In the 1840s, John Banvard painted a panorama of the Mississippi River valley — possibly the largest painting ever attempted. It was 12 feet high and 1,300 feet long.
He traveled with it through Europe, Asia, and Africa, and Queen Victoria even got a private viewing.
Improbably, it’s been lost. How do you misplace a painting that’s a quarter mile long?
You always know when it’s 11 a.m. at Memphis’ Peabody Hotel: Five ducks are escorted from their penthouse suite, down the elevator to the lobby, along a red carpet (accompanied by a Sousa march), and into the fountain, where they spend the day. At 5 p.m. they return, with equal ceremony.
This has happened every day since the 1930s.
Short on human help, England enlisted another species at its Sheffield munitions plant during World War I.
Write your own joke.
For a time in the 1880s, a baboon named Jack was employed as a railroad signalman in South Africa. He was working, apparently successfully, as a voorloper, or ox driver, in the Eastern Cape when he was discovered by James Erwin Wide, a Uitenhage signalman who had recently lost his legs in an accident.
Impressed and needing a helper, Wide bought the baboon and trained him to operate his junction. When a train approached it would identify itself with a whistle; Jack would get the keys, head into the signal box and pull the correct lever to change tracks. Alarmed riders complained, but railway management investigated and were so impressed that they actually put the baboon on a railway allowance and rations, including a small amount of brandy per day.
I know this sounds preposterous, but there are photographs of Jack at work and eyewitness accounts of his abilities. His skull can be seen today in the Albany Museum in Grahamstown.
Self-portrait by Sarah Biffen (1784-1850), a Victorian painter who had no arms.
She painted this with her mouth.
This is The Ambassadors (1533), the celebrated painting by Hans Holbein the Younger. It’s full of noteworthy symbols of exploration, but what’s that odd skewed element at the bottom?
If you view the canvas from a narrow angle, the image resolves into a skull:
This is an early example of anamorphic perspective, an invention of the early Renaissance. It’s thought that Holbein intended that the painting would be hung in a stairwell, when people ascending the stairs would view the image from the proper angle and get a gruesome surprise.
Why? That’s an unanswered question.
“Jo-Jo the Dog-Faced Boy” was presented to sideshow audiences as a freak of nature, raised by a savage in a Russian cave and prone to barking and growling incoherently when upset.
In reality, Fedor Jeftichew was born in St. Petersburg in 1868, and he spoke Russian, German, and English. His appearance was due to a medical condition called hypertrichosis, or excessive hair growth, the same disorder that produces “bearded ladies.”
Jeftichew inherited the condition from his father, Adrian, who had performed in French circuses. When his father died, Fedor eventually signed with an American show, going on to tour Europe and the United States extensively. He died in Turkey in 1904.
In 1898, Columbus prison inmate Charles Justice helped build and install Ohio’s only electric chair.
Justice finished his sentence and returned to society, but irony caught up with him. Thirteen years later he was back in prison, and on Nov. 9, 1911, he was executed in the same electric chair he had helped to build.
Achievements of Carl Herman Unthan (1848-1928), who was born without hands:
In 1925, Unthan published an autobiography, Das Pediscript (not “manuscript,” because he typed it with his toes). It was published in English in 1935, seven years after his death.
Excerpt from the obituary of Arthur James Caley (1837-1889), the “Middlebush Giant”:
“The farmhouse of the dead giant was thronged with villagers long before the hour fixed for the funeral. The remains had been placed in a coffin eight feet long and three feet wide. It was covered with cloth and had been specially made for the deceased. After the funeral services were over the coffin was borne on the shoulders of eight sturdy farmers to a wagon which was standing in the road about 100 yards from the house. Undertaker Van Duyn said he could not find a hearse large enough to hold the giant’s coffin. The pallbearers had a hard struggle in carrying the remains down the incline leading from the house to the road and when they deposited the coffin in the wagon, beads of perspiration stood out on their foreheads.”
Caley measured 7 foot 2 and weighed 630 pounds. He had been a fixture in P.T. Barnum’s show, and he remained a sensation even in death: He was originally buried without a tombstone for fear his body would be dug up and put on display.