stones, mostly coral, each of which weighs several tons.
How he did it is something of a mystery, as the 100-pound artist worked only alone and at night. Some teenagers who glimpsed the construction said that he moved the blocks like hydrogen balloons. Leedskalnin gave no details but spoke of a “perpetual motion holder” and said he knew the secret of the Egyptian pyramids.
Anyway, did it work? Sadly, no. Leedskalnin spent 28 years building his castle, but when his erstwhile fiancée heard about it, she said, “I didn’t want to marry Edward when I was 16, and I don’t want to marry him now.” He died a few years later.
In the twentieth year of Queen Elizabeth, a blacksmith named Mark Scaliot, made a lock consisting of eleven pieces of iron, steel and brass, all which, together with a key to it, weighed but one grain of gold. He also made a chain of gold, consisting of forty-three links, and, having fastened this to the before-mentioned lock and key, he put the chain about the neck of a flea, which drew them all with ease. All these together, lock and key, chain and flea, weighed only one grain and a half.
Oswaldus Norhingerus, who was more famous even than Scaliot for his minute contrivances, is said to have made 1,600 dishes of turned ivory, all perfect and complete in every part, yet so small, thin and slender, that all of them were included at once in a cup turned out of a pepper-corn of the common size. Johannes Shad, of Mitelbrach, carried this wonderful work with him to Rome, and showed it to Pope Paul V., who saw and counted them all by the help of a pair of spectacles. They were so little as to be almost invisible to the eye.
Johannes Ferrarius, a Jesuit, had in his posession cannons of wood, with their carriages, wheels, and all other military furniture, all of which were also contained in a pepper-corn of the ordinary size.
An artist, named Claudius Callus, made for Hippolytus d’Este, Cardinal of Ferrara, representations of sundry birds setting on the tops of trees, which, by hydraulic art and secret conveyance of water through the trunks and branches of the trees, were made to sing and clap their wings; but, at the sudden appearance of an owl out of a bush of the same artifice, they immediately became all mute and silent.
— Burroughs’ Encyclopaedia of Astounding Facts and Useful Information, 1889
In the early 1800s, a reclusive farm worker sold four goats to Dr. H.H. Mayberry of Marshall County, Tenn. Mayberry discovered that the goats had an odd quality: When startled they would stiffen for about 10 seconds, often falling over.
Mayberry bred them, and today it’s understood they have a hereditary genetic disorder called myotonia congenita. There’s even an International Fainting Goat Association.
The original breeder disappeared, rumored to have returned to Nova Scotia. No one knows his name.
In the 1850s, a girl contracted diphtheria while visiting Edisto Island, S.C. Amid fears of an outbreak, she was pronounced dead and hastily interred in a local mausoleum:
Some days afterwards, when the grave in which she had been placed was opened for the reception of another body, it was found that the clothes which covered the unfortunate woman were torn to pieces, and that she had even broken her limbs in attempting to extricate herself from the living tomb. The Court, after hearing the case, sentenced the doctor who had signed the certificate of decease, and the Major who had authorized the interment each to three month’s imprisonment for involuntary manslaughter.
(Reported in the British Medical Journal, 1877)
Since the 1930s, hundreds of stone spheres have been found in Costa Rica. They range from a few centimeters to more than 2 meters in diameter and weigh up to 16 tons.
No one knows who made them or why, but they’re old — some date to 200 B.C.
Anton Bruckner died after writing his ninth symphony. So did Beethoven, Schubert, and Dvořák. In the 19th century, a superstition arose that a quick death awaited anyone who wrote nine symphonies.
Arnold Schoenberg wrote: “It seems that the ninth is a limit. He who wants to go beyond it must pass away. It seems as if something might be imparted to us in the Tenth which we ought not yet to know, for which we are not ready. Those who have written a Ninth stood too close to the hereafter.”
Mahler figured he could escape the curse with a decoy: When he finished his ninth, he retitled it “The Song of the Earth” and wrote a second “ninth” symphony. When nothing happened, he told his wife “the danger is past,” started a new work — and died.
