Introspection

In 1949 English physician Zachary Cope published The Diagnosis of the Acute Abdomen in Rhyme:

The muscles of the bowel-wall are strong
And by their strength they force the food along;
In rhythmic waves contractions come and go
Making the intestinal contents flow;
So if through any kind of morbid state
A bit of bowell wall invaginate
The muscle-wall may force it on and on
Until far down the lumen it has gone.
The gut below Dilates for its reception
And thus you get what’s called intussusception.

He dedicated the 100-page work to his students. The preface to the fifth edition reads:

I thank those readers who oft write to me
Suggesting things with which I oft agree
But most of all I thank the youth who said
‘I always keep a copy by me bed.’

About Time

https://commons.wikimedia.org/wiki/File:The_Hebrew_Clock_On_The_Old_Jewish_Town_Hall,_Prague..jpg
Image: Wikimedia Commons

Korf’s Clock

Korf’s clock is of a novel sort
In which two pairs of hands are used:
One pair points forwards as it ought,
The other backwards a la Proust.

When it says eight it’s also four,
When it says nine it’s also three;
A single glance and you no more
Need fear the ancient Enemy.

For with this wondrous clock you’ll find
As, Janus-like, it turns about
(To such an end it was designed)
Time simply cancels itself out.

Palmström’s Clock

But Palmström’s clock has a “higher” power,
Balanced as lightly as a flower.

Scorning a set pedestrian pace,
It keeps time with a certain grace

And will, in answer to a prayer,
Go en retard, en arriéré.

One hour, two hours, three hours indeed,
Sympathizing with our need!

Though clockwork in its outward part
It hides within — a tender heart.

— Christian Morgenstern

Above: Built in 1586, the town hall in the old Jewish ghetto of Prague bears two clocks: a traditional clock tower with four faces bearing Roman numerals and a second clock bearing Hebrew numerals. The hands on the conventional clocks turn clockwise; those on the Hebrew clock turn counterclockwise. (Thanks, Danesh.)

Say It With Flowers

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The lost art of floriography assigned meanings to flowers so that lovers could exchange messages with “talking bouquets.” In his 1839 Language of Flowers, English journalist Frederic Shoberl rendered an entire verse by French poet Évariste de Parny as the combination of 16 flowers:

Aimer est un destin charmant,
C’est un bonheur qui nous enivre,
Et qui produit l’enchantement.
Avoir aimé, c’est ne plus vivre,
Hélas! c’est avoir acheté
Cette accablante vérité,
Que les serments sont un mensonge,
Que l’amour trompe tôt ou tard,
Que l’innocence n’est qu’un art,
Et que le bonheur n’est qu’un songe.

“It may be thus rendered: ‘To love is a pleasure, a happiness, which intoxicates; to love no longer, is to live no longer; it is to have bought this sad truth, that innocence is falsehood, that love is an art, and that happiness is a dream.'”

Pillow Verse

https://commons.wikimedia.org/wiki/File:Thomas_Cole_-_Architect%E2%80%99s_Dream_-_Google_Art_Project.jpg

English textile designer William Morris always said he wanted to dream a poem. When he finally did and was asked whether he could remember it, he said, “Only the first line, and it went like this: The moonlight slept on a treacle sea.

Archbishop Edward Benson told Edmund Gosse that he dreamed he had been appointed poet laureate and found himself reciting this couplet to the queen:

Your latest atmosphere device
Is all composed of dust and lice.

And Sir John Squire confessed that when he dreamed the following lines they seemed impressive until he woke up:

There was a boy grew twenty inch, yes,
Twenty inch a year,
It might have made his mother flinch, but
She was quite a dear;
Yes, she was excellent,
And she was well content
To watch her offspring forge ahead in his
Peculiar sphere.

(From Stephen Brook, ed., The Oxford Book of Dreams, 1983. See Night Work.)

In Brief

In 1906, when Teddy Roosevelt endorsed a plan to simplify the spelling of difficult words, Englishman Harry Graham offered a scheme of his own:

When Theo: Roos: unfurled his bann:
As Pres: of an immense Repub:
And sought to manufact: a plan
For saving people troub:
His mode of spelling (termed phonet:)
Affec: my brain like an emet:

And I evolved a scheme (pro tem.)
To simplify my mother-tongue,
That so in fame I might resem:
Upt: Sinc:, who wrote “The Jung:”
And rouse an interest enorm:
In conversational reform.

I grudge the time my fellows waste
Completing words that are so comm:
Wherever peop: of cult: and taste
Habitually predom:
‘Twould surely tend to simpli: life
Could they but be curtailed a trif:

For is not “Brev: the soul of Wit”?
(Inscribe this mott: upon your badge)
The sense will never suff: a bit,
If left to the imag:
Since any pers: can see what’s meant
By words so simp: as “husb:” or “gent:”

When at some meal (at dinn: for inst:)
You hand your unc: an empty plate,
Or ask your aunt (that charming spinst:)
To pass you the potat:,
They have too much sagac:, I trust,
To give you sug: or pepp: or must:

If you require a slice of mutt:
You’ll find the selfsame princ: hold good,
Nor get, instead of bread and butt:,
Some tapioca pudd:,
Nor vainly bid some boon-compan:
Replen: with Burg: his vacant can.

At golf, if your oppon: should ask
Why in a haz: your nib: is sunk,
And you explain your fav’rite Hask:
Lies buried in a bunk:,
He cannot very well misund:
That you (poor fooz:) have made a blund:

If this is prob: — nay, even cert: —
My scheme at once becomes attrac:
And I (pray pard: a litt: impert:)
A public benefac:
Who saves his fellow-man and neighb:
A deal of quite unnecess: lab:

Gent: Reader, if to me you’ll list:
And not be irritab: or peev:,
You’ll find it of tremend: assist:
This habit of abbrev:,
Which grows like some infec: disease,
Like chron: paral: or German meas:

And ev’ry living human bipe:
Will feel his heart grow grate: and warm
As he becomes the loy: discip:
Of my partic: reform,
(Which don’t confuse with that, I beg,
Of Brander Matth: or And: Carneg:)

“”T is not in mort: to comm: success,”
As Shakes: remarked; but if my meth:
Does something to dimin: or less:
The expend: of public breath,
My country, overcome with grat:,
Should in my hon: erect a stat:

My bust by Rod: (what matt: the cost?)
Shall be exhib:, devoid of charge,
With (in the Public Lib: at Bost:)
My full-length port: by Sarge:
That thous: from Pitts: or Wash: may swarm
To worsh: the Found: of this Reform.

Meanwhile I seek with some avid:
The fav: of your polite consid:

Note

I just ran across this in Hurd and Hurd’s Treasury of Great American Letters, from 1961 — kept from home on his daughter’s 10th birthday, Ogden Nash left her this poem:

My sweet, although you were divine
When you were just a child of nine,
I’d be the happiest of men
If I could see you change to 10.
I do not like to be away
On such a stupendiferous day.
Now that you’re old enough to caddie
I’m a very happy daddy.
Many happy returns and
I love you.

Excerpts

Ogden Nash’s 1975 poetry collection I Wouldn’t Have Missed It contains an intriguing index of last lines:

A weirdo of fifty, 347
Alone, in the dusk, with the cleaning fluid, 239
And bring me half a dozen smelts, 193
And jam the bloody airwaves on the Seventeenth of March, 199
And join that lama, 217
And leave casements to Keats and me, 332
And the hell with the first fourteen, 346
And Zeus said, Yes, I’m an atheist, 351
But Custard keeps crying for a nice safe cage, 100
But the sensible fish swims down, 28
But you need an orgy, once in a while, 56
Fell through the parlor floor today, 214
He counted them while being digested, 379
How old is Spring, Miranda?, 103
I wish the kipper had a zipper, 321
Is hoping to outwit a duck, 221
It’s kind of fun to be extinct, 265
Kek kek kek, whoosh, kek kek kek, whoosh!, 327
Of deathless celluloid vowels, 192
The proper size for a child, 95
Thus saving the price of a bugle, 63
To tell a lizard from a skunk, 190
We can cling to our fleece, Hot Cha!, 52
Why, they’re crazy, 144

The longest is “That Man has to go continually to the dentist to keep his teeth in good condition when the chief reason he wants his teeth in good condition is so that he won’t have to go to the dentist, 154.”

Plausible Deniability

https://commons.wikimedia.org/wiki/File:Johannes_Adam_Simon_Oertel_Pulling_Down_the_Statue_of_King_George_III,_N.Y.C._ca._1859.jpg

The Boston Gazette published this cleverly seditious “Enigmatical Ballad” on June 24, 1782. If each line is read in full, the poem supports British rule of the American colonies, but if either the italic or the roman text is read alone, then it advocates revolution:

I justify every part, of King and Parliament,
Of a whig with all my heart, I hate their cursed intent;
For to support I’ll try, friends of administration,
Friends of Liberty, are troubles to the nation;
I think the association, a cruel, base intent,
An honor to the nation, the act of Parliament,
I wish the best success, to North and his conclusion,
Unto the grand Congress, the worst of all confusion;
All luck beneath the sun, to Mansfield, Bute and North;
To General Washington, destruction and so forth,
Hark! Hark! the trumpet sounds, the din of war’s alarms,
O’er seas and solid ground, doth call us all to arms;
Who for King George doth stand, their honors soon will shine;
Their ruin is at hand, who with the Congress join;
The acts of Parliament, in them I much delight;
I hate their cursed intent, who for the Congress fight,
The Tories of the day, they are my daily toast;
They soon will sneak away, who independence boast,
Who non-resistance hold, they have my hand and heart;
May they for slaves be sold, who act a whiggish part;
On Mansfield, North and Bute, may daily blessings pour,
Confusion and dispute, on Congress evermore;
To North, that British Lord, may honors still be done;
I wish a block or cord, to General Washington.

Ear and Eye

Peculiarly British limericks:

There was a young fellow of Beaulieu,
Who loved a fair maiden most treaulieu.
He said, “Do be mine,”
And she didn’t decline,
So the wedding was solemnized deaulieu.

There was a young maid of Aberystwyth,
Who took corn to the mill to make grystwyth,
The miller, named Jack,
With a pat on her back,
Pressed his own to the lips that she kystwyth.

There was a mechalnwick of Alnwick,
Whose opinions were anti-Germalnwick;
So when war had begun,
He went off with a gun
The proportions of which were Titalnwick.

There was a young lady of Slough,
Who went for a ride on a cough.
The brute pitched her off
When she started to coff;
She ne’er rides on such animals nough. (Langford Reed)

A bald-headed judge called Beauclerk
Fell in love with a maiden seau ferk
Residing at Bicester,
Who said when he kicester,
“I won’t wed a man without herk.”

See This Sceptred Isle and Sound Rhymes.

“The Roadside Littérateur”

There’s a little old fellow and he has a little paintpot,
And a paucity of brushes is something that he ain’t got,
And when he sees a road sign, the road sign he betters,
And expresses of himself by eliminating letters.

Thus THROUGH ROAD
Becomes ROUGH ROAD
And CURVES DANGEROUS
Is transformed to CURVES ANGER US
And 24-HOUR SERVICE
Turns into 24-HOUR VICE
And MEN AT WORK IN ENTRANCE
Is reduced to MEN AT WORK IN TRANCE
An SLOW DOWN BRIDGE ONE WAY
Is triumphantly condensed to
LOW DOWN BRIDE ON WAY

But the old fellow feels a slight dissatisfaction
With the uninspiring process of pure subtraction.
The evidence would indicate he’s taken as his mission
The improvement of the road signs by the process of addition.

Thus TRAFFIC LIGHT AHEAD
Becomes TRAFFIC SLIGHT AHEAD
And GAS AND OIL
Is improved to GASP AND BOIL
And simple REST ROOMS
Appear as QUEEREST ROOMS
And UNDERPASS ONE WAY
Emerges as UNDERPASS GONE AWAY
And (perhaps his masterpiece)
RIGHT
EAST BOUND
TUNNEL

Is elaborated to

FRIGHTENED
BEASTS ABOUND
IN TUNNEL

Thus we see the critical mood
Becomes the creative attitude.

— Morris Bishop