Parting Words

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Dear Betty:

I hate you.

Love,

George

— Suicide note quoted in Marc Etkind, Or Not to Be: A Collection of Suicide Notes, 1997

From the agony I have been through for no reason whatever I can only come to the logical conclusion that if there is a god that he is not so good as is made out.

— A young clerk’s suicide note, quoted in Olive Anderson, Suicide in Victorian and Edwardian England, 1987

Kids, if there are any errors in this letter, I did not proof it carefully.

— From the 1985 suicide note of Cleveland superintendent of schools Frederick Holliday, who shot himself in a high school stairwell on learning that the school board planned to oust him

In 1930, San Quentin death row inmate William Kogut removed one of the hollow steel legs from his cot, stuffed it with red pips torn from from several packs of playing cards, and soaked them with water. Then he plugged one end of the pipe with a broom handle, rested it on a kerosene heater, and held the open end against his head. The red ink contained enough nitrocellulose to cause an explosion that drove the card fragments into Kogut’s head, killing him.

His note to the warden said that he was punishing himself for the murder of Mayme Guthrie. “Do not blame my death on any one because I fixed everything myself,” he wrote. “I never give up as long as I am living and have a chance, but this is the end.”

Presidential Wordplay

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In 1936, as Franklin Roosevelt campaigned for re-election against Republican Alf Landon, a group from Wall Street’s financial district sponsored a competition to find the best anagram for FRANKLIN DELANO ROOSEVELT. The winner was VOTE FOR LANDON ERE ALL SINK.

During the 1980 campaign, Jimmy Carter was accused of reversing his position on several issues to maintain his popularity. Edward Scher of New York University coined the palindrome TO LAST, CARTER RETRACTS A LOT.

Carter lost that election to Ronald Reagan, who inspired Howard Bergerson to compose a “press conference” in 1982 using only the letters in RONALD WILSON REAGAN. Here the Gipper describes his foreign policy:

We are sworn nonaggressors; we need law and order, we disallow war as lawless and senseless, and in a larger sense we also regard war as, now and again, needed. A needed war is no dead end or swan song, nor need we ride in war as no-good sinners on genderless geldings! We need androgens and derring-do! We need Old Glories, and seasoned soldiers garrisoned worldwide, generals in golden regalia, and raised dander! We need all-seeing, world-girdling radar, seagoing sonar and liaison ensigns, newer DEW lines and earlier NORAD warnings, larger arsenals and deadlier arrows in silos, R-and-D on lasers, and goodlier anger! We need no ring-a-ding dissensions and wild-goose rallies, nor do we need addled ding-a-ling diagnoses on wielding dread winged swords and daggers — or on wielding God’s own grenades! Ordained grenadiers alone assess, and ordained godlings alone will wield Gold’s sidereal grenades riding on Odin’s arrows. Godless Leningrad warlords and roodless, religionless Red warriors sold on Red-engendered Warsaw agreeings are as sidling sidewinders in loose sand! In nine innings (I disdain gridiron analogies) we will win — no one is dawdling! We are leaning on oars! We and God will engage all Red raiders, and, God willing, we will win odds-on! No one dragoons or goads God!

Reagan’s name can also be rearranged to spell INSANE ANGLO WARLORD.

Words and Numbers

If the English names of the natural numbers are spelled out consecutively, what letter occurs most frequently? In 1981 Frank Rubin showed that I never overtakes E in this race. When we reach NINE HUNDRED NINETY-NINE, the letter E has appeared 3,130 times, while I has appeared only 1,310. After NINE HUNDRED NINETY-NINE THOUSAND NINE HUNDRED NINETY-NINE, each of the names ONE through NINE HUNDRED NINETY-NINE has appeared 1,000 times to the left of the word THOUSAND and 999 times to the right, so at the ONE MILLION mark I has appeared 2,620,000 times and E 6,260,000.

When we reach ONE BILLION, I has had a bit of a boost by appearing 1,998,000,000 times in the word MILLION, but it’s not enough: At this point E has appeared 9,390,000,000 times and I only 5,928,000,000.

The gap is never closed. It narrows if an -illion word has two or more Is and no Es, but if E also appears (SEXTILLION, SEPTILLION) then it widens. I makes its closest approach at ONE SEXTILLION, when we’ve racked up 2.0159 × 1022 Is and 2.191 × 1022 Es.

In fact, the only letters that ever surpass E, anywhere in the sequence, are O at the end of TWO and T before THREE is spelled out.

(“Colloquy,” Word Ways, November 1981)

Fading Words

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William Barnes (1801-1886) loved language too well. He had written poetry in Standard English from an early age, but in his 30s he switched to the local Dorset dialect, which he felt was more linguistically pure:

Oh! it meäde me a’most teary-ey’d,
An’ I vound I a’most could ha’ groan’d —
What! so winnèn, an’ still cast azide —
What! so lovely, an’ not to be own’d;
Oh! a God-gift a-treated wi’ scorn
Oh! a child that a squier should own;
An’ to zend her awaÿ to be born! —
Aye, to hide her where others be shown!

A philological scholar, he had come to feel that Dorset speech, true to its Anglo-Saxon origins, was the least corrupted form of English, and best suited to paint scenes of rural life. “To write in what some may deem a fast out-wearing speech-form may seem as idle as the writing of one’s name in snow on a spring day,” he wrote. “I cannot help it. It is my mother tongue, and it is to my mind the only true speech of the life that I draw.”

His contemporary admirers included Tennyson, Gerard Manley Hopkins, and Thomas Hardy, but unfortunately he was right: As Standard English increasingly outmoded his beloved dialect, his poems passed into an undeserved obscurity.

“Had he chosen to write solely in familiar English, rather than in the dialect of his native Dorsetshire, every modern anthology would be graced by the verses of William Barnes,” wrote Charles Dudley Warner. “By reason of their faithfulness to everyday life and to nature, and by their spontaneity and tenderness, his lyrics, fables, and eclogues appeal to cultivated readers as well as to the rustics whose quaint speech he made his own.”

Last Words

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Suicide notes left by people jumping from the Golden Gate Bridge, gathered by Marc Etkind for Or Not to Be: A Collection of Suicide Notes, 1997:

“This is where I get off.” — Harold W., the first suicide, three months after the bridge opened, 1937

“Absolutely no reason except I have a toothache.” — 49-year-old John Thomas D.

“I am sorry … I want to keep dad company.” — 24-year-old Charles G. Jr., whose father had jumped four days earlier

“Do not notify my mother. She has a heart condition.” — Steven H., the 500th person to jump

“Why do they leave this so easy for suicide? Barbed wires would save a lot of lives.” — A 72-year-old man

“I and my daughter have committed suicide.” — A man who jumped with his 5-year-old daughter

“Loved Ones: My nerves are shot. Please forgive me. Chris” — A member of the San Francisco board of supervisors. This was a fake — he turned up a year later selling Bibles in Houston.

One person leapt with $36 in his mouth. “What he meant by this gesture is open to interpretation.”

“Obvious reasons for the bridge’s popularity are that it is easy and effective,” Etkind writes, “but there must be something more, for many suicides travel over the equally effective and accessible Oakland Bridge just to jump off the Golden Gate.”

Last Words

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On Dec. 6, 1917, an overnight express train bearing 300 passengers was approaching Halifax, Nova Scotia, when an unexpected message arrived by telegraph:

“Hold up the train. Ammunition ship afire in harbor making for Pier 6 and will explode. Guess this will be my last message. Good-bye boys.”

The train stopped safely before the burning French cargo ship Mont-Blanc erupted with the force of 2.9 kilotons of TNT, the largest manmade explosion before the advent of nuclear weapons.

The blast killed 2,000 residents, including train dispatcher Vince Coleman. He had remained at work in the telegraph office, sending warnings, until the end.

Words and Numbers

A common error resulting from bad penmanship is the substitution of letters for figures, or the reverse: thus, in the report of a coal-market, where the writer intended to say that there was an over-supply of egg size, the types laid that there was an over-supply of 299; similarly, where a writer described a house with zigzag staircases, he was made to give it the extraordinary number of 219,209 staircases. In an obituary notice of Sidney Godolphin Osborne, the London Times described him as the author of the celebrated tract ‘No Go,’ when what the writer meant was the tract No. 90. But no similar excuse can be urged for the printer who made Tennyson’s famous lines read,–

Into the valley of death
Rode the 600.

— William Shepard Walsh, Handy-Book of Literary Curiosities, 1909

Word Ladders

On Christmas Day 1877, assailed by two young ladies with “nothing to do,” Lewis Carroll invented a new “form of verbal torture”: Presented with two words of the same length, the solver must convert one to the other by changing a single letter at a time, with each step producing a valid English word. For example, HEAD can be converted to TAIL in five steps:

HEAD
HEAL
TEAL
TELL
TALL
TAIL

Carroll called the new pastime Doublets and published it in Vanity Fair, which hailed it as “so entirely novel and withal so interesting, that … the Doublets may be expected to become an occupation to the full as amusing as the guessing of the Double Acrostics has already proved.”

In some puzzles the number of steps is specified. In Nabokov’s Pale Fire, the narrator describes a friend who was addicted to “word golf.” “He would interrupt the flow of a prismatic conversation to indulge in this particular pastime, and naturally it would have been boorish of me to refuse playing with him. Some of my records are: HATE-LOVE in three, LASS-MALE in four, and LIVE-DEAD in five (with LEND in the middle).” I’ve been able to solve the first two of these fairly easily, but not the last.

But even without such a constraint, some transformations require a surprising number of steps. Carroll found that 10 were required to turn BLUE into PINK, and in 1968 wordplay expert Dmitri Borgmann declared himself unable to convert ABOVE into BELOW at all.

In a computer study of 5,757 five-letter English words, Donald Knuth found that most could be connected to one another, but 671 could not. One of these, fittingly, was ALOOF. In the wider English language, what proportion of words are “aloof,” words that cannot be connected to any of their fellows? Is ALOOF itself one of these?

In 1917 Sam Loyd and Thomas Edison made this short, which plays with similar ideas. The goat at the end was animated by Willis O’Brien, who would bring King Kong to life 16 years later: