Atlantropa

atlantropa

Herman Sörgel thought big. In the 1920s the German architect proposed damming Gibraltar and draining the Mediterranean to unite Europe and Africa into a new supercontinent. The century-long project would create land, food, and power to support an industrial economy to rival those of Asia and the Americas, and it would provide Lebensraum in North Africa for an overpopulated Europe.

The Nazis had no interest in Sörgel’s idea, but he found support among leading engineers both before and after the war. In a Zürich speech in 1932, architect Erich Mendelsohn pressed for a supranational New Deal that would unite Europe in “productive technical world tasks,” and the Atlantropa Institute persisted until 1960, eight years beyond its founder’s death.

In 1977 Popular Mechanics evaluated the plan and found it would require a dam 18 miles long and up to 1,000 feet deep and 1,500 feet wide at its base. The volcanic Mediterranean seafloor, relieved of all that weight, might react in eruptions and earthquakes, and the sea level everywhere else in the world would rise by three feet. “Worst of all, England would no longer control the Straits of Gibraltar,” the editors concluded drily. “Well, you can’t have everything.”

(Thanks, Michael.)

“Notice of a Double Fish”

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The annexed drawing represents a pair of cat-fish, (a species of Silurus? L.) which were taken alive in a shrimp net, at the mouth of Cape Fear river, near Fort Johnston, N.C., in August, 1833, and presented to Professor Silliman. One of them is three and a half, the other two and a half, inches long, including the tail,–the smallest, emaciated and of sickly appearance. They are connected in the manner of the Siamese twins, by the skin at the breast, which is marked by a dark streak, at the line of union. The texture and color otherwise, of this skin is the same as that of the belly. The mouth, viscera, &c., were entire and perfect in each fish …

When these fish came into existence it is probable they were of almost equal size and strength, but one ‘born to better fortune,’ or exercising more ingenuity and industry, than the other, gained a trifling ascendency, which he improved to increase the disparity, and by pushing his extended mouth in advance of the other, seized the choicest and most of the food for himself. Yet though he probably hated the incumbrance of his companion, and wished the ‘marriage tie cut asunder,’ he afforded protection to his ‘weaker half,’ and could not eat it without swallowing himself.

American Journal of Science and Arts, July 1834

Solresol

Jean-François Sudre had a unique thought in 1817: If people of different cultures can appreciate the same music, why not develop music itself into an international language?

The result, which he called Solresol, enlists the seven familiar notes of the solfeggio scale (do, re, mi …) as phonemes in a vocabulary of 2,600 roots. Related words share initial syllables; for example, doremi means “day,” dorefa “week,” doreso “month,” and doredo the concept of time itself. Pleasingly, opposites are indicated simply by reversing a word — fala is “good,” and lafa is “bad.”

Sudre developed this in various media: In addition to a syllable, each note was also assigned a number and a color, so that words could be expressed by knocks, blinking lights, signal flags, or bell strikes as well as music.

“Imagine for a moment a universal language, translatable to colour, melody, writing, touch, hand signals, and endless strings of numbers,” writes author Paul Collins. “Imagine now that this language was taught from birth to be second nature to every speaker, no matter what their primary language. The world would become saturated with hidden meanings. Music would be transformed, with every instrument in the orchestra engaged in simultaneous dialogue. … [T]he beginning of Beethoven’s Fifth seems to talk about ‘Wednesday’ … Needless to say, obsessive fans who already hear secret messages in music would not do their mental stability any favors by learning Solresol.”

Sudre was hailed as a genius in his lifetime, and he collected awards at world exhibitions in Paris and London, but he died before his first grammar was published. An international society promoted the language until about World War I, but in the end it lost adherents to Esperanto, which was considered easier to learn.

Shoehorn Poetry

From King John, six feet in five lines:

shoehorn poetry

One critic called this the best line in Shakespeare — Lear’s reaction to Cordelia’s death:

LEAR: Never, never, never, never, never!

Perhaps inspired, Sydney Dobell included this passage in his 1854 poem Balder:

You crowded heavens that mine eyes left but now
Shining and void and azure! — Ah! ah! ah!
Ah! ah! ah! ah! ah! ah! ah! ah! ah! ah!
By Satan! this is well. What! am I judged?

Harvard scholar Jerome Hamilton Buckley called this “a unique expression of gasping despair” and “surely the most remarkable line of English blank verse.” Perhaps it is.

Road Work

At noon on a spring day in Paris some years ago, an old motor truck broke down in the center of the Place de l’Opéra, requiring the driver to spend a half hour under it to make the repair. After apologizing for the trouble he had caused the policemen who had been directing the traffic around him, the truckman drove away — to collect several thousand dollars from friends who had bet that he could not lie on his back for 30 minutes at the busiest hour in the middle of the busiest street in Paris. He was Horace De Vere Cole, England’s celebrated practical joker.

Collier’s, 1948

A Walk in the Woods

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On Aug. 4, 1913, a naked Joe Knowles walked into the forest of northwestern Maine. On Oct. 4 he walked out again wearing a bear skin. In the interval, he said, he’d spent two months living entirely by his wits in the wilderness.

The “modern primitive man” drew thousands at public appearances; Harvard physicians praised his conditioning; and his account of the adventure, Alone in the Wilderness, sold 300,000 copies.

“Any man of fair health could do the same thing, provided he meant business and kept his head,” Knowles wrote. “But, to the best of my knowledge, no other man in the history of civilization ever did what I did; and for that reason the people are marveling at it.”

Knowles’ exploit had been funded by the Boston Post, and in December the rival American claimed that he’d spent most of the time in a lakeside cabin. Knowles denied this vociferously, and he entered the woods twice more to prove it, funded by the American‘s parent. Without witnesses it’s hard to know who’s right; the truth, whatever it was, died with Knowles in 1942.

Divestock

The following extraordinary accident occurred about five o’clock on the morning of Friday, the 14th of November, 1817, in Caermarthen: — As a drove of oxen were passing through Spilman-street, one of them strayed to the Castle-green, whence, in his headlong course, he fell over the precipice facing the bridge, upon a house, of which the inhabitants were asleep in bed. It will naturally be supposed, that the terror and alarm excited on the occasion were great. Fortunately, however, part of the roof fell in, while the ox was balancing athwart a beam, exactly over a bed, in which were two children, fast asleep, and who were awakened by a rafter falling upon the bed. The parents had hardly removed these poor children from their perilous situation, when the beam, giving way, fell with its burden upon the bed. Notwithstanding all the alarm and bustle created by this occurrence, we are happy to add, no personal injury was sustained on the occasion; and what is remarkable, the ox does not appear to have suffered materially from this extraordinary descent.

Gloucester Herald-Times, Nov. 27, 1817

In Inverness in 1954, a cow escaped an auction market through an unsecured gate, climbed a stairway over a shop, fell through the floor, and in her struggles turned on a tap, which flooded the shop.

The shopkeeper sued the auctioneers, but the judge declared himself “forced to the conclusion that a gate-crashing, stair-climbing, floor-bursting, tap-turning cow is something sui generis, for whose depredations the law affords no remedy unless there was foreknowledge of some such propensities.”

Hot Air

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The promise of the balloon led equally to rhapsody and raillery in the early 19th century. In 1804 an inventor named Robertson reached the pinnacle of self-satire by proposing “an aerial vessel destined for discoveries” that might tour the world. The Minerva would carry 150,000 pounds, he said, and accommodate 60 passengers:

“The cock (3) is the symbol of watchfulness; it is also the highest point of the balloon. An observer, getting up through the interior to the point at which the watchful fowl is placed, will be able to command the best view to be had in the ‘Minerva.’ The wings at the side (1 and 2) are to be regarded as ornamental. The balloon will be 150 feet in diameter, made expressly at Lyons of unbleached silk, coated within and without with india-rubber. This globe sustains a ship, which contains or has attached to it all the things necessary for the convenience, the observations, and even the pleasures of the voyagers.”

(a) “A small boat, in which the passengers might take refuge in case of necessity, in the event of the larger vessel falling on the sea in a disabled state.”
(b) “A large store for keeping the water, wine, and all the provisions of the expedition.”
(cc) “Ladders of silk, to enable the passengers to go to all parts of the balloon.”
(e) “Closets.”
(h) “Pilot’s room.”
(l) “An observatory, containing the compasses and other scientific instruments for taking the latitude.”
(g) “A room fitted up for recreations, walking, and gymnastics.”
(m) “The kitchen, far removed from the balloon. It is the only place where a fire shall be permitted.”
(p) “Medicine room.”
(v) “A theatre, music room, &c.”
— “The study.”
(x) “The tents of the air-marines, &c. &c.”

“This balloon is certainly the most marvellous that has ever been imagined — quite a town, with its forts, ramparts, cannon, boulevards, and galleries,” noted Fulgence Marion in Wonderful Balloon Ascents (1874). “One can understand the many squibs and satires which so Utopian a notion provoked.”