The man who invented the women’s waists that button down behind,
And the man who invented the cans with keys and the strips that will never wind,
Were put to sea in a leaky boat and with never a bite to eat
But a couple of dozen of patent cans in which was their only meat.

And they sailed and sailed o’er the ocean wide and never they had a taste
Of aught to eat, for the cans stayed shut, and a peek-a-boo shirtwaist
Was all they had to bale the brine that came in the leaky boat;
And their tongues were thick and their throats were dry, and they barely kept afloat.

They came at last to an island fair, and a man stood on the shore,
So they flew a signal of distress and their hopes rose high once more,
And they called to him to fetch a boat, for their craft was sinking fast,
And a couple of hours at best they knew was all their boat would last.

So he called to them a cheery call and he said he would make haste,
But first he must go back to his wife and button up her waist,
Which would only take him an hour or so and then he would fetch a boat.
And the man who invented the backstairs waist, he groaned in his swollen throat.

The hours passed by on leaden wings and they saw another man
In the window of a bungalow, and he held a tin meat can
In his bleeding hands, and they called to him, not once but twice and thrice,
And he said: “Just wait till I open this and I’ll be there in a trice!”

And the man who invented the patent cans he knew what the promise meant,
So he leaped in air with a horrid cry and into the sea he went,
And the bubbles rose where he sank and sank and a groan choked in the throat
Of the man who invented the backstairs waist and he sank with the leaky boat!

— J.W. Foley, in Carolyn Wells, ed., Such Nonsense!: An Anthology, 1918

Before a Turkish town
The Russians came
And with huge cannon
Did bombard the same.

They got up close
And rained fat bombshells down,
And blew out every
Vowel in the town.

And then the Turks,
Becoming somewhat sad,
Surrendered every
Consonant they had.

— Eugene Fitch Ware

A soldier of the Russians
Lay japanned at Tschrtzvkjskivitch,
There was lack of woman’s nursing
And other comforts which
Might add to his last moments
And smooth the final way;–
But a comrade stood beside him
To hear what he might say.
The japanned Russian faltered
As he took that comrade’s hand,
And he said: “I never more shall see
My own, my native land;
Take a message and a token
To some distant friends of mine
For I was born at Smnlxzrskgqrxzski,
Fair Smnlxzrskgqrxzski on the Irkztrvzkimnov.”

— W.J. Lampton

In 1983 a driver hit a tree in Michigan. A tree surgeon repaired the damage, and the driver’s insurance paid the $550 bill, but the tree’s owner claimed $15,000 for pain and suffering; he said the “beautiful oak” was like someone dear to him.

A lower court threw out the case, and the appeals court agreed. The three-judge panel declared:

We thought that we would never see
A suit to compensate a tree,
A suit whose claim in tort is prest
Upon a mangled tree’s behest;
A tree whose battered trunk was prest
Against a Chevy’s crumpled crest;
A tree that faces each new day
With bark and limb in disarray;
A tree that may forever bear
A lasting need for tender care.
Flora lovers though we three,
We must uphold the court’s decree.
Affirmed.

(Fisher v. Lowe, 122 Mich. App. 418, 33 N.W.2d 67)

— I.J. Reeve, The Wild Garland, 1865

James Grainger (1721–1766) had a lot to say about growing sugarcane — unfortunately, he chose to say it in poetry:

Whether the fattening compost, in each hole,
‘Tis best to throw; or, on the surface spread,
Is undetermin’d: Trials must decide.
Unless kind rains and fostering dews descend,
To melt the compost’s fertilizing salts;
A stinted plant, deceitful of thy hopes,
Will from those beds slow spring where hot dung lies:
But, if ’tis scatter’d generously o’er all,
The Cane will better bear the solar blaze;
Less rain demand; and, by repeated crops,
Thy land improv’d, its gratitude will show.

Grainger’s 1764 epic “Sugar-Cane” runs on for an excruciating 162 pages, with footnotes, waxing lyrical over every aspect of cane farming, from climate to pest control. James Boswell told Samuel Johnson that a reading of the poem at Sir Joshua Reynolds’ “had made all the assembled wits burst into a laugh when, after much blank verse pomp, the poet began a new paragraph thus:

“‘Now, Muse, let’s sing of rats.’

“And what increased the ridicule was, that one of the company, who slyly overlooked the reader, perceived that the word had been originally mice, and had been altered to rats, as more dignified.”