As a farmer was going to plough,
He met a man driving a cough;
They had words which led to a rough,
And the farmer was struck on his brough.

One day when the weather was rough,
An old lady went for some snough,
Which she thoughtlessly placed in her mough,
And it got scattered, all over her cough.

While a baker was kneading his dough,
A weight fell down on his tough,
When he suddenly exclaimed ough!
Because it had hurt him sough.

There was a hole in the hedge to get through,
It was made by no one knew whough;
In getting through a boy lost his shough,
And was quite at a loss what to dough.

A poor old man had a bad cough,
To a doctor he straight went ough,
The doctor did nothing but scough,
And said it was all fancy, his cough.

— Anonymous, cited in Carolyn Wells, A Whimsey Anthology, 1906

A univocalic is a poem that uses only one vowel. This example was composed by Charles Bombaugh in 1875:

Incontrovertible Facts

No monk too good to rob, or cog or plot.
No fool so gross to bolt Scotch collops hot.
From Donjon tops no Oronooko rolls.
Logwood, not lotos, floods Oporto’s bowls.
Troops of old tosspots oft to sot consort.
Box tops odd schoolboys oft do flog for sport.
No cool monsoons blow soft on Oxford dons,
Orthodox, jog-trot, book-worm Solomons!
Bold Ostrogoths of ghosts no horror show.
On London shop-fronts no hop-blossoms grow.
To crocks of gold no dodo looks for food.
On soft cloth footstools no old fox doth brood.
Long storm-tost sloops forlorn work on to port.
Rooks do not roost on spoons, nor woodcocks snort,
Nor dog on snowdrop or on coltsfoot rolls,
Nor common frog concocts long protocols.

Let others talk of L N’s eyes,
And K T’s figure light and free,
Say L R, too, is beautiful —
I heed them not while U I C.
U need not N V them, for U
X L them all, my M L E.
I have no words when I would tell
How much in love with U I B.
So sweet U R, my D R E,
I love your very F E G;
And when you speak or sign, your voice
Is like a winsome L O D.
When U R I C, hope D K’s,
I am a mere non- N T T.
Such F E K C has your smile,
It shields from N E N M E.
For love so deep as mine, I fear,
There is no other M E D.
But that you love me back again —
O, thought of heavenly X T C;
So, lest my M T heart and I
Should sing for love an L E G,
T’s me no more — B Y’s, B kind,
O, M L E, U R, I C!

— Anonymous, cited in Carolyn Wells, A Whimsey Anthology, 1906

This double-entendre was originally published in a Philadelphia newspaper a hundred years ago. It may be read three different ways: First, let the whole be read in the order in which it is written; second, read the lines downward on the left of each comma in every line; third, in the same manner on the right of each comma. In the first reading the Revolutionary cause is condemned, and by the others it is encouraged and lauded —

Hark! Hark! the trumpet sounds, the din of war’s alarms,
O’er seas and solid grounds, doth call us all to arms;
Who for King George doth stand, their honors soon shall shine;
Their ruin is at hand, who with the Congress join.
The acts of Parliament, in them I much delight,
I hate their cursed intent, who for the Congress fight;
The Tories of the day, they are my daily toast,
They soon will sneak away, who independence boast;
Who non-resistance hold, they have my hand and heart,
May they for slaves be sold, who act a Whiggish part;
On Mansfied, North and Bute, may daily blessings pour,
Confusion and dispute, on Congress evermore;
To North and British lord, may honors still be done,
I wish a block or cord, to General Washington.

— Frank H. Stauffer, The Queer, the Quaint and the Quizzical, 1882