Search Results for: in a word

Bootstraps

The 45-letter pneumonoultramicroscopicsilicovolcanoconiosis is often cited as one of the longest words in English — it’s been recognized both by Merriam-Webster and by the Oxford English Dictionary. The OED Supplement traced it to a 1936 puzzle book by Frank Scully called Bedside Manna, defining it as “a disease caused by ultra-microscopic particles of sandy volcanic dust.” But in fact it had appeared first in a Feb. 23, 1935, story in the New York Herald Tribune:

Puzzlers Open 103rd Session Here by Recognizing 45-Letter Word

Pneumonoultramicroscopicsilicovolcanoconiosis succeeded electrophotomicrographically as the longest word in the English language recognized by the National Puzzlers’ League at the opening session of the organization’s 103d semi-annual meeting held yesterday at the Hotel New Yorker.

The puzzlers explained that the forty-five-letter word is the name of a special form of silicosis caused by ultra-microscopic particles of silica volcanic dust …

At the meeting NPL president Everett M. Smith had claimed the word was legitimate, but in fact he’d coined it himself. Distinguished by the newspaper, it found its way into Scully’s book and thence into the dictionaries, “surely one of the greatest ironies in the history of logology,” according to author Chris Cole. Today it’s recognized as long but phony — Oxford changed its definition to “an artificial long word said to mean a lung disease caused by inhaling very fine ash and sand dust.”

(Chris Cole, “The Biggest Hoax,” Word Ways 22:4 [November 1989], 205-206.)

| Hoaxes · Language

Half Measures

https://archive.org/details/strand-1897-v-14/page/396/mode/2up?view=theater

When we read type we imagine that we read the whole of the type — but that is not so; we only notice the upper half of each letter. You can easily prove this for yourself by covering up the upper half of the line with a sheet of paper (being careful to hold the paper exactly in the middle of the letters), and you will not, without great difficulty, decipher a single word. Now place the paper over the lower half of a line, and you can read it without the slightest difficulty.

— George Lindsay Johnson, “Some Curious Optical Illusions,” Strand, October 1897

11/04/2024 UPDATE: In the experimental writing system Aravrit, devised by typeface designer Liron Lavi Turkenich, the upper half of each letter is Arabic and the lower half is Hebrew:

(Thanks to reader Djed F Re.)

| Language · Oddities

Why Not?

From a letter from English scholar Walter Raleigh to Mrs. F. Gotch, July 2, 1898:

Doe you lyke my newe phansy in the matere of Spelynge? I have growen wery of Spelynge wordes allwaies in one waye and now affecte diversite. The cheif vertew of my reform is that it makes the spelynge express the moode of the wryter. Frinsns, if yew fealin frenly, ye kin spel frenly-like. Butte if yew wyshe to indicate that thogh nott of hyghe bloode, yew are compleately atte one wyth the aristokrasy you canne double alle youre consonnantts, prollonge mosstte of yourre vowelles, and addde a fynalle ‘e’ wherevverre itte iss reququirred.

A later poem:

Wishes of an Elderly Man, Wished at a Garden Party, June 1914

I wish I loved the Human Race;
I wish I loved its silly face;
I wish I liked the way it walks;
I wish I liked the way it talks;
And when I’m introduced to one
I wish I thought What Jolly Fun!

| Language · Poems

The Territory

https://pixabay.com/illustrations/home-mountains-fantasy-floating-5889366/

Much blood has … been spilled on the carpet in attempts to distinguish between science fiction and fantasy. I have suggested an operational definition: science fiction is something that could happen — but usually you wouldn’t want it to. Fantasy is something that couldn’t happen — though often you only wish that it could.

— Arthur C. Clarke, foreword, The Collected Stories of Arthur C. Clarke, 2000

| Literature

Board Walk

Al writes the numbers 1, 2, …, 2n on a blackboard, where n is an odd positive integer. He then picks any two numbers a and b, erases them, and writes instead |a – b|. He keeps doing this until one number remains. Prove that this number is odd.

Click for Answer
| Puzzles

Ironically Apt

https://en.wikipedia.org/wiki/File:Fukuppy_logo.jpg

In 2013, Japanese refrigeration company Fukushima Industries introduced a new mascot, a happy winged egg:

“I fly around on my awesome wings, patrolling supermarket showcases and kitchen refrigerators. I can talk to vegetables, fruit, meat, and fish and can check on their health! I was born in a Fukushima refrigerator! I love eating and I’m full of curiosity. I think of myself as kind, with a strong sense of justice, but my friends say I’m a bit of a klutz. But I’m always working hard to make myself shine!”

Unfortunately the company named the character “Fukuppy,” a combination of Fukushima and the English word happy.

After the name began to make news in English-speaking countries, Fukushima issued an apology and withdrew it.

| Language

Catastrophe

In Seven Types of Ambiguity (1949), William Empson describes a particularly inscrutable English newspaper headline:

ITALIAN ASSASSIN BOMB PLOT DISASTER

Bomb and plot, you notice, can be either nouns or verbs, and would take kindly to being adjectives, not that they are anything so definite here. One thinks at first that there are two words or sentences, and a semicolon has been left out as in telegrams: ‘I will tell you for your penny about the Italian Assassin and the well-known Bomb Plot Disaster’; but the assassin, as far as I remember, was actually not an Italian; Italian refers to the whole aggregate, and its noun, if any, is disaster. Perhaps, by being so far separated from its noun, it gives the impression that the other words, too, are somehow connected with Italy; that bombs, plots, and disasters belong both to government and rebel in those parts; perhaps Italian Assassin is not wholly separate in one’s mind from the injured Mussolini.

In fact it’s not clear what the intended meaning had been. Empson says that the main rhythm conveys the sense “This is a particularly exciting sort of disaster, the assassin-bomb-plot type they have in Italy.” In The Wordsworth Book of Usage & Abusage (1995), Eric Partridge suggests that the writer may have meant ITALIAN DISASTER ASSASSIN’S BOMB-PLOT, “There has been in Italy a disaster caused by a bomb in an assassin’s plot.” But he agrees that “even after an exasperating amount of cogitation by the reader,” the meaning is unclear.

| Language