“I once was waiting for an elevator and when the doors opened, there was a baby there on the floor of the elevator in the car seat. Instead of taking the baby out, I instead waited for the doors to close and take the baby to another floor.”
Group Hug lists 167,394 anonymous confessions.
Who says atheists don’t have a sense of humor? The Invisible Pink Unicorn (“blessed be her holy hooves”) was “revealed to” the Usenet newsgroup alt.atheism in 1990.
Since then, she’s acquired all the trappings of a real deity: gospels (“according to St. Sascha”), revelations (to “St. Bryce the Long-Winded”), relics (the Holy Sock of Bob), scripture, and historic artworks.
Because she’s invisible, it’s impossible to prove she does not exist. “The Invisible Pink Unicorn is a being of great spiritual power,” say the faithful. “We know this because she is capable of being invisible and pink at the same time. Like all religions, the Faith of the Invisible Pink Unicorn is based upon both logic and faith. We have faith that she is pink; we logically know that she is invisible because we can’t see her.”
Followers debate her attributes, but it’s generally agreed that she prefers pineapple and ham pizza to pepperoni and mushroom, which is said to be eaten only by followers of the Purple Oyster of Doom. The IPU also “raptures” socks from laundry as a sign of favor.
Is this harmless fun or awful blasphemy? It’s getting hard to care. As the French writer Edmond de Goncourt wrote, “If there is a God, atheism must seem to him as less of an insult than religion.”
“Don’t be humble. You’re not that great.” — Golda Meir
YuppiePunk’s Serial Killer Art Review presents the jailhouse compositions of 14 career murderers.
This piece is the work of Henry Lee Lucas, whose pathetic life was dramatized in the film Henry: Portrait of a Serial Killer.
Born to a legless alcoholic and a violent prostitute who shot his pony and beat him into a coma, Lucas lost an eye and experimented with bestiality as a teenager before stabbing his mom and launching a one-man crime wave.
He eventually confessed to 3,000 murders; if that’s true, he killed someone every day between 1975 and 1983. Kind of explains why he didn’t paint still lifes.
If you’re into this stuff, check out John Douglas’ disturbing book Mindhunter. A former FBI profiler, Douglas inspired Scott Glenn’s character in The Silence of the Lambs.
After studying sociopaths for 25 years, Douglas could examine a crime scene and give an uncannily accurate description of the killer: he has a speech impediment, he drives a red Volkswagen Beetle, he owns a German shepherd, he lives with sisters. And he’d be right. That’s one talent I don’t envy.
In 1610, Ludolph van Ceulen died of exhaustion after deriving 35 decimal digits of pi.
They’re engraved on his tombstone.
Create your own Windows error messages with Atom Smasher’s new utility.
Rules, Mt. Holyoke College, 1837:
If there’s a master’s cup for science-fiction visionaries, it might actually belong to Hermann Hesse. In a late novel, the German author seemed to imagine the World Wide Web, and its kaleidoscopic hyperlinks, fifty years before it existed.
Das Glasperlenspiel, which won the Nobel Prize in 1946, centers on “the Glass Bead Game,” in which players combine the symbols of world cultures into new and insightful combinations. Here’s his description of the game — see if this doesn’t sound like the Web:
“The Glass Bead Game is thus a mode of playing with the total contents and values of our culture; it plays with them as, say, in the great age of the arts a painter might have played with the colors on his palette. All the insights, noble thoughts, and works of art that the human race has produced in its creative eras, all that subsequent periods of scholarly study have reduced to concepts and converted into intellectual values the Glass Bead Game player plays like the organist on an organ. And this organ has attained an almost unimaginable perfection; its manuals and pedals range over the entire intellectual cosmos; its stops are almost beyond number. Theoretically this instrument is capable of reproducing in the Game the entire intellectual content of the universe.”
Hesse never quite explains how the game is played, which has set a lot of modern designers working on playable variants. The most popular is Charles Cameron’s HipBone Game (here’s an example of a board game, but Cameron’s working on a web-based version). This bears watching: The web is constantly evolving, and perhaps Hesse’s vision is still ahead of us.
The This Page Intentionally Left Blank Project “offers Internet wanderers a place of quietness and simplicity on the overcrowded World Wide Web.”
The Greeks believed diamonds were tears of the gods. The Romans thought they were splinters of fallen stars. Today, “Diamonds are a con, pure and simple.”
So says Cecil Adams, and as usual, he’s right. Over the last 60 years South Africa’s De Beers diamond cartel has manipulated emotions, markets and social conventions to make a fortune out of thin air. And you may well be one of their victims.
De Beers didn’t invent the diamond engagement ring — that goes back to 1477 — but it was their 1938 marketing campaign that established it in the popular consciousness as the final symbol of true love.
The company’s PR agency, N.W. Ayer, created a new form of advertising, with no brand name, just the idea of “the eternal emotional value surrounding the diamond.” They planted romantic stories in movies and magazines; they paid fashion designers to promote the trend; they even got the English royal family to promote it.
Meanwhile, the slogan “A Diamond Is Forever” discouraged women from selling diamonds or from buying them secondhand from other women. With no secondary market, the cartel controlled the price, which explains why it varies widely, unlike gold’s. De Beers focused on controlling supply, too, limiting production, cutting off competition and buying up surplus gems.
It worked. Worldwide diamond sales rose from $100,000 in 1932 to $2.1 billion in 1979, all on the strength of a manufactured emotional impulse. Japan even adopted them as a Western status symbol — today it’s the second largest market for retail diamonds.
It’s De Beers that tells you to spend two months’ salary on an engagement ring, and it’s probably De Beers who’s selling it to you. “The value of diamonds rests on a number of assiduously cultivated myths,” write David Pallister, Sarah Stewart and Ian Lepper in the book South Africa Inc. “One is that diamonds are special.”