The Unknotting Problem

The least knotted of all knots is a simple closed loop, the “unknot.” Certainly this is easy to spot on its own, but adding even a few twists can make it hard to recognize:

https://commons.wikimedia.org/wiki/File:Unknots.svg

An elaborately draped loop can be quite difficult to distinguish from a knottier knot. Is this an unknot?

https://commons.wikimedia.org/wiki/File:Thistlethwaite_unknot.svg

(Yes, it is.)

Surprisingly, while research is ongoing, it remains unknown whether the challenge of recognizing unknots is efficiently solvable — whether an algorithm can accomplish the task in polynomial time. It’s an open question.

The Bristol Bridges Walk

https://reallygross.de/ops/bridgewalk

In the 18th century Leonhard Euler famously addressed the question whether it was possible to walk through the city of Königsberg and return to one’s home having crossed each of seven bridges exactly once.

The answer, briefly, was no, but in 2013 network scientist Thilo Gross noticed that the city of Bristol has a similar layout, and here the task is possible: If you’re willing to walk 30 miles, you can cross each of the 45 bridges on this map and return to your starting point.

Details here.

Hard to Say

A paradox by Columbia University logician Haim Gaifman:

line 1: The sentence on line 1 is not true.
line 2: The sentence on line 1 is not true.
line 3: The sentence on line 2 is not true.
line 4: The sentence on line 3 is not true.
line n + 1: The sentence on line n is not true.

All these sentence are equivalent, because each essentially restates its predecessor. Since the sentence on line 1 isn’t true, the sentence on line 3 isn’t true either. “[B]ut what I have just stated is not true, because it is the sentence on line 4 (or an obviously equivalent reformulation of it), and also this last statement of mine is not true, because it is the sentence on line 5, etc. None of these sentences can be successfully asserted, because none of them is true; but again I find myself slipping into nontruth: what I have just said is not true for it obviously includes the conjunction of these very same sentences; and also this last assertion is not true, and so on ad infinitum.”

(Haim Gaifman, “Pointers to Truth,” Journal of Philosophy 89:5 [May 1992], 223-261. See Yablo’s Paradox.)

Misc

  • Angkor Wat and Machu Picchu are roughly antipodal.
  • WONDER is UNDERWAY in Pig Latin.
  • By convention, current flows from positive to negative in a circuit; electrons, which are negatively charged, move in the opposite direction.
  • The immaculate conception describes the birth of Mary, not Jesus.
  • “A man’s style in any art should be like his dress — it should attract as little attention as possible.” — Samuel Butler

10/22/2024 UPDATE: Interesting addendum from reader Mark Thompson: The capital cities Asunción, Canberra, and Kuwait City are nearly equidistant on great-circle routes:

Kuwait City to Canberra: 12,768 km
Canberra to Asunción: 12,712 km
Asunción to Kuwait City: 12,766 km

“Their mutual distances apart (along the earth’s surface) happen to be very close to one Earth-diameter [12,742 km]: so, sadly, they don’t all lie on a single great circle (since pi is not 3).” (Thanks, Mark.)

Ghost Leg

Ghost leg is a method of establishing random pairings between any two sets of equal size. For example, it might be used to assign chores randomly to a group of people. The names of the participants are listed across the top of the diagram and the chores across the bottom, and a vertical line is drawn connecting each name to the chore below it. Then the names are concealed and each participant adds a “leg” to the diagram. A leg is a segment that connects two adjacent vertical lines (it must not touch any other horizontal line).

When the legs have been drawn, the names are revealed and a path drawn from each name to the bottom of the diagram. Each path must follow each leg that it encounters, jumping to the adjacent vertical line and continuing downward. When it reaches a chore at the bottom, it establishes a link between a name and a chore.

The benefit of this method is that it will work for groups of any size, reliably establishing a 1:1 correspondence between their elements. And it will work no matter how many horizontal lines are added. In Japanese it’s known as amidakuji.

https://commons.wikimedia.org/wiki/File:Amidakuji_en.svg

Magic Square Hereabouts

sallows non-atomic square

From Lee Sallows:

A feature common to many geomagic squares is that the set of shapes they employ reveal an atomic structure. That is, they are built up from repeated copies of a single unit shape. Examples of this are piece sets composed of polyominoes, the unit shape then being a (relatively small) square.

For the would-be geomagic square constructor, a key advantage of the atomic property is that the shapes concerned are each describable in terms of the positions of their constituent atoms. Or, to put it another way, they can be represented by a set of numbers. Hence, unlike non-atomic shapes, they are readily amenable to analysis and manipulation by computer.

Take, for example, an algorithm able to identify and list each of the different ways in which a given planar shape can be tiled by some specified set of smaller shapes. Such a program might be challenging to write, but provided the pieces concerned are composed of repeated units, implementation ought to be straightforward. But could the same be said in the case of non-atomic pieces? Without a set of numbers to describe piece shapes, how are they to be represented in a digital computer?

This is worth noting since, as inspection will show, the shapes employed in the square above are plainly non-atomic. In line with this I can confirm that the only computer program involved in deriving this solution was a vector graphics editor used to create the drawing seen above.

(Thanks, Lee.)

Pastiche

The Journal International de Médecine carried a startling article in 1987: “Mise en Évidence Expérimentale d’une Organisation Tomatotopique chez la Soprano,” or “Experimental Demonstration of the Tomatotopic Organization in the Soprano (Cantatrix sopranica L.).” In it, author Georges Perec notes that throwing tomatoes at sopranos seems to induce a “yelling reaction” and sets out to understand why:

Tomatoes (Tomato rungisia vulgaris) were thrown by an automatic tomatothrower (Wait & See, 1972) monitored by an all-purpose laboratory computer (DID/92/85/P/331) operated on-line. Repetitive throwing allowed up to 9 projections per sec, thus mimicking the physiological conditions encountered by Sopranoes and other Singers on stage (Tebaldi, 1953). … Control experiments were made with other projectiles, as apple cores, cabbage runts, hats, roses, pumpkins, bullets, and ketchup (Heinz, 1952).

The paper concludes:

It has been shown above that tomato throwing provokes, along with a few other motor, visual, vegetative and behavioral reactions, neuronal responses in 3 distinctive brain areas: the nucleus anterior reticular thalami, pars lateralis (NARTpl), the anterior portion of the tractus leguminosus (apTL) and the dorsal part of the so-called musical sulcus (scMS).

It ends with an incomprehensible diagram modeling the anatomical organization of the yelling reaction. No practical advice is offered the sopranos.

10/18/2024 UPDATE: It appears that Perec wrote the piece originally in 1974 while working as a scientific archivist in the laboratory of neuroscientist André Hugelin. It was Perec’s contribution to a special volume presented to neurophysiologist Marthe Bonvallet on her retirement. (Thanks, Frederic and Bruce.)

Rule of Thumb

https://books.google.com/books?id=0t7ZiYKV1KQC

Peter Nicholson’s Carpenter’s New Guide of 1803 contains an interesting technique:

To find a right line equal to any given Arch of a Circle. Divide the chord ab into four equal parts, set one part bc on the arch from a to d, and draw dc which will be nearly equal to half the arch.

Apparently this was an item of carpentry lore in 1803. In the figure above, if arc ad = bc, then cd is approximately half of arc length ab.

Nicholson warns that this works best for relatively short arcs: “This method should not be used above a quarter of a circle, so that if you would find the circumference of a whole circle by this method, the fourth part must only be used, which will give one eighth part of the whole exceedingly near.”

But with that proviso it works pretty well — in 1981 University of Essex mathematician Ian Cook found that for arcs up to a quadrant of a circle, the results show a maximum percentage error of 0.6 percent, “which I suppose can be said to be ‘exceedingly near.'” He adds, “[I]t would be of interest to know who discovered this construction.”

(Ian Cook, “Geometry for a Carpenter in 1800,” Mathematical Gazette 65:433 [October 1981], 193-195.)

Long Distance

https://galton.org/essays/1890-1899/galton-1893-diff-1up.pdf

Francis Galton was interested in communicating with Mars as early as 1892, when he wrote a letter to the Times suggesting that we try flashing sun signals at the red planet. At a lecture the following year he described more specifically a method by which pictures might be encoded using 26 alphabetical characters, which could then be transmitted over a distance in 5-character “words,” in effect creating a low-resolution visual telegraph. As a study he reduced this profile of a Greek girl to 271 coded dots, which he found yielded “a very creditable production.”

This had huge implications, he felt. In 1896 he imagined a whole correspondence with a civilization of intelligent ants on Mars; in three and a half hours they catch our attention; teach us their base-8 mathematical notation; demonstrate their shared understanding of certain celestial bodies and mathematical constants; and finally propose a specified 24-gon in which points can be situated by code, like stitches in a piece of embroidery.

That opens a limitless avenue for colloquy — the Martians send images of Saturn, Earth, the solar system, and domestic and sociological drawings, a new one every evening. Galton concludes that two astronomical bodies that are close enough to signal one another with flashes of light already have everything they need to establish “an efficient inter-stellar language.”