A Dark Day

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On Oct. 21, 1966, an avalanche of mining debris descended into the Welsh mining village of Aberfan, filling the classrooms of a local junior school with mud and killing 144 people, 116 of them children. In response to a subsequent newspaper appeal, Shrewsbury psychiatrist J.C. Barker received 76 letters from people who claimed to have had precognition of the event. Of these, 22 were supported by witnesses. This account, by the parents of 10-year-old Eryl Mai Jones, was compiled by a local minister and signed by them as correct:

She was an attractive dependable child, not given to imagination. A fortnight before the disaster she said to her mother, who at the time was putting some money aside for her, ‘Mummy, I’m not afraid to die.’ Her mother replied, ‘Why do you talk of dying, and you so young; do you want a lollipop?’ ‘No,’ she said, ‘But I shall be with Peter and June’ (schoolmates). The day before the disaster she said to her mother, ‘Mummy, let me tell you about my dream last night.’ Her mother answered gently, ‘Darling, I’ve no time now. Tell me again later.’ The child replied, ‘No, Mummy, you must listen. I dreamt I went to school and there was no school there. Something black had come down all over it.’ Her mother answered, ‘You mustn’t have chips for supper for a bit.’ The next day off to school went her daughter as happy as ever. In the communal grave she was buried with Peter on one side and June on the other.

“This last point may not, however, be significant, since the order of burial was apparently influenced by parents’ requests.”

(From the Oxford Book of the Supernatural.)

House Calls

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William … asks me to set down the story of Barbara Wilkinson’s Turtle Dove. Barbara is an old maid. She had 2 turtle Doves. One of them died the first year I think. The other bird continued to live alone in its cage for 9 years, but for one whole year it had a companion and daily visitor, a little mouse that used to come and feed with it, and the Dove would caress it, and cower over it with its wings, and make a loving noise to it. The mouse though it did not testify equal delight in the Dove’s company yet it was at perfect ease. The poor mouse disappeared and the Dove was left solitary till its death. It died of a short sickness and was buried under a tree with funeral ceremony by Barbara and her maiden, and one or two others.

— Dorothy Wordsworth, Grasmere Journals, Jan. 30, 1802

All Right Then

W.H. Auden won first prize for mathematics at St. Edmund’s School in Hindhead, Surrey, when he was 13. He recalled being asked to learn the following mnemonic around 1919:

Minus times Minus equals Plus;
The reason for this we need not discuss.

D.C. al Coda

katzensymphonie

This Katzensymphonie, by Moritz von Schwind (1804-71), resides in the Staatliche Kunsthalle Karlsruhe in Germany. Dick Higgins, in Pattern Poetry, writes, “This piece, drawn in pencil and ink on music paper (but not orchestrated) has charm but does not appear to have been intended for performance at all. It may be a satire or lampoon on the famous violinist Joseph Joachim (1831-1904), to whom it is dedicated.”

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Perhaps it might be played on the Katzenklavier, a (thankfully) imaginary instrument described by Jean-Baptiste Weckerlin in his Musiciana, extraits d’ouvrages rare ou bizarre of 1877:

[A] chariot … carried the most singular music that can be imagined. It held a bear that played the organ; instead of pipes, there were sixteen cat heads each with its body confined; the tails were sticking out and were held to be played as the strings on a piano, if a key was pressed on the keyboard, the corresponding tail would be pulled hard, and it would produce each time a lamentable meow. The historian Juan Christoval Calvete, noted the cats were arranged properly to produce a succession of notes from the octave … (chromatically, I think).

In 1890 the Glasgow University magazine published this anonymous assessment of the musicianship of botanist and amateur violoncellist Frederick Orpen Bower:

There was a professor of flowers
The ‘cello he’d torture for hours
When the strings gave a growl
The cats gave a howl
And eclipsed all his musical powers.

Podcast Episode 32: The Wow! Signal

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In August 1977, Ohio astronomer Jerry Ehman discovered a radio signal so exciting that he wrote “Wow!” in the margin of its computer printout. Arriving from the direction of the constellation Sagittarius, the signal bore all the characteristics of an alien transmission. But despite decades of eager listening, astronomers have never heard it repeated. In this episode of the Futility Closet podcast we’ll review the story of the “Wow! signal,” which remains an intriguing, unexplained anomaly in the search for extraterrestrial intelligence.

We’ll also share some more nuggets from Greg’s database of oddities and puzzle over why a man chooses to drive a long distance at only 15 mph.

08/27/2024 UPDATE: It appears there’s a natural explanation for the Wow! signal. New research suggests that the signal occurred when an interstellar cloud of cold hydrogen was stimulated by a strong transient radiation source, causing it to brighten momentarily. This phenomenon is rare but recognized, and it matches the described characteristics of the signal. This natural explanation is much preferable to the hypothesis of an alien technology — aliens may be out there, but we don’t need them to explain what Jerry Ehman saw in 1977. Thanks to listener Eugene Chang for the tip.

See full show notes …

Warm Work

When Jos de Vink retired from a career in computer technology in 2002, he began casting about for an engaging project. His neighbor, a passionate model builder, challenged him to design a working hot air engine driven solely by the heat of a tea or wax light.

De Vink produced a trial engine using the principles of the first hot air engine built by Robert Stirling in 1816. He displayed it for his model club and at a model exhibition in the Netherlands and, encouraged by the response, began to build more.

By 2010 he had created about 27 engines and began construction on several Stirling low temperature difference (LTD) engines that can run on the warmth of a human hand.

“De Vink designs his engines from scraps of brass and bronze from a scrap dealer,” writes Art Donovan in The Art of Steampunk. “The machines demonstrate the possibility of moving large objects using little energy and show different drive techniques used by hot air engine builders for the past two centuries.”

Beauty and the Veil

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I have often noticed at the Poetry Society that, after a poem has been read and applauded, when someone dares to get up and inquire what it means, there is likely to be a great outcry to the effect that one cannot analyze a beautiful thing. That is a basic absurdity and represents nothing but a variety of snobbery.

Some will declare indignantly, ‘This thought is too great to be definitely expressed.’ There is truth, I am certain, in the lines ‘whatever deep or shallow, new or old / is clearly thought, can be as clearly told.’ The writer who does not say what he has to say clearly, is shirking his job.

— Arthur Guiterman, quoted in Everett S. Allen, Famous American Humorous Poets, 1968