The so-called four-field approach in anthropology divides the discipline into four subfields: archaeology, linguistics, physical anthropology, and cultural anthropology.
Students call these “stones, tones, bones, and thrones.”
The so-called four-field approach in anthropology divides the discipline into four subfields: archaeology, linguistics, physical anthropology, and cultural anthropology.
Students call these “stones, tones, bones, and thrones.”
Talking of shaving the other night at Dr. Taylor’s, Dr. Johnson said, ‘Sir, of a thousand shavers, two do not shave so much alike as not to be distinguished.’ I thought this not possible, till he specified so many of the varieties in shaving; — holding the razor more or less perpendicular; — drawing long or short strokes; — beginning at the upper part of the face, or the under; — at the right side or the left side. Indeed, when one considers what variety of sounds can be uttered by the windpipe, in the compass of a very small aperture, we may be convinced how many degrees of difference there may be in the application of a razor.
— James Boswell, Life of Samuel Johnson, 1791
Venice’s Museo Correr exhibits a pair of wooden implements whose use isn’t immediately clear — they’re chopines, a type of platform shoe popular in the 15th, 16th, and 17th centuries. Worn under a woman’s skirt they could add up to 20 inches to her height, giving her an impressive eminence but an uncertain gait. Shakespeare mocked the trend in Hamlet’s greeting to a visiting player:
“By’r lady, your ladyship is nearer to heaven than when I saw you last, by the altitude of a chopine.”
08/15/2024 UPDATE: Reader Peter Kidd notes this even more impressive pair, now at the Museo Civico Medievale in Bologna:
(Thanks, Peter.)
A centered hexagonal number is a number that can be represented by a hexagonal lattice with a dot in the center, like so:
Starting at the center, successive hexagons contain 1, 7, 19, and 37 dots. The sequence goes on forever.
The sum of the first n centered hexagonal numbers is n3, and there’s a pretty “proof without words” to show that this is so:
Instead of regarding each figure as a hexagon, think of it as a perspective view of a cube, looking down along a space diagonal. The first cube here contains a single dot. How many dots must we add to produce the next larger cube? Seven, and from our bird’s-eye perspective this pattern of 7 added dots matches the 7-dot hexagon shown above. The same thing happens when we advance to a 3×3×3 cube: This requires surrounding the 2×2×2 cube with 19 additional dots, and from our imagined vantage point these again take the form of a hexagonal lattice. In the last image our 33 cube must accrete another 37 dots to become a 43 cube … and the pattern continues.
Epigrams of poet Ralph Hodgson:
And “The ‘last word’ is only the latest.”
Reader Derek Christie sent in this surprising curiosity after Wednesday’s post about Borromean rings:
Both the ring and the karabiner clip are attached to the cord and can’t be removed.
Now complicate matters by clipping the karabiner onto the ring:
Quite unexpectedly, the cord can now be just pulled away:
(Thanks, Derek.) (A related perplexity: The Prisoners’ Release Puzzle.)
“Rules for the direction of the mind,” from an unfinished treatise by René Descartes:
He’d planned a further 15 but did not finish the work. These 21 were published posthumously in 1701.
It is time to bury the nonsense of the ‘incomplete animal.’ As Julian Huxley, the eminent British biologist, once observed concerning human toughness, man is the only creature that can walk twenty miles, run two miles, swim a river, and then climb a tree. Physiologically, he has one of the toughest bodies known; no other species could survive weeks of exposure on the open sea, or in deserts, or the Arctic. Man’s superior exploits are not evidence of cultural inventions: clothing on a giraffe will not allow it to survive in Antarctica, and neither shade nor shoes will help a salamander in the Sahara. I am not speaking of living in those places permanently, but simply as a measure of the durability of men under stress.
— Paul Shepard, The Tender Carnivore and the Sacred Game, 1973
Above is the only known film footage of Mark Twain, shot at Twain’s Connecticut home in 1909. The women are thought to be his daughters Clara and Jean.
German scientist Gaspar Schott’s 1657 Magia universalis naturæ et artis includes a description of “the music of donkeys”: “the trick, according to Schott, lay in using male donkeys of particular natural pitches and stimulating them to bray with the urine of a female donkey, which will induce the males to make ‘most contented’ noises that the generous might construe as a kind of music.” Schott had argued that “the excessively discordant singing” of men and animals becomes sweeter when encountered rarely.
From Mark A. Waddell, Jesuit Science and the End of Nature’s Secrets, 2015.
Related: the cat organ and the piganino.