Indivisible

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Why do we say “The United States is” rather than “The United States are”? The founding fathers tended to use are — in 1783 John Adams wrote, “The United States are another object of debate,” and the 13th Amendment declares that slavery shall not exist “within the United States, or any place subject to their jurisdiction.”

The standard answer is that the Civil War established the country as a unified nation in the modern consciousness. In 1887 a writer in the Washington Post declared that the war had “settled forever the question of grammar. … The surrender of Mr. Davis and Gen. Lee meant a transition from the plural to the singular.” “Since the civil war the tendency has been toward such use,” confirmed John W. Foster in the New York Times in 1901.

It’s not quite so simple, of course — authoritative writers can be found who used is before the war or are afterward. William Cullen Bryant banned the singular use from the New York Post in 1870, and Ambrose Bierce was pressing for the plural as late as 1909. (In 1881 New Englander C.H.J. Douglas proposed “The United State of America,” but he got nowhere.)

But the standard answer is essentially true. “The rebellion made the State rights and State sovereignty idea very obnoxious to loyal people, and gave corresponding prominence and popularity to the idea of nationality,” observed the New York Times in 1895. “The United States is, not are,” concluded Carl Sandburg in 1958. “The Civil War was fought over a verb.”

A Modest Proposal

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Are we getting lazy, or are our business demands so urgent that great haste in our personal locomotion is absolutely necessary? I am prompted to ask this question because one enthusiast has suggested the peculiar sloping roadways illustrated in Fig. 3. The idea is that by constructing the roads in this rather tantalizing manner, pedestrians could, when they desired, leave the pavement, and after having applied roller-skates to their feet, just stand erect at the top of the slope, and allow themselves to travel down without further effort — unless it be to maintain their equilibrium or to avoid violent contact with fellow-skaters. Arrived at the bottom of a slope, steps would have to be climbed — a difficult matter, by the way, whilst one’s feet are encased in skates — before other slopes could be reached. Certainly, if a very long street were so formed, speed would be assured. But how about vehicles? Where would they be accommodated? I suppose that they would take to the pavements, crossing from one to another by means of the square levels at the street ends. As a pastime, perhaps, this means of progress might be amusing; but it is too ludicrous to commend itself as a serious invention, calculated to be popular in our busy centres of commerce, or, for the matter of that, anywhere within our realms.

— James Scott, “Eccentric Ideas,” Strand, March 1895

Between the Lines

Read the first letter of each sentence of the preface of Transport Phenomena, a 1960 chemical engineering textbook by Robert Bird, Warren Stewart, and Edwin Lightfoot, and you’ll discover the message THIS BOOK IS DEDICATED TO O.A. HOUGEN.

In the second edition, the initial letters of successive paragraphs spell the word WELCOME.

In the afterword, they spell ON WISCONSIN.

South of Paradise

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Image: Wikimedia Commons

A village in southeastern Michigan (population 45) has, for years, been enjoying a tourist boom. People would come from all over just to be able to mail a card postmarked Hell or to purchase bumper stickers for their cars stating ‘WE’VE BEEN THROUGH HELL!’ In addition to this attraction, the village has lately acquired a reputation as a marriage mill. Seventy two couples were wed there in 1965 and 61 the following year, a large percentage of them having been divorced at least once. One couple is alleged to have told the local justice of the peace that since they’d already been through Hell twice, they might just as well start there.

— Robert M. Rennick, “Obscene Names and Naming in Folk Tradition,” in Names and Their Varieties, 1986

Brady’s Leap

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Frontiersman Samuel Brady was being chased through northern Ohio by a band of Sandusky Indians in 1780 when he found his way blocked by the Cuyahoga River:

“He made his way to Standing Rock, and intended to cross at that ford, but the Indians were awaiting him, and he ran farther along the bank, to a place where the rocks rose at some points to a height of twenty-five feet. The body of the river at the narrowest part was from twenty-three to thirty feet wide, and was deep and dangerous. There was no other ford than Standing Rock for miles, and the Indians felt assured of their prize, but faint heart was not known to the Captain of the Rangers, and even a rushing torrent of water did not stop him in his course. Gaining a less precipitous edge of the cliff, he ran back into the forest, to get a good start, and was so near the approaching red men, that he heard their shots and exclamations. Across the expanse of water, at a height of probably twenty or twenty-five feet, he bounded, and with the eye of a practiced marksman, struck the bank on the other side, and stood on the cliff, as the wild yell and wilder appearance of the first pursuer denoted his disappointment and rage.”

Could this have happened as described? The river is broader and its banks much lower than in former times, so it’s hard to judge. The best evidence I can find supporting the tradition is an 1856 letter by Frederick Wadsworth, who writes that “many years ago” he had visited the spot with a companion who had heard the tale from Brady himself. “We measured the river where we supposed the leap was made, and found it between twenty-four and twenty-six feet; my present impression is that it was a few inches less than than twenty-five feet. There were bushes and evergreens growing out of the fissures in the rock on each side of the stream. He jumped from the west to east side; the banks on each side of the stream were nearly of the same height, the flat rock on the west side descending a very little from the west to the east.” Decide for yourself.

(Thanks, Mike.)

Unquote

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“He who fears death either fears to lose all sensation or fears new sensations. In reality, you will either feel nothing at all, and therefore nothing evil, or else, if you can feel any sensations, you will be a new creature, and so will not have ceased to have life.” — Marcus Aurelius

Limericks

A bookworm in Kennebunk, Me.,
Found pleasure in reading Monte.,
He also liked Poe
And Daniel Defoe,
But the telephone book caused him pe.

There’s a girl out in Ann Arbor, Mich.,
To meet whom I never would wich.
She’d gobble ice cream
Till with colic she’d scream,
Then order another big dich.

As he filled up the order book pp.,
He said, “I should get higher ww.”
So he struck for more pay,
But alas, now, they say,
He is sweeping out elephants’ cc.

Both Sides Now

Bach’s “crab canon” rendered as a Möbius strip:

Bach and Handel were both blinded by the same oculist, John Taylor, “the poster child for 18th-century quackery,” according to University of Wisconsin ophthalmologist Daniel Albert. Bach probably died of a post-operative infection; Handel wrote the lyrics to Samson (“Total eclipse! No sun, no moon! / All dark amidst the blaze of noon!”) after Taylor’s botched cataract surgery.

Random Möbius anecdote: In 1957, B.F. Goodrich patented a half-twisted conveyor belt for carrying hot material such as cinders and foundry sand, “thereby permitting each face of the belt to cool during one half of the operating period.”