Search Results for: in a word

Footloose

A visitor’s description of William Kingston, a Somerset farmer born without arms, recounted in John Platts, Encyclopedia of Natural and Artificial Wonders and Curiosities, 1876:

He highly entertained us at breakfast, by putting his half-naked feet upon the table as he sat, and carrying his tea and toast between his great and second toe to his mouth, with as much facility as if his foot had been a hand, and his toes fingers. … He then shewed me how he shaves himself with the razor in his toes; and he can comb his own hair. He can dress and undress himself, except buttoning his clothes. He feeds himself, and can bring both his meat or his broth to his mouth, by holding the fork or spoon in his toes. He cleans his own shoes, lights the fire, and does almost any domestic business as well as any other man. … He can milk his cows with his toes, and cuts his own hay, binds it up in bundles, and carries it about the field for his cattle. Last winter he had eight heifers constantly to fodder. The last summer he made all his hay-ricks. He can do all the business of the hay-field (except mowing) as fast and as well with his feet as others can with rakes and forks. … In a word, he can nearly do as much without as others can with their arms.

| Oddities

Beg Pardon

I think I mentioned this on the podcast at some point: One summer morning in 1815, proprietor William Butterfield opened the White Wells at Ilkley, West Yorkshire, to a sound of whirring:

All over the water and dipping into it was a lot of little creatures, all dressed in green from head to foot, none of them more than eighteen inches high, and making a chatter and jabber thoroughly unintelligible. They seemed to be taking a bath, only they bathed with all their clothes on.

Soon, however, one or two of them began to make off, bounding over the walls like squirrels. Finding they were all making ready for decamping, and wanting to have a word with them, he shouted at the top of his voice — indeed, he declared afterwards, he couldn’t find anything else to say or do — ‘Hallo there!’ Then away the whole tribe went, helter skelter, toppling and tumbling, heads over heels, heels over heads, and all the while making a noise not unlike a disturbed nest of young partridges.

That’s the account recorded by Charles C. Smith in the Folk-Lore Record of 1878. Butterfield had died in 1844, but Smith had the story from his associate John Dobson, who described the bathman as “a good sort of a man, honest, truthful, and steady, and as respectable a fellow as you could find here and there.” The fairies made no comment.

| Oddities

Delighted

Josiah Winslow’s programming language Bespoke encodes instructions into the lengths of words, producing programs that look like poetry. This one prints the phrase “Hello, World!”:

more peppermint tea?
ah yes, it's not bad
I appreciate peppermint tea
it's a refreshing beverage

but you immediately must try the gingerbread
I had it sometime, forever ago
oh, and it was so good!
made the way a gingerbread must clearly be 
baked

in fact, I've got a suggestion
I may go outside
to Marshal Mellow's Bakery
so we both receive one

Related: In the early 1980s, Frank Hayes was so vexed with the S-100 computer bus that he wrote a sea shanty about it:

(Thanks, Jeremiah.)

| Technology

Expanding Knowledge

https://commons.wikimedia.org/wiki/File:Meno_(Socrates)_drawing_29.gif
Image: Wikimedia Commons

Each side of the yellow square is 2 feet long. In the Meno, Socrates asks a slave boy how long would be the side of a square that had twice the yellow square’s area. The boy guesses first 4 feet, then 3, and finds himself at a loss.

Socrates builds a square four times the size of the yellow one, then divides each of its constituent squares in half with a diagonal. The area of the blue square is thus twice that of the yellow one, and its side has the length we’d sought.

“Some things I have said of which I am not altogether confident,” Socrates tells Meno. “But that we shall be better and braver and less helpless if we think that we ought to enquire, than we should have been if we indulged in the idle fancy that there was no knowing and no use in seeking to know what we do not know; that is a theme upon which I am ready to fight, in word and deed, to the utmost of my power.”

| Science & Math

Otherwise Stated

Another exercise in linguistic purism: In his 1989 essay “Uncleftish Beholding,” Poul Anderson tries to explain atomic theory using Germanic words almost exclusively, coining terms of his own as needed:

The firststuffs have their being as motes called unclefts. These are mightly small; one seedweight of waterstuff holds a tale of them like unto two followed by twenty-two naughts. Most unclefts link together to make what are called bulkbits. Thus, the waterstuff bulkbit bestands of two waterstuff unclefts, the sourstuff bulkbit of two sourstuff unclefts, and so on. (Some kinds, such as sunstuff, keep alone; others, such as iron, cling together in ices when in the fast standing; and there are yet more yokeways.) When unlike clefts link in a bulkbit, they make bindings. Thus, water is a binding of two waterstuff unclefts with one sourstuff uncleft, while a bulkbit of one of the forestuffs making up flesh may have a thousand thousand or more unclefts of these two firststuffs together with coalstuff and chokestuff.

Reader Justin Hilyard, who let me know about this, adds, “This sort of not-quite-conlang is still indulged in now and then today; it’s often known as ‘Anglish’, after a coining by British humorist Paul Jennings in 1966, in a three-part series in Punch magazine celebrating the 900th anniversary of the Norman conquest. He also wrote some passages directly inspired by William Barnes in that same Germanic-only style.”

Somewhat related: In 1936 Buckminster Fuller explained Einstein’s theory of relativity in a 264-word telegram.

(Thanks, Justin.)

| Language · Science & Math

Mixed Media

https://commons.wikimedia.org/wiki/File:Nabokov%27s_butterfly_crossword.jpg

Vladimir Nabokov composed this puzzle for his wife Véra in 1926. The title, “Crestos lovitxa Sirin,” roughly means “Nabokov’s crossword”: krestlovitska approximates the Russian kreslovitsa, “cross” plus “words”, and Sirin is a pseudonym Nabokov often used, a reference to the creatures of Russian mythology. The upper half of each wing contains the grid, the lower the clues.

Nabokov, a trained entomologist, had published the first crossword in Russian two years earlier. Forty years later, in the Paris Review, he likened writing a novel to creating a crossword: “The pattern of the thing precedes the thing. I fill in the gaps of the crossword at any spot I happen to choose.”

(Adrienne Raphel, The Crossword Mentality in Modern Literature and Culture, dissertation, Harvard University, 2018.)

| Literature

Associate Degrees

In 1988, traversing synonyms in the Merriam-Webster Collegiate Dictionary, A. Ross Eckler found his way from TRUE to FALSE:

TRUE-JUST-FAIR-BEAUTIFUL-PRETTY-ARTFUL-ARTIFICIAL-SHAM-FALSE

He found his way back again by a different route:

FALSE-UNWISE-FOOLISH-SIMPLE-UNCONDITIONAL-ABSOLUTE-POSITIVE­-REAL-GENUINE-TRUE

He was using the dictionary’s ninth edition; see the article below for his conventions regarding qualifying synonyms. Two more examples:

BAD-POOR-MEAN-PENURIOUS-STINGY-CLOSE-SECRET-FURTIVE-SLY-CUNNING-CLEVER-GOOD

GOOD-CLEVER-CUNNING-SLY-FURTIVE-SECRET-TICKLISH-CRITICAL-ACUTE-SHARP-HARSH-ROUGH-INDELICATE-INDECOROUS-IMPROPER-INCORRECT-WRONG-SINFUL-WICKED-EVIL-BAD

LIGHT-BRIGHT-CLEVER-CUNNING-SLY-FURTIVE-SECRET-HIDDEN-OBSCURE-DARK

DARK-OBSCURE-VAGUE-VACANT-EMPTY-FOOLISH-SIMPLE-EASY-LIGHT

Somewhat related: Lewis Carroll invented word ladders, in which one transforms one word into another by changing one letter at a time:

COLD-CORD-WORD-WARD-WARM

Each intermediate step must itself be an English word. Donald Knuth once used a computer to find links among 5,757 common five-letter English words. 671 of these, he found, were not connected to any other word in the collection. These he dubbed “aloof” — and noted that ALOOF itself is such a word.

(A. Ross Eckler, “Websterian Synonym Chains,” Word Ways 21:2 [May 1988], 100-101.)

| Language

The Arc of Narrative

In 2020, three researchers from UT Austin and Lancaster University examined 40,000 fictional narratives and discovered a consistent linguistic pattern. Articles and prepositions such as a and the are common at the start of a story, where they set the stage by providing information about people, places, and things. As the plot progresses, auxiliary verbs, adverbs, and pronouns become more common — words that are action-oriented and social. Near the end, “cognitive tension words” such as think, realize, and because become more common, words that reflect people trying to make sense of their world.

These patterns are consistent across novels, short stories, and amateur (“off-the-cuff”) stories. “If we want to connect with an audience, we have to appreciate what information they need, but don’t yet have,” said lead author Ryan Boyd. “At the most fundamental level, humans need a flood of ‘logic language’ at the beginning of a story to make sense of it, followed by a rising stream of ‘action’ information to convey the actual plot of the story.”

At this website you can view the graphs produced by various example narratives and even analyze your own.

(Ryan L. Boyd, Kate G. Blackburn, and James W. Pennebaker, “The Narrative Arc: Revealing Core Narrative Structures Through Text Analysis,” Science Advances 6:32 [2020], eaba2196.) (Thanks, Sharon.)

| Literature · Science & Math

“A Square Poem”

This poem, by Lewis Carroll, can be read line by line in the conventional way, but the same text results when it’s scanned “downward” in columns, reading the first word of each of the six lines, then the second, and so on:

I           often     wondered    when     I         cursed

Often       feared    where       I        would     be --

Wondered    where     she'd       yield    her       love,

When        I         yield,      so       will      she.

I           would     her         will     be        pitied!

Cursed      be        love!       She      pitied    me ...
| Language · Poems