No sun — no moon!
No morn — no noon —
No dawn — no dusk — no proper time of day —

No sky — no earthly view —
No distance looking blue —
No road — no street — no “t’other side the way ” —

No end to any Row —
No indications where the Crescents go —
No top to any steeple —
No recognitions of familiar people —

No courtesies for showing ’em —
No knowing ’em!
No travelling at all — no locomotion,
No inkling of the way — no notion —

“No go” — by land or ocean —
No mail — no post —
No news from any foreign coast —
No park — no ring — no afternoon gentility —

No company — no nobility —
No warmth, no cheerfulness, no healthful ease,
No comfortable feel in any member —
No shade, no shine, no butterflies, no bees,
No fruits, no flowers, no leaves, no birds,

November!

— Thomas Hood, in The Book of Days, 1832

When Scottish physician John Armstrong planned to write a book on “the art of preserving health” in 1744, it seemed a promising undertaking. Unfortunately, he chose to do it in blank verse:

The languid stomach curses even the pure
Delicious fat, and all the race of oil;
For more the oily aliments relax
Its feeble tone; and with the eager lymph
(Fond to incorporate with all it meets)
Coyly they mix; and shun with slippery wiles
The wooed embrace. Th’ irresoluble oil,
So gentle late and blandishing, in floods
Of rancid bile o’erflows: What tumults hence,
What horrors rise, were nauseous to relate.
Choose leaner viands, ye of jovial make!

This ran to four books and 128 pages, too florid to be useful and too queasy to inspire. Armstrong made a few more stabs at medical poetry, but he didn’t quit his day job: In 1760 he became a physician to the British army in Germany, and then retired.

Mysterious Nothing! how shall I define
Thy shapeless, baseless, placeless emptiness?
Nor form, nor colour, sound, nor size is thine,
Nor words nor fingers can thy voice express;
But though we cannot thee to aught compare,
A thousand things to thee may likened be,
And though thou art with nobody nowhere,
Yet half mankind devote themselves to thee.
How many books thy history contain!
How many heads thy mighty plans pursue!
What labouring hands thy portion only gain!
What busy bodies thy doings only do!
To thee the great, the proud, the giddy bend,
And — like my sonnet — all in nothing end.

— Richard Porson, in Morning Chronicle, March 4, 1814

There are three species of creatures who when they seem coming are going,
When they seem going they come: Diplomats, women, and crabs.

— John Hay, in The Library of Wit and Humor, Prose and Poetry, 1884

The man who invented the women’s waists that button down behind,
And the man who invented the cans with keys and the strips that will never wind,
Were put to sea in a leaky boat and with never a bite to eat
But a couple of dozen of patent cans in which was their only meat.

And they sailed and sailed o’er the ocean wide and never they had a taste
Of aught to eat, for the cans stayed shut, and a peek-a-boo shirtwaist
Was all they had to bale the brine that came in the leaky boat;
And their tongues were thick and their throats were dry, and they barely kept afloat.

They came at last to an island fair, and a man stood on the shore,
So they flew a signal of distress and their hopes rose high once more,
And they called to him to fetch a boat, for their craft was sinking fast,
And a couple of hours at best they knew was all their boat would last.

So he called to them a cheery call and he said he would make haste,
But first he must go back to his wife and button up her waist,
Which would only take him an hour or so and then he would fetch a boat.
And the man who invented the backstairs waist, he groaned in his swollen throat.

The hours passed by on leaden wings and they saw another man
In the window of a bungalow, and he held a tin meat can
In his bleeding hands, and they called to him, not once but twice and thrice,
And he said: “Just wait till I open this and I’ll be there in a trice!”

And the man who invented the patent cans he knew what the promise meant,
So he leaped in air with a horrid cry and into the sea he went,
And the bubbles rose where he sank and sank and a groan choked in the throat
Of the man who invented the backstairs waist and he sank with the leaky boat!

— J.W. Foley, in Carolyn Wells, ed., Such Nonsense!: An Anthology, 1918