Friendly Fire

Here’s a little oddity that I just came across. John Conway’s Game of Life is a familiar recreation that takes place on a grid of squares. At the start each square is either “alive” or “dead,” and then on each turn the status of each square is updated:

  1. Any live cell with fewer than two live neighbors dies (as if by underpopulation)
  2. Any live cell with two or three live neighbors lives on
  3. Any live cell with more than three live neighbors dies (as if by overpopulation)
  4. Any dead cell with exactly three live neighbors becomes a live cell (as if by reproduction)

This produces some surprising creatures, such as the “glider,” a self-propagating “spaceship” that travels diagonally:

https://commons.wikimedia.org/wiki/File:Game_of_life_animated_glider.gif

Gliders can be generated by an oscillating factory called a “gun”:

https://commons.wikimedia.org/wiki/File:Gospers_glider_gun.gif
Image: Wikimedia Commons

Here’s the oddity: It would seem that each gun will produce an infinite fleet, since its gliders all depart in the same direction. But that’s not true if the grid of squares is written on a torus — then the gliders snake around the figure and destroy their maker:

https://commons.wikimedia.org/wiki/File:Long_gun.gif

War Talk

Just an interesting fragment: When the Chiricahua Apaches of southern Arizona went on a raiding party, they adopted a special speech. One informant told anthropologists Morris Edward Opler and Harry Hoijer:

I used to know many words, but I have forgotten just about all of them. Only one sticks in my mind, and that is the ceremonial way of asking for a drink of water. Instead of saying, ‘I want to drink some water,’ we had to say, ‘I begin to swim the specular iron ore.’

Peter Farb writes in Word Play (1981), “This kind of formal speech had to be maintained until the war party returned to the camp, at which time conversation switched back to everyday language.”

(Morris Edward Opler and Harry Hoijer, “The Raid and War-Path Language of the Chiricahua Apache,” American Anthropologist, New Series, 42:4 Part 1 [October-December 1940], 617-634.)

A Signature Achievement

The 2018 Name of the Year title went to Canadian hockey player Jimbob Ghostkeeper, beating Dr. Narwhals Mating with 57 percent of 7,500 votes cast. Notable also-rans in this year’s contest: Salami Blessing, La Royce Lobster-Gaines, Makenlove Petit-Fard, Bernard Bumpus, Christine Plentyhoops, Habbakkuk Baldonado, Early Champagne, Fabulous Flournoy, Dr. Dimple Royalty, Darthvader Williamson, Chosen Roach, Chardonnay Beaver, Forbes Thor Kiddoo, Quindarious Gooch, Darwin Tabacco, Blossom Albuquerque, Rev. Dongo Pewee, Mahogany Loggins, and Gandalf Hernandez.

Each year 64 candidates are chosen from reader nominations to compete in an NCAA-style bracket to establish the world’s most entertaining personal name. So far the “Hall of Name” includes Assumption Bulltron, Doby Chrotchtangle, Crescent Dragonwagon, Honka Monka, Excellent Raymond, Licentious Beastie, Mummenschontz Bitterbeetle, African Grant, Largest Agbejemison, Nimrod Weiselfish, Tokyo Sexwale, Tanqueray Beavers, Roszetia McConeyhead, Moses Regular, Jerome Fruithandler, Delano Turnipseed, Princess Nocandy, and Destiny Frankenstein. Send your nominations to nameoftheyear@gmail.com.

Podcast Episode 228: The Children’s Champion

https://commons.wikimedia.org/wiki/File:251012_Janusz_Korczak_monument_at_Jewish_Cemetery_in_Warsaw_-_05.jpg
Image: Wikimedia Commons

Polish educator Janusz Korczak set out to remake the world just as it was falling apart. In the 1930s his Warsaw orphanage was an enlightened society run by the children themselves, but he struggled to keep that ideal alive as Europe descended into darkness. In this week’s episode of the Futility Closet podcast we’ll tell the story of the children’s champion and his sacrifices for the orphans he loved.

We’ll also visit an incoherent space station and puzzle over why one woman needs two cars.

See full show notes …

Point Pairs

http://www.mscroggs.co.uk/blog/59

University College London mathematician Matthew Scroggs has released this year’s puzzle Christmas card for Chalkdust magazine.

This year’s card contains 10 puzzles, each with a numerical answer. Splitting each answer into two strings of digits will identify two dots on the card’s cover to be connected by a straight line. Drawing 10 lines correctly will produce a Christmas-themed picture.

You can download the card as a PDF or complete it online.

“Hope”

Submitted by Edward Thomas Noonan for Life magazine’s 1915 short story contest:

‘Here’s a pathetic case of chronic melancholia,’ the doctor continued, as we walked among the inmates. ‘That white-haired woman has been here twenty-six years. She is entirely tractable with one obsession. Every Sunday she writes this letter:

Sunday.

Dear John:

I am sorry we quarreled when you were going away out West. It was all my fault. I hope you will forgive and write.

Your loving,

Esther.

‘Every Monday she asks for a letter, and, though receiving none, becomes radiant with hope and says: “It will come to-morrow.” The last of the week she is depressed. Sunday she again writes her letter. That has been her life for twenty-six years. Her youthful face is due to her mental inactivity. Aimlessly she does whatever is suggested. The years roll on and her emotions alternate between silent grief and fervid hope.

‘This is the male ward. That tall man has been here twenty years. His history sheet says from alcoholism. He went to Alaska, struck gold, and returned home to marry the girl he left behind. He found her insane and began drinking, lost his fortune and then his reason, and became a ward of the State, always talking about his girl and events that happened long ago.

‘He is the “John” to whom “Esther” writes her letter.

‘They meet every day.

‘They will never know each other.’

The Clockwork Monk

In the collection of the Smithsonian Institution is this 460-year-old automaton, a robot monk who walks in a square, beats his breast in contrition, raises a rosary and crucifix to his lips, turns and nods his head, rolls his eyes, and mouths obsequies. Its origin is not clear: The story goes that when the Spanish king’s son was ailing the relics of a Franciscan monk were brought to his side, and after he recovered the king commissioned the automaton in gratitude.

But no one really knows. “Many of the earliest automata were commissioned as expressions of religious belief: models of Jesus bled, automata of Satan roared and screamed, moving tableaux of biblical scenes were quite commonplace, coming to life for festivals and holy days,” writes historian E.R. Truitt in Ben Russell’s Robots: The 500-Year Quest to Make Machines Human. “Amazingly, no fewer than three mechanical monks survive: this one … and two more in Munich and Budapest, at the Deutsches Museum and Museum of Applied Arts respectively.”