The Shepard tone is an auditory illusion: A succession of overlapping scales are played, each ascending, and each scale fades out as its successor fades in an octave lower. The resulting impression is of a climbing pitch that never “arrives” anywhere, a rising note that never gets higher.

Among many other applications, this sound was used for the Batpod in Christopher Nolan’s films The Dark Knight and The Dark Knight Rises — the vehicle seems constantly to accelerate without ever changing gear. “When played on a keyboard,” wrote sound designer Richard King, “it gives the illusion of greater and greater speed; the pod appears unstoppable.”

(Thanks, Nick.)

01/31/2022 UPDATE: Similarly, the Risset Rhythm seems to speed up:

(Thanks, Chris.)

Here’s something remarkable: This formula, discovered in 1995 by David Bailey, Peter Borwein, and Simon Plouffe of the University of Quebec at Montreal, permits the calculation of isolated digits of π — it’s possible to calculate, say, the trillionth digit of π without working out all the preceding digits.

The catch is that it works only in base 2 (binary) and base 16 (hexadecimal), but not in base 10. So it’s possible to know, say, that the five trillionth binary digit of π is 0, but there’s no way to convert the result into its decimal equivalent without working out all the intervening binary digits.

“The new formula allows the calculation of the nth base 2 or base 16 digit of π in a time that is essentially linear in n, with memory requirements that grow logarithmically (very slowly) in n,” writes David Darling in The Universal Book of Mathematics. “One possible use of the Bailey-Borwein-Plouffe formula is to help shed light on whether the distribution of π’s digits are truly random, as most mathematicians suppose.”

08/14/2022 UPDATE: A new formula permits the extraction of decimal digits. (Thanks, Edward.)

A puzzle from reader Steven Moore:

Find A, B, and C as distinct integers. There is only one solution.

From Lee Sallows:

The traditional magic square is a square array of n×n distinct numbers, their magical property being that the sum of the n numbers occupying each row, column, and diagonal is the same. A variation on this theme that I introduced in 2011 is the geometric magic square in which distinct geometrical figures (usually planar shapes) occupy the cells of the array rather than numbers. The magical property enjoyed by such an array is then that the n shapes making up each row, column, and diagonal can be fitted together as in a jigsaw puzzle so as to yield (i.e. tile) a new compound shape that is the same in each case.

Beyond ‘ordinary’ geometric magic squares, it turns out that the combinative properties of shapes are such as to enable ‘magical’ constructions that are denied to analogous structures using numbers. For example, at left in the figure above is seen a 3×3 square of a kind that cannot be realized using distinct numbers rather than shapes. Note first that the square is to be understood as ‘toroidally-connected’, which is to say, as if inscribed on a torus. Its left-hand edge is then to be interpreted as adjacent to its right-hand edge and its top edge adjacent to its bottom edge. Its magical property is then that the four pieces contained within any 2×2 subsquare can be assembled to produce an identical shape, in this case a rectangle of size 4×5. In all there are nine such subsquares to be found in the square, as seen (again in a square) at right. Note that three of the pieces are disjoint, my attempts to produce a similar solution using nine unbroken pieces having failed. So whereas a 3×3 magic square, numerical or geometric, satisfies at least 8 separate conditions ( 3 rows + 3 columns + 2 diagonals), the square here shown satisfies one more.

(Thanks, Lee!)