Last Resident

When dredging began off the south Devon village of Hallsands in the 1890s, it destabilized the beach, permitting storms to reach the town. A strong storm in 1917 washed away 37 homes, but a single cottage on a hill was left standing, and a single resident, Elizabeth Prettejohn, lived alone in the ruined village for 47 years, until her death in 1964 at age 80.

“I have all my memories here, but it’s no good sitting down moping,” she said shortly before she died. “It was the dockyard that took all our beach. It blew for four days and four nights. The sea was like mountains. I prayed god that the wind would stop. … Once I thought of moving to Dartmouth, but this is where I belong with my memories.”

(Thanks, Cathy.)

| Society

Podcast Episode 281: Grey Owl

https://commons.wikimedia.org/wiki/File:Grey_owl_feeding_beaver_a_jelly_roll.jpg
Image: Wikimedia Commons

In the 1930s the world’s best-known conservationist was an ex-trapper named Grey Owl who wrote and lectured ardently for the preservation of the Canadian wilderness. At his death, though, it was discovered that he wasn’t who he’d claimed to be. In this week’s episode of the Futility Closet podcast we’ll tell the story of his curious history and complicated legacy.

We’ll also learn how your father can be your uncle and puzzle over a duplicate record.

See full show notes …

| History · Literature · Podcast

Borrowed Gold

Eunoia is a dictionary of more than 500 untranslatable (or obscurely useful) words:

sankocha: the feeling of embarrassment due to receiving an inordinate or extravagant gift, making you feel as though you need to return a favor that you can’t (Kannada)
mudita: the pleasure that comes from delighting in other people’s well-being or happiness (Sanskrit)
Erbsenzähler: literally “pea counter”: a nitpicker (German)
jayus: a joke so unfunny that one has to laugh (Indonesian)
házisárkány: “indoor dragon”: a nagging, restless spouse (Hungarian)
tretår: a third cup of coffee (Swedish)
xiao xiao: the whistling and pattering of rain or wind (Chinese)

There’s a whole subreddit for these.

(Thanks, Sharon.)

| Language

Shifting Ground

https://pixabay.com/fr/vectors/moustache-guidon-hommes-cheveux-473661/

A fundamental belief about time is that the future is open while the past is set. But in Emmanuel Carrère’s 1986 novel La Moustache, the main character shaves off his mustache one day only to find that his wife and coworkers don’t react: Reality has twisted so that he has never had a mustache.

As the novel continues, other pieces of his personal history change one by one, as if his life is being replaced by another one. Finally even facts that have been described in earlier chapters begin to change. The hero flees to Macao, where he knows no one and has no history. But his wife is in the room there, and she shows no surprise at seeing him.

“This suggests that the hero has not been taken to Macao by the events reported in the preceding chapters,” writes Marie-Laure Ryan, “but that he is there as a tourist on a completely normal family vacation. At this point the novel becomes a self-destructing artifact that denies what is generally considered to be the main function of narrative: its ability to tell about and to preserve the past.”

(Marie-Laure Ryan, “Impossible Worlds and Aesthetic Illusion,” in Werner Wolf, et al., Immersion and Distance: Aesthetic Illusion in Literature and Other Media, 2013.)

| Literature

Midnight Oil

https://commons.wikimedia.org/wiki/File:Johannes_Kepler_1610.jpg

In trying to work out the trajectories of the planets, Johannes Kepler had to do reams of monstrous calculations by hand. In the manuscript pages for his revolutionary Astronomia nova of 1609, he concludes 15 folio pages of computations by writing:

“If thou art bored with this wearisome method of calculation, take pity on me, who had to go through with at least seventy repetitions of it, at a very great loss of time.”

| Science & Math

The Writer

One of the most remote forerunners of the modern computer is a mechanical boy that resides in the Muse d’Art et d’Histoire of Neuchtel, in Switzerland. Designed in the 18th century by Swiss watchmaker Pierre Jaquet-Droz, the automaton clutches a goose feather with which it can write any custom text up to 40 characters, guided by a stack of cams in the interior. Its eyes follow the pen, and it shakes extra ink from its quill after dipping it in an inkwell.

With a similar automaton designed by Swiss watchmaker Henri Maillardet, Jaquet-Droz’s writer helped to inspire Martin Scorsese’s 2011 film Hugo.

(Thanks, Snehal.)

| Technology

Dunsany’s Chess

dunsany's chess

Lord Dunsany, the Anglo-Irish fantasy writer, proposed this alarming chess variant in the 1940s. Black has his usual army, but he’s facing an onslaught of white pawns, without even a king to attack. But he has the first move, and White’s pawns are denied the customary option of advancing two squares on their first move. To win, Black must capture all 32 white pawns; White wins by checkmating Black.

You can experiment with it here, and you can play a close variant, called Horde, on the Internet chess server Lichess.

| Entertainment

Buried Treasure

Cecil B. DeMille’s 1959 autobiography contains an odd passage: “If a thousand years from now, archaeologists happen to dig beneath the sands of Guadalupe, I hope they will not rush into print with the amazing news that Egyptian civilization, far from being confined to the valley of the Nile, extended all the way to the Pacific coast of North America. The sphinxes they will find were buried when we had finished with them and dismantled our huge set of the gates of Pharaoh’s city.”

He was referring to his 1923 silent film The Ten Commandments — after shooting was finished, he’d had the massive sets buried where they’d been built, in California’s Guadalupe-Nipomo Dunes. It’s not clear why — possibly he lacked the funds to remove them and didn’t want other filmmakers to use them. The sets included four Pharaoh statues 35 feet tall, 21 sphinxes, and gates 110 feet high, forming an ersatz Egyptian civilization for modern archaeologists to uncover.

Their time is limited. “It was like working with a hollow chocolate rabbit,” Doug Jenzen, executive director of the Guadalupe-Nipomo Dunes Center, told the Los Angeles Times of one dig in 2014. “These were built to last two months during filming in 1923, and these statues have been sitting out in the elements since then.”

| Entertainment · Oddities