At Work

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During our life at Tavistock House [1851-60], I had a long and serious illness, with an almost equally long convalescence. During the latter, my father suggested that I should be carried every day into his study to remain with him, and, although I was fearful of disturbing him, he assured me that he desired to have me with him. On one of these mornings, I was lying on the sofa endeavouring to keep perfectly quiet, while my father wrote busily and rapidly at his desk, when he suddenly jumped from his chair and rushed to a mirror which hung near, and in which I could see the reflection of some extraordinary facial contortions which he was making. He returned rapidly to his desk, wrote furiously for a few moments, and then went again to the mirror. The facial pantomime was resumed, and then turning toward, but evidently not seeing, me, he began talking rapidly in a low voice. Ceasing this soon, however, he returned once more to his desk, where he remained silently writing until luncheon time. It was a most curious experience for me, and one of which, I did not until later years, fully appreciate the purport. Then I knew that with his natural intensity he had thrown himself completely into the character that he was creating, and that for the time being he had not only lost sight of his surroundings, but had actually become in action, as in imagination, the creature of his pen.

— Mary Dickens, Charles Dickens by His Eldest Daughter, 1885

Bounce Check

https://www.google.com/patents/US721677

Speaking of ship strandings, Charles Dornfeld offered this novel solution in 1902. Each steamship would be fitted with a giant spring-loaded plunger; if the ship strikes a solid object, the plunger will cushion its stop and automatically reverse the engines, sending the ship backward out of danger.

“As soon as she is backed off the springs 10 and 16 restore the plunger 8 and head 15 to their normal positions ready for like service upon the next occasion.”

Looking Up

Planetary economy will be a determining factor in the change of diet which the coming century must inevitably witness. Such a wasteful food as animal flesh cannot survive: and even apart from the moral necessity which will compel mankind, for its own preservation, to abandon the use of alcohol, the direct and indirect wastefulness of alcohol will make it impossible for beverages containing it to be tolerated. Very likely tobacco will follow it.

— T. Baron Russell, A Hundred Years Hence, 1905

Piggyback

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On Sept. 29, 1940, two Avro Anson training aircraft took off from a Royal Australian Air Force base near Wagga Wagga for a cross-country exercise over New South Wales. They were making a banking turn over Brocklesby when pilot Leonard Fuller lost sight of Jack Hewson’s plane beneath him, and the two collided with a “grinding crunch of metal and tearing of fabric.”

To his horror, Fuller found that the planes were now locked together. His own engines had been knocked out by the collision, but Hewson’s were still functioning, and he could still manipulate his own ailerons and flaps, so he found he could control the lumbering pair as one aircraft.

After the crew of the lower plane had bailed out, along with his own navigator, Fuller flew an additional five miles and made an emergency landing in a paddock, where he slid 200 yards to a safe stop. “I did everything we’ve been told to do in a forced landing,” he told air accident inspector Arthur Murphy. “Land as close as possible to habitation or a farmhouse and, if possible, land into the wind. I did all that. There’s the farmhouse, and I did a couple of circuits and landed into the wind. She was pretty heavy on the controls, though.”

Fuller was credited with saving £40,000 worth of military hardware and preventing any damage or injury in Brocklesby, and his plane was even returned to service. He died four years later in a road accident.

Foot Work

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“When you come to the evolution of the dance, its history and philosophy, I know as much about that as I do about how a television tube produces a picture — which is absolutely nothing. I don’t know how it all started and I don’t want to know. I have no desire to prove anything by it. I have never used it as an outlet or as a means of expressing myself. I just dance.” — Fred Astaire

High and Dry

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In 1859, Irish priest Edward James Cordner reflected that most strandings of sailing vessels occurred on a lee shore; that is, the wind was blowing inland from the vessel’s location. This gave him an inspired idea: If the ship carried a selection of kites, these could be attached one to another and payed out until they sailed steadily over the land, and the line might then support a sort of gondola that could ferry crew and cargo to safety.

When a sufficient power of elevation and traction has been attained, a light boat of basketwork or other material, capable of containing one or more persons, is attached to the suspending rope of the last kite, more rope is then veered away and the light boat with its cargo will eventually reach the land without any chance of its being submerged in the sea, no matter how great may be the elevation of the waves.

It’s not known whether Cordner’s idea was ever adopted, but he does seem to have tried it out: In his 1894 Progress in Flying Machines, Octave Chanute reports that “it was tested by transporting a number of persons purposely assembled on a rock off the Irish coast, one at a time, through the air to the main land, quite above the waves, and it was claimed that the invention of thus superposing kites so as to obtain great tractive power was applicable to various other purposes, such as towing vessels, etc.”

Extra

On Feb. 6, 1898, a worker preparing the front page of the New York Times added 1 to that day’s issue number, 14,499, and got 15,000.

Amazingly, no one caught the error until 1999, when 24-year-old news assistant Aaron Donovan tallied the dates since the paper’s founding in 1851 and found that the modern issue number was 500 too high.

So on Jan. 1, 2000, the paper turned back the clock, reverting from 51,753 to 51,254.

“There is something that appeals to me about the way the issue number marks the passage of time across decades and centuries,” Donovan wrote in a memo. “It has been steadily climbing for longer than anyone who has ever glanced at it has been alive. The 19th-century newsboy hawking papers in a snowy Union Square is in some minute way bound by the issue number to the Seattle advertising executive reading the paper with her feet propped up on the desk.”

See Time-Machine Journalism and Erratum.

Unquote

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“How wonderful opera would be if there were no singers.” — Gioacchino Rossini

“No good opera plot can be sensible, for people do not sing when they are feeling sensible.” — W.H. Auden

“People are wrong when they say that the opera isn’t what it used to be. It is what it used to be — that’s what’s wrong with it!” — Noël Coward

Silverton Bobbie

silverton bobbie

In 1923, the Brazier family traveled from Oregon to Indiana, bringing their 2-year-old collie/shepherd mix, Bobbie. They were separated in Wolcott, Ind., when Bobbie was chased off by a group of local dogs, and after three weeks the family reluctantly returned to Oregon.

Exactly six months later, the family’s youngest daughter was walking down a Silverton street when she recognized a bedraggled dog. At her voice he “fairly flew at Nova, leaping up again and again to cover her face with kisses and making half-strangled, sobbing sounds of relief and delight as if he could hardly voice his wordless joy.”

He had traveled more than 2,500 miles. He was identified by three scars, and by letters the family later received from people who had housed and fed him along the way. The “wonder dog” received national publicity, and well-wishers gave him a jewel-studded harness, a silver collar, keys to various cities, and “a miniature bungalow, which weighed about nine hundred pounds, with eight windows curtained with silk.” He died in 1927, and Rin Tin Tin laid a wreath on his grave.