Between 1937 and 1939, Nazi Germany built a colossal beach resort on the island of Rügen in the Baltic Sea. Its scale was enormous: Meant to host 20,000 holiday-makers at a time in shifts of 10 days, the six-story edifice of 10,000 double rooms stretches for 4.5 kilometers, requiring almost an hour to walk its length. At the end of the war seven of a planned eight blocks and part of a main square had been completed. Since then it’s housed small-scale projects, including a youth and a family hostel, a skating hall, a theatre, workshops, museums, art galleries, secondhand shops, and a disco. Today five of the blocks have been developed as apartments and a new hostel, while the remaining three lie in ruins.

Until four years ago, fully 1 percent of Greenland’s population was housed in a single building, Blok P. Erected in the 1960s, it was five stories high and stretched 200 meters, the largest construction project in the Kingdom of Denmark, with one end boasting the world’s largest flag of Greenland. But its poor design made the building a difficult and depressing home for its residents, and it was demolished in 2012.

Before the Turkish invasion of Cyprus in 1974, the tourist district of Varosha was the nation’s premier vacation destination, with high-rise hotels, shopping centers, restaurants, and nightclubs. With the invasion, the entire population of 39,000 fled, leaving behind an opulent ghost town. Since then it’s been fenced off, accessible only by the Turkish military and United Nations personnel. Negotiations continue, but after 40 years of mounting disrepair it’s not clear how much of it might still be salvaged.

(Thanks, Matthias and Steve.)

Tom has a crystal ball that shows him the future. One day it shows him a bomb going off in the city. He alerts the authorities, who disable the bomb, saving millions of people. Tom is glad, but he wonders: How can this outcome be logically consistent with the future that the crystal ball had shown him? In that future he saw millions of people die, but in this future they’re still alive. He realizes that when he contacted the authorities the timeline must have split in two. In the original timeline, the bomb went off just as the crystal ball had foretold, and the city’s population did die. But in this new timeline, the authorities defused the bomb and everyone lived.

This understanding seems to explain what has happened, but it leaves a worrying subjective question. If there are two timelines then there are two Toms, both sharing the same history and presumably each realizing that two instances of his identity now exist. “We are familiar with physical things splitting into two, and can accept in principle that they could even be duplicated,” writes Western University philosopher John L. Bell. “But it is extremely difficult to make sense of the idea that an individual consciousness can be so split.”

The doomed Tom might ask himself, “Why am I the doomed Tom?” Objectively the answer is that he’s the Tom who failed to alert the authorities to the coming catastrophe. “But from a subjective point of view he can ask: why was I the Tom who failed to act? Why couldn’t I have been the saved Tom? There seems to be no satisfactory answer to this question.”

In his Philosophy of Mathematics and Natural Science, mathematician Hermann Weyl notes that Leibniz thought he had resolved the tension between freedom and predestination by letting God consider the infinite number of possible universes and assign existence to one of them. “This solution may objectively be sufficient,” Weyl wrote, “but it is shattered by the desperate outcry of Judas, ‘Why did I have to be Judas?'”

(From Oppositions and Paradoxes, 2016.)

If a game is anything, it’s a set of rules. And playing a game requires following these rules. If we take this definition seriously, then a cheater, one who breaks the rules, not only doesn’t deserve to win — he literally isn’t playing the game. University of Waterloo philosopher Bernard Suits writes:

The end in poker is not to gain money, nor in golf simply to get a ball into a hole, but to do these things in prescribed (or, perhaps more accurately, not to do them in proscribed) ways: that is, to do them only in accordance with rules. Rules in games thus seem to be in some sense inseparable from ends. … If the rules are broken, the original end becomes impossible of attainment, since one cannot (really) win the game unless he plays it, and one cannot (really) play the game unless he obeys the rules of the game.

So, strictly speaking, it’s impossible for a cheater to win a game — he can win only by following the rules. “In a game I cannot disjoin the end, winning, from the rules in terms of which winning possesses its meaning. I of course can decide to cheat in order to gain the pot, but then I have changed my end from winning a game to gaining money.”

(Bernard Suits, “What Is a Game?”, Philosophy of Science 34:2 [June 1967], 148-156.)

“Such a question as, Why does everything in Spain look Spanish? is one of those apparently idiotic questions that opens up quite unexpected areas of vision.” — Northrop Frye, “Spirit and Symbol,” Words With Power, 2008

Where is a sound? If I play a note at the piano, you and I both seem to locate it at the instrument. But we both also know that we perceive the note because the piano sends waves through the air that strike our ears. That would mean that most of our auditory perception is illusion. Is that what we want to say?

Philosopher George Berkeley wrote, “When I hear a coach drive along the streets, immediately I perceive only the sound, but from experience I have had that such a sound is connected with a coach, I am said to hear the coach.” Perhaps the sound lies at our ears, or at our sensation of it, and it’s only our experience of the world that leads us to attribute it to some remote source. But that raises problems of its own. If sound is sensation, then can a sound occur if no one is present to hear it?

Perhaps the answer lies in between: Acoustics tells us that sounds are vibrations transmitted by the air. But vibrations of very high or low pitch aren’t perceptible to human ears. Are these still sounds?

A similar puzzle concerns smells.