Termespheres

Dick Termes paints murals on spheres. And he does it with a unique “six-point” perspective technique that permits a remarkable optical illusion.

As you watch this video, try to convince yourself that the front half of the sphere is transparent and that the mural is painted on the concave interior of the farther side — that is, that you’re standing in the center of the pictured room and turning in place to your left. If you succeed, the spin will seem to reverse direction and you’ll find yourself inside the painting:

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“Have a place for everything and keep the thing somewhere else. This is not advice, it is merely custom.” — Mark Twain

“Mirage Seen at Buffalo, N. Y.”

The people of Buffalo, N. Y., were treated to a remarkable mirage, between ten and eleven o’clock, on the morning of August 16, 1894. It was the city of Toronto with its harbor and small island to the south of the city. Toronto is fifty-six miles from Buffalo, but the church spires could be counted with the greatest ease. The mirage took in the whole breadth of lake Ontario, Charlotte, the suburbs of Rochester, being recognized as a projection east of Toronto. A side-wheel steamer could be seen traveling in a line from Charlotte to Toronto Bay. Two dark objects were at last found to be the steamers of the New York Central plying between Lewiston and Toronto. A sail-boat was also visible and disappeared suddenly. Slowly the mirage began to fade away, to the disappointment of thousands who crowded the roofs of houses and office buildings. … A close examination of the map showed the mirage did not cause the slightest distortion, the gradual rise of the city from the water being rendered perfectly. It is estimated that at least 20,000 spectators saw the novel spectacle.

Scientific American, Aug. 25, 1894, quoted in Miscellaneous Notes & Queries

The Wreck of the Titan

http://commons.wikimedia.org/wiki/File:St%C3%B6wer_Titanic.jpg

Art doesn’t just imitate life — sometimes it anticipates it. Fourteen years before the Titanic was built, the American Morgan Robertson wrote a novel called The Wreck of the Titan that prefigured the real ship’s destiny with remarkable precision.

The Titanic and the Titan were both triple-screwed British passenger liners with a capacity of 3,000 and a top speed of 24 knots. Both were deemed unsinkable; both carried too few lifeboats. And both sank in April in the North Atlantic after colliding with an iceberg on the forward starboard side.

In another novel, Beyond the Spectrum (1914), Robertson forecast a war between the United States and Japan, including a Japanese sneak attack (on San Francisco). There’s no way to know what more he had in store — he died the following year.

Rhyming the Unrhymable

I have tried a hundred times, I guess,
To find a rhyme for month;
I have failed a hundred times, I know,
But succeeded the hundred and one-th.

There were two men a training went.
It was in December month;
One had his bayonet thrown away,
The other had his gun th-
rown away.

Miscellaneous Notes and Queries, August 1894

The Cardiff Giant

http://commons.wikimedia.org/wiki/Image:Cardiff_giant_exhumed_1869.jpg

Workers were digging a well in New York in 1869 when they made a sensational discovery: a 10-foot man made of stone.

Was it an ancient statue? A huge petrified human? The truth turned out to be more mundane: The “Cardiff Giant” had been carved out of gypsum and deliberately buried by a New York tobacconist named George Hull. He turned a good profit: His $2,600 investment sold for $37,500 when it was “discovered.”

The continuing hysteria drove profits higher, and P.T. Barnum offered $60,000 to lease it for three months. Rebuffed, he built his own plaster replica and decried the original as a fake, leading exhibitor David Hannum to grumble, “There’s a sucker born every minute” — a remark later misattributed to Barnum himself.

Eventually the whole thing blew over; by 1870 both giants had been revealed as fake. But the old gypsum carving still makes a good show — it’s on display today in a Cooperstown, N.Y., museum.

Ninger Note

http://en.wikipedia.org/wiki/Image:Ninger.jpg

Counterfeiting was a lot harder in the old days.

In the 1880s, Emanuel Ninger, known as “Jim the Penman,” drew $50 and $100 bills by hand, spending weeks on each one. Fifty bucks was a lot back then, about $2,000 in today’s money, so the effort was worthwhile. This also meant that his “work” ended up in the hands of rich people, and he actually gained a perverse following who realized the forgeries’ value as works of art.

He drew this note in 1896, just before the Secret Service nabbed him. He’d left a note on a wet bar, and the bartender saw the ink run. Ninger served six months and was forced to pay restitution of $1. He never forged again.